Tag Archives: Laura Steinroeder

5 Sirens: Women Rock!

By Guest Blogger Alex Dilks Pandola 

I’ve produced over 10 productions that feature short plays written and directed by women. So, I was intrigued by 5 Sirens: Beware of Rocks and excited to learn more about the 5 playwrights (all women) who joined forces to produce this show.

Graduates of the USC Master of Professional Writing Program, the 5 Sirens are: Sarah Dzida (Don’t Panic), Autumn McAlpin (Ten Years Left), Kiera Nowacki (Spock at Bat), Caron Tate (Whatever Works) and Laurel Wetzork (Out of Here). They realized that by pooling their resources and sharing in the production responsibilities they had the skills to tackle everything from advertising and publicity to fundraising (check out their super-successful Indiegogo campaign) and contracts on their own.

5 Sirens: Beware of Rocks features 5 10-minute plays centered around theme of miscommunication and longing for connection. What’s wonderful about the production is that the audience is treated to five distinctly different styles and approaches to the theme.

Director Laura Steinroeder had previously worked with Laurel Wetzork and came on board to direct the five plays. Wetzork says, “she was very brave to take on five different, very strong women and make this show work.” Though directed by one person, Steinroeder allows each piece to live in its own world, so that the audience can experience the progression of a debilitating disease through a rhythmic pattern in one play (Ten Years Left) and move seamlessly into the next play about the inter-species communication between intelligent and not-so-intelligent life (Out of Here).

What I find most inspiring about 5 Sirens: Beware of Rocks is that these five women, a group as diverse as can be, banded together as a community to support each other and produce their own work. Now, they are confident that they can produce a Fringe show on their own, individually. I’m certain that whatever productions they do in the future, 5 Sirens: Beware of Rocks will be an experience that proves to be both unforgettable and invaluable. Through June 27th at Theatre Asylum.

“Where and what is my audience?” – playwright Laurel M. Wetzork is at the Fringe!

by Guest Blogger Laurel M. Wetzork 

First time fringer

Where and what is my audience?

Myself and four other female playwrights have a 55-minute show, 5 SIRENS: Beware of Rocks!  One show of five 10-minute plays, about miscommunication and the longing for connection. We all felt, when we met months ago and decided to work together, that this theme could apply to our different pieces.  Yet when I’ve turned to my usual group of friends and loyal ticket buyers, some people’s response to buying tickets has been withdrawn, almost muted or terse.  Is it the month of June?  That they’ll have to drive to Hollywood and brave the crazy parking nightmare that is the Fringe?  Is it that they aren’t sure they want to see something I’ve warned them is for those over the age of 18 (language, adult themes)?

I do feel that some of our shows will challenge some people. But the people who expect a Disney ending shouldn’t be surprised, as they supposedly know my work and the work of the other writers.  Maybe they’re tired of the dark themes I tend to explore.  Yet, should I write for a particular audience?  Make a happy ending to please someone else?  Stupid questions, I know.  Of course we shouldn’t write to please others, unless we’re hired to do so (or are writing for a specific audience — more on this later). 

As playwrights and writers, I feel that it is often our job to explore hidden, subconscious, and sometimes emotionally laden subjects. Whether the writing comes out as comedy, drama, or a dreamscape, is up to the writer.  People have said about my piece for the Fringe, “Well, that changes tone.”  But life, to me, does change tone, and isn’t one note.  Laughter often goes with tears, and without laughter, life would be unbearable.  Theater, to me, can change lives in a way that movies, films, and books don’t.  It is experienced right now, the plays themselves can make people think or argue or question preconceived ideas, and the emotions that come up can heal.

About writing for a specific audience, my play LEVELS was written for an audience consisting of abused women.  It wasn’t my intent as a writer to entertain or make happy endings.  I wanted to share my own healing at the hands (fists?) of abuse, and show that it was possible to find hope, healing, and love. After the performances of the play, women came up to me afterwards and repeated the same phrases: “I thought I was alone, that I was the only one who experienced this abuse.” “I’m not alone, or a freak, am I?”  “Thank you, I thought I was the only one who reacted this way.”  They were moved to contemplate the possibly of healing, of a shared experience, of a future that might be filled with hope, by a very uncomfortable theater piece. 

So if those particular friends respond again with terse replies, I know now what I’ll say.  Our job as playwrights is to write what we see and explore uncomfortable truths, and by bringing our writing to light in a performance, perhaps facilitate healing.  “Be brave,” I’ll say. “And be willing to explore what theater, and the hearts of so many playwrights, have to offer. You might be surprised, moved, and unexpectedly changed.”

So where is our audience? I do know, even if a theater is bare except for one person, that one person may experience a life-changing event when watching what we write.  They may see the possibility for hope.  And they may also just laugh.  So keep writing those plays, and sharing your vision.  You never know who it will touch. And heal.

