Tag Archives: Hudson Theatres

#FringeFemmes Check-Ins: Split – Between Two Nervous Systems

by Aditi Pradhan

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Dimple Kaur

WHAT: Split – Between Two Nervous Systems

WHERE: Hudson Theatres (Mainstage) 6539 Santa Monica Boulevard

WHY: There are some people who are just meant to be artists. From the moment that Dr. Dimple Kaur steps onto the stage, it’s clear to see that dance is an integral part of who she is. The hour-long solo show flies by as Dimple weaves together dance and her own personal journey as an immigrant.

As a former bharatanatyam dancer, I loved seeing Dimple perform, but I could tell that even the audience members who weren’t as familiar with Indian classical dance were leaning in – in large part due to the way she expertly explains the symbolism behind the dance from the beginning of the show. As Dimple says on her show page, this story does not bring an easy triumph – but it does bring something far more human and beautiful in the form of dance.

HOW: https://www.hollywoodfringe.org/projects/14099

#FringeFemmes Check-Ins: Bellyful

by Constance Jaquay Strickland

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO:  Vivia E Armstrong

WHAT: Bellyful

WHERE: Hudson Theatres (Hudson Guild) 6539 Santa Monica Boulevard

WHY: What a revelation and truly special gift to witness Vivia onstage. She glows and embodies her story in a way that inspires, uplifts and leaves enough room for us to be in testimony not only with her, but also with ourselves.

Never an easy feat, a solo show, but she draws us in by opening our hearts to what we are often desensitized to in our daily lives: our humanity. Not everyone makes it through. Not everyone will have the courage nor support to make the attempt. Vivia, in the most magical of ways, shows us life is a Bellyful of risks that either lead us closer or further to who we truly are.

HOW: https://www.hollywoodfringe.org/projects/6668

#FringeFemmes Check-Ins: Confessions of a Groupie

by Thea Pueschel

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO:  Tuesday Thomas

WHAT: Confessions of a Groupie or How I F’ed Jim Morrison the Night He Died but I Didn’t Kill Him

WHERE: Hudson Theatres (Hudson Guild) 6539 Santa Monica Boulevard

WHY: Because who wouldn’t want to hear from the groupie who slept with Jim Morrison the night he died? Writer/performer Tuesday Thomas has crafted a rapid firing energetic elder with a questionable past and memory. April May June cornflower Blue Johnson, AKA Debi, is ready to spill the tea through misused Gen Z slang, off-tune singing and faulty memories. She’s spent the past 60 years sneaking backstage and into hotel rooms of legendary bands and is ready to be interviewed by her geriatric soft sculpture alter ego. It’s weird, musically unhinged, and a fun solo show.

HOW: https://www.hollywoodfringe.org/projects/13186

#FringeFemmes Check-Ins: Between Two Worlds

by Thea Pueschel

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO:  TL Forsberg

WHAT: Between Two Worlds

WHERE: Hudson Theatres (Hudson Guild) 6539 Santa Monica Boulevard

WHY: What happens when you are marginalized within a marginalized community? TL Forsberg, the Deaf Lady Gaga, knows. From the ear cleaning that triggered her deaf gain to finding fame as an actress and singer, TL’s rise to fame earns her haters in the d/Deaf community. Some try to cancel her for not being deaf enough. When a school of oralism tells her not to use ASL, TL breaks free from the Deaf and hearing world boxes she has been placed into and finds her purpose. This funny, moving, and deeply relatable solo show is for anyone who has ever been told they do not belong. Who gets to decide who’s d/Deaf enough? TL has her answer.

HOW: https://www.hollywoodfringe.org/projects/13808

#FringeFemmes Check-Ins: K-Cordelia: Sword of the Wind

by Constance Jaquay Strickland

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO:  Jiyoung Choi

WHAT: K-Cordelia: Sword of the Wind

WHERE: Hudson Theatres (Hudson Guild) 6539 Santa Monica Boulevard

WHY: Watching Jiyoung, it hit me in a new way how much the theatre desperately needs a wide perspective of voice and interpretations. Even now, in 2026, it is continuously very rare to hear a woman’s viewpoint or witness her publicly work through thoughts. This is why this show matters.

