WHY:Well-structured storytelling with a powerful narrative exploring what some might consider a taboo topic. Educational and deeply personal, Franzblau takes her audience on her journey of self-discovery into her authentic sexual identity. Despite ratings and descriptors suggesting an adult audience, the storytelling remains respectful and accessible to all. Those attending with a sense of wonder rather than judgment will certainly enjoy this work.
WHY: It was 11pm and I was not sure what to expect as I walked into the theatre and saw a condom under my seat. As I sat down I knew this was going to be a wild ride and ooowee that it was. Joy is HILARIOUS! The way she takes up space despite her size and can hold a room in the palm of her hand with a pause in her voice… or the way she grins when even she knows what’s she’s said is over the top but true. Yes. She is hilarious. Yet that freedom, that deep ability to rouse laughter, is not an accident. Joy makes us laugh because she can pinpoint her pain, dissect it, sit with it and then see in between the moments. We’ve all thought we could fuck the pain away and Body Count reminds us we’re only running from ourselves. So let’s talk about it – Joy offers us this gift in a communal space and together we come to understand that loving someone unconditionally is healing and the best of times are right around the corner.
WHY: This beautifully acted and cleverly written solo play by Yelba Zoe McCourt is a smart and grounded discussion on the topic of identity and the immigrant experience in America. The main story follows the life journey of “Zoe” who starts out as a passionate supporter of Walter Mondale, turned actress turned nurse – constantly facing scrutiny and questions about her race and the all too familiar question “where are you REALLY from”.
When Zoe realizes she doesn’t know much about her background she unravels a family past that she has tried to bury in the past. There are moments of laughter as the fun and funny characters bring lighthearted energy at the beginning of the play, but a serious turn midpoint of the play and the reveal of her generational trauma pulls at your heart strings and brings not only tears but a deeper understanding toward the humans that suffer under our immigration policies. This show is powerful and thoroughly engaging.
Lots of love for sure, but there’s also the madness that comes with parenting. Melissa Greenspan’s show captures it all: highs, lows, pivots, love, tenderness, anxiety, perfect plans in an imperfect world. Her engaging and candid look at motherhood made me go home and text my daughter. This is the perfect show for anyone who has a mom, is a mom, or is considering having children. Rich with paradigm-shifting moments and laughter, it’s a must-see. Take your mom—she’ll love it!
WHERE:Actors Company(Let Live Theater) 916 N. Formosa Av
WHY:Because there are not enough plays that focus on the health of women. Because Rahvaunia is exquisite as she brings to life four women and a host of characters who help us understand why discussing HIV is still an urgent and important conversation we need to be having as a community. Because often shame causes us to keep silence on issues that matter and this show breaks all those fears and taboos. Because this show hits you right in your gut in all the necessary ways that only theatre can do. Because Black women have been disproportionately affected by HIV in the United States, accounting for 54% of new HIV infections in women despite making up less than 15% of the female population. Because Black women are also 15.3 times likely to die from HIV infection as White Women. Because every 35 minutes a woman is diagnosed with HIV.
Because this solo show was a source of entertainment but also a tool for educating that will live outside the theatre and transform lives in ways still unseen. Because I lost a dear friend to HIV and still have not healed from the fact that he could/would still be alive if silence and shame had not won. Because this show calls for us to have love, grace and respect for anyone battling or living with HIV. Because 20% of Americans are living with HIV and don’t even know they have it. Because I walked into Rahvaunia’s show one way and left a completely different person. Because this one woman show deserves to be uplifted and supported and I hope to see it on PBS!
This is a powerful and very important show not to be missed. Please, catch this wonderful one-woman show and watch Rahvaunia give a voice to health issue we often turn away from and she is doing it with dignity and love.
WHY: To see this beautiful brown-skinned girl walk onstage and break cultural expectations is a gift of the times. Christina has this magical way with words; an ability to reach right out into the audience and relate to us in a way that is familiar and friendly. We know her.I Hope You Heal is a funny, personal, intimate and painful exploration of betrayal that is both thrilling and devastating. Through a series of chapters we are taken on a beautiful ride as we witness Christina come to discover her own worth, finding self-love by realizing that who she is and where she comes from is what makes her unique. To see her inhabit her own authentic story within those truths is a lesson to us all. Ultimately, this show is an invitation to the audience to heal any parts of ourselves that are in pain, denial, and blocking us from becoming our truest selves. It is an offering to take any heartbreaks and turn them into beautiful visions of a life you can walk through proudly. Don’t this miss this fabulous show and catch this beautiful artist who you will soon see writing some of your favorite television shows.
WHY: The Fairy Who Cried Gems filled my spirit and took me away in ways that I didn’t see coming. Lily is a magical storyteller who seamlessly weaves heartbreak and doubt into a triumphant collection of folktales which are inspired by the real experiences of Indian women who grew up in the United States. She boldly and bravely blends her mixed heritage, the oral history of Desi-American girlhood and female stereotypes into new realities with the hope that her younger sisters will have the opportunity to exist in a world where they can become or do anything they imagine, and never doubt that their voices matter.
The Fairy Who Cried Gems questions how women are seen or erased when stories are passed down from one generation to the next. What stories are being told and whose stories are being left out of the canon? How does one see their own story and is it a true reflection of who they are or how someone else sees them? Lily is not afraid to ask these questions of us or herself. With beautiful direction by Simran Fulton, Lily transitions seamlessly from one story to the next captured in a beautiful light where I even start to believe she is a fairy. Lily’s vulnerability and presence onstage are contagious. You can’t help but fall in love with her when she ends up wrapped in a traditional Saree/Sari and places a Bindi on her forehead – it took my breath away.
You have four more chances to catch this delicious show. Don’t miss it!
WHY:In this multimedia, solo-musical, writer/comedian Susan Sassi plays a changeling named “Mage Lynn” – an imaginative child who weaves a pretend world of musicals, game shows and a magical guide to move past childhood trauma. On her search for a happy ending, happiness seems determined to elude Mage, but her journey is an entertaining one to watch! The characters that come to life along the way paint a vivid and colorful story. And though her adventures take us to some rough places, the humor, honesty and musicality of Mage’s story has us rooting for her happy ending, and our own.
WHY: Mandy Williams, a multi talented Brit transplant, has crafted and performs a highly entertaining evening of charming and original tunes. Whether it’s her British roots or her subtle humor, her songs—with a wink and a nod—evoke a modern “variety theatre,” blending comedy, music and dance, reminiscent of the vaudeville houses of the past. She woos the listener, taking us on an enjoyable ride through the very human foibles of male/female relationships. Clever, witty and unexpected, her mellifluous voice enchants the audience as she lovingly examines men, women, their idiosyncrasies and their relationships.
WHY: Spunky, sassy, and sincere, Sam opens our hearts to the adventures of an aspiring actress in Hollywood, striving to find her artistic purpose. Labrecque embodies the quintessential fringe artist—bold, innovative, and deeply passionate. With meta musical numbers, composed/keys by the multi-talented Edith Mudge, captivating dance moves, humor, and a heartfelt narrative, she paved the way for a meaningful realization for both herself and her audience.