For tickets to “5 Sirens: Beware of Rocks” go to http://www.hollywoodfringe.org/projects/2125?tab=tickets 5 Siren playwrights: laurel m wetzork, sarah dzida, laura steinroeder, autumn mcalpin, kiera nowacki, caron tate. Laurel is the LA FPI Onstage Editor.

SWAN Day Action Fest (Saturday, March 28th 2015): a Festival of Women Playwrights & Directors

 

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Action Fest line up:

 

BOX by Robin Byrd, directed by Julianne Homokay

Synopsis: Elpis and Pandora are sisters.  There has been a death in the family.  What if they could have one last chance before they have to seal the box?

Elpis: Shanel Moore
Pandora: Gayla Johnson
Mother: Marlynne F. Cooley

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THE PROPOSAL by Carolina Rojas Moretti, directed by Laura Steinroeder

Synopsis: Benny was lost before finding his True North, but can he stop himself from destroying the compass?

Benny: Andrew Loviska
North/Lily: Renee Ulloa-McDonald
South/Mother:  Melanie Alexander
East/Employee:  Daniel Coronel
West/Niki: Megan Kim

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THE MIXING BOWL by Leslie Hardy, directed by Gloria Iseli

Synopsis: Stephanie thinks her partner Alicia’s parents are simply coming for a visit.  She’s in for a surprise.  Sometimes the ingredients of our lives do not make for a great recipe.

ALICIA: Trace Taylor
STEPHANIE: Amy Stoch

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MANKIND by Beverly Andrews, directed by Alexandra Meda

Synopsis: New parents have a serious discussion by the river’s edge and reaffirm the people they really are.

Elizabeth: Kat Johnston
Mitchell: Eric Toms

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THE MISSING STAIRCASE by Morna Murphy Martell, directed by Lane Allison

Synopsis: The Staten Island Ferry passes Ellis Island. A strange man tells about a staircase there that changed his life. One woman knows the secret of the missing staircase.

Woman: Constance Ball
Girl: Nili Segal
Man: Dean Farell Bruggeman

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ILL INFORMED by Raegan Payne, directed by Courtney Anne Buchan

Synopsis: Owen is bad at stalking. Olivia is bad at living. It’s fortunate they are meeting.

Owen: Tim Stafford
Olivia: Kristina Drager  

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Micro-Reads Actors:  Dylan Quercia, Pauline Schantzer, Anna Simone Scott, Tippi Thomas, Harriet Fisher and Tinks Lovelace

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 Come join us this Saturday, 28 March 2015 from 12 – 6 pm at City Garage Theatre located in the Bergamot Station Arts Center
2525 Michigan Ave., Building T1, Santa Monica, CA 90404

For more info: http://lafpi.com/events
FB Event here: https://www.facebook.com/events/898010020244015/
If you tweet we’re @TheLAFPI; we’re also on Instagram @thelafpi.  #SWANDay #LAFPI.
Also connect with our hosts, @CityGarage (Neil LaBute’s Break of Noon opens April 3 http://www.citygarage.org/). 

SWAN Day Action Fest Plays Selected!

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Plays Chosen for the SWAN Day Action Fest are:

 

Civilization by Velina Hasu Houston, Directed by Laura Steinroeder

 

Douds, Iowa by Debbie Bolsky, Directed by Katherine Murphy

 

The Stiff  by Kathryn Graf, Directed by McKerrin Kelly

 

Over Ripe by Becca Anderson, Directed by Gloria Iseli

 

Awesome Big Somebody by Sarah Tuft, Directed by Holly L. Derr

 

And

Micro-Reads  by “your name here“, Directed by Lynne Moses

 

And more

 Micro-Reads by “your name here“, Directed by Laurel Wetzork

 

(for the SWAN Day Action Fest Schedule go to the LA FPI Events page, for information on how to submit for Micro-Reads see the Micro-Reads Guidelines.)

 

WHEN is the SWAN Day Action Fest:

Saturday, March 29, 2014 10:30 a.m – 4:30 p.m.

 

WHERE will the SWAN Day Action Fest be held:

Samuel French Theatre & Film Bookshop

7623 Sunset Boulevard, Los Angeles, CA 90046

(at Stanley, east of Fairfax in Hollywood)

 

PARKING:  Limited parking in back of the bookstore (off of Stanley) or street parking.

 

TICKETSFREE; donations graciously accepted.

 

HOW do you find out more about the SWAN Day Action Fest:

Visit lafpi.com/events

Connect with us on Facebook/LAFPI

Follow us on Twitter @theLAFPI

. little black dress INK logoPresented by Little Black Dress INK with Los Angeles Female Playwrights Initiative and Samuel French Theatre & Film Bookshop