I was intrigued, fascinated to see King Lear imagined as a one-woman show. Onstage as well as historically, a woman using a sword is not a typical staging. It is no easy feat to play Cordelia, her sisters, her father, the King, along with other characters. It is no doubt as daunting as running a marathon. Jiyoung clearly loves a rigorous challenge, and the audience is given a portal to King Lear through the lens of the Korean lineage. Where honor matters. Where the act of learning an ancient skill and keeping it alive matters.

Jiyoung’s sword technique took on such a fury of full-body embodiment that I caught myself dodging and ducking, fighting right alongside her. The beautiful traditional clothing pieces she weaves in/out of tell their own distinct story. Each one appears as a clue to a time not so long ago. For the past is a vessel. This interpretation reveals a woman fighting for her life, fighting to tell her own story, which matters, and we need more of it.

HOW: https://www.hollywoodfringe.org/projects/13551

#FringeFemmes Check-Ins: Bean vs. The Robots

by Thea Pueschel

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO:  Michelle “Midge” Lema

WHAT: Bean vs. The Robots

WHERE: Hudson Theatres (Hudson Backstage) 6539 Santa Monica Boulevard

WHY: Grief, like space travel, thrusts you into the unfamiliar, where time and gravity cease to exist. You are invited (trapped) onto “Bean’s” spaceship and taken against your will into space and back through time. Worry not, intrepid space/time travelers! “Bean” will sing you sad little songs, chat with her keyboard (named Keyboard), flirt with her Evil Robot Boss, and of course, sing and make goo-goo eyes at “Elijah Woooooood.” Don’t make eye contact with her; you might fall in love. Midge Lema has crafted an immersive and sweet, tender, wistful sci-fi musical that catapults you through space, time and grief. “Bean” shares stories of redacted and redacted, her fascination with doors and feet, and songs about time vampires. This solo show taps into childlike nostalgia. It is a hilarious, sweet and an enjoyable evening of solo theater!

HOW: https://www.hollywoodfringe.org/projects/13683

#FringeFemmes Check-Ins: Godless

by Constance Jaquay Strickland

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Cristina Fernandez

WHAT: Godless

WHERE: Hudson Theatres (Hudson Guild), 6539 Santa Monica Bl

WHY: Because Cristina’s show is a wonderfully nonlinear comedy that invites you to let go of control and ride the current of her thoughts, quirks, and curiosities. Because she trusts her audience, and in turn, we trust her back. Because she breaks the rules with such ease, you forget they ever existed. Because it’s authentic, wholesome, and yes—experimental, that means you won’t see anything else like it at Fringe. Because there are beautifully human moments when she doesn’t have to say anything at all. Because the tilt of her head, or a single swan-like movement across the space, becomes a performance all its own. Because she takes us on an emotional, very human ride through the inner terrain of fears, anxieties, and quiet worries—but never forgets to remind us that joy, laughter, and love are how we make it through.

Because at the end, just when you think it’s over, Cristina leads the entire audience out the door in a spontaneous Conga. Because yes, it takes a second to realize what’s happening—but when you do, it’s exactly what you need. Because it was wild, warm, and unexpectedly unifying. Because that one shared moment won’t fade from memory anytime soon.

HOW: https://www.hollywoodfringe.org/projects/10321

Click Here to Find More “Women on the Fringe!”

#FringeFemmes Check-Ins: Grief Baby’s First Road Trip

by Constance Jaquay Strickland

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Adedana Ashebir

WHAT: Grief Baby’s First Road Trip

WHERE: Hudson Theatres (Hudson Guild), 6539 Santa Monica Bl

WHY: Because my heart exploded as Adedana let us into her cycle of healing after the loss of her father. Because I wasn’t raised by my own father, and it was deeply moving to witness a daughter keep the memory—and voice—of her father alive with such tenderness. Because grief is hard to witness when you’re still in the thick of it.

Because it didn’t hit me until the next day, walking alone, that I, too, had my own ‘grief baby’—and I hadn’t allowed myself to name the losses I carry: my grandmother, and four dear friends. Because Adedana became a vessel for that release, for all of us. And that is a rare and beautiful gift an artist gives her audience.

Because Adedana has an extraordinary ability to connect. Her presence made me feel like we were friends gathered in circle—sharing, listening, remembering. Because her show is a tender meditation on what one life means to another. Because the sudden loss of a parent shifts your reality in a heartbeat, and she captured that surreal unraveling with grace and humor.

Because her journey—of discovering lessons tucked in her father’s parables and quotes, of deciding to learn to drive and make the brave solo trip to the Grand Canyon—was jaw-droppingly inspiring. Because it spoke to a young woman reclaiming agency, finding out who she is and what she’s made of.

Because this is the question pulsing underneath: Who are you after your parent dies? And who gives you permission to grieve out loud?

Because Adedana taught us how to hold space—for others, and for ourselves. Because we don’t always realize how our words land when someone is grieving. Sometimes, the most compassionate thing we can offer is silence, or presence.

Because this is a season of healing. The people are demanding a release. And Adedana answered that call with an open heart and outstretched arms.

Because she reminded me, and maybe will remind you too, that our ‘grief babies’ are real—and they deserve to be named and remembered. Because you have two more chances to this show!

HOW: https://www.hollywoodfringe.org/projects/11821

Click Here to Find More “Women on the Fringe!”

#FringeFemmes Check-Ins: She’s About to POP!

by Constance Jaquay Strickland

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Charlene Modeste

WHAT: She’s About to POP!

WHERE: Hudson Theatres (Hudson Guild), 6539 Santa Monica Bl

WHY: Because this story isn’t fiction—it’s lived.

Because Charlene’s voice is as smooth as butter.

Because fibroids are a silent epidemic in Black women’s bodies, and silence has never saved us.

Because Charlene dares to make the invisible visible.

Because reproductive justice isn’t a luxury—it’s a right.

Because navigating a flawed system while in pain is a performance in itself—and she lived it before she ever stepped onstage.

Because we’ve been taught to endure, but not to speak.

Because she speaks anyway.

Because cannabis, healing, and the right to choose have been violently policed when you’re a Black woman.

Because she names what so many carry in secret.

Because her body becomes a battleground, and then a beacon.

Because storytelling is survival.

Because she makes you laugh, ache, and think—sometimes all in the same breath.

Because you’ll carry this one with you, long after the curtain falls.

Because the more we talk about healthcare injustice, the more power we build as a  community.

Because Charlene has the right to receive the medical care she believes in.

Because now is the time to go support this show.

HOW: https://www.hollywoodfringe.org/projects/11580

Click Here to Find More “Women on the Fringe!”

#FringeFemmes Check-Ins: Rag Doll on a Bombsite

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Shelley Cooper

WHAT: Rag Doll on a Bombsite

WHERE: Hudson Theatres (Hudson Guild), 6539 Santa Monica Bl

WHY: It’s a surprising treat, heading to the Fringe and getting a look into history – particularly, at remarkable women in history. Here, writer/perfomer Shelley Cooper (directed by Kelsey Miller) reveals hard truths about Lotte Lenya’s dark and violent upbringing, shedding light on her celebrated portrayal of Jenny Diver in “The Three Penny Opera”… and her need to share it with an audience. We travel backstage, onstage and into the corners of Lotte’s past along with her present romance with composer Kurt Weill in a very personal and affecting way, thanks to Shelley’s considerable chops as a singer and dancer.

HOW: https://www.hollywoodfringe.org/projects/12077

Click Here to Find More “Women on the Fringe!”