By Diane Grant

I might have written about this before. It’s been a while and I’m glad we’re all back. Thank you lafpi!

The Palisades Playwrights Reading Festival will be in its ninth year next April. It is produced at the community theater in the Pacific Palisades and for three Tuesdays in April 2018, it will again be presenting staged readings of three new plays.

We ask for submissions until January the 1st and every submission is read by the committee and discussed.

No playwright is paid, and the only money that changes hands is a five dollar fee at the door, which covers the wine and refreshments. The festival now has a growing number of people who come to the readings, which are really well received with a Q&A afterwards, if the playwright wants one. And everybody has a good time.

All of the plays have something interesting about them, the subjects are diverse, and some stick in the mind long after. We had a play about a submarine crew underwater after a nuclear war called The Letter Writer, by Steve Yusi, that people still ask me about. We’ve had romantic comedies, one by Don Gordon, about the issue of two license plays marked PANACHE, one by Jim McGinn, called Vincent O’Shea about a man who never looks older; a look at end of life issues called Reprieves, by David Reuben, a gerontologist as well as a playwright, and a dark comedy by Virginia Mekkelson, called The Losers Club, about an office, a crocodile and Bad Bosses.

Which brings me to the crux of the matter. The theater will not consider producing any of these plays! I don’t think it is because it is a community theater, although it may be. But it is reflective of such a large problem for all of us. I have a play called The Last of The Daytons, which is read over and over. Years ago, it had a wonderful reading at Theatricum Botanicum as part of their Seedlings program. (Thank you, Jennie Webb.)  It’s had several staged readings since and an almost production in Memphis.

This year it won the PlayFestSantaBarbara. First place, with prize money! The festival was a weekend affair of workshops and readings of new pieces and the company at Santa Barbara presented a brilliant reading after a very helpful rehearsal with a skilled director. It was one of the best experiences I’ve had in the theater and I’m so grateful for it.

(Check out their website for new submission dates. The competition is closed for 2018 but will probably be taking 2019 submissions in the New Year.)

So, The Last of the Daytons is ready to go, as are the others we’ve read. The trick is finding the production company that loves it, wants it, and has the money and time to produce it. I’m looking.

Submit, Diane, submit!

In the meantime, if anybody would like to submit a play the Palisades Reading Festival, send it to me at [email protected].

By Analyn Revilla

Do a search on the internet with the words “yoga and creativity writing” and a plethora of websites for “writing & yoga retreats” will cascade down the page. I’ve written in a past blog of how yoga has helped me through chaotic times in my life. I teach yoga to young children (ages 2 to 5), seniors and at a Pilates studio or anybody else who’ll listen to me expound the benefits of the practice. Now, I want to teach it to fellow writers because of the parallel universes of writing and yoga.

Yoga is an exploration to our inner territory using our mind, our breath, our awareness and our body as it moves together into a pose (or ‘asana’ in Sanskrit). It’s the same journey with writing. My first writing teacher in Vancouver warned her students to be careful with their bodies as they write, because the energy of the thoughts and words is cathartic and moves along the tissues of our bodies and breathes out through the pores of the skin. Writing moves the molecules of our breath, whether its held and waiting for release or the replenishing cycle of intake, then over and over again, till we say it is done. In another writing workshop here in LA, I shared with my group that I always felt lethargic when trying to get some tracks down on the paper. Some writers understood what I was experiencing. The teacher said that the process is natural, because we were working through some sludge, and it’s not unusual to sleep a lot working through the heavy lifting of writing about it. It does take courage to write some things; and beyond that it takes endurance to get through it. I’m still working on both.

Courage and endurance is part of regular yoga practice. It’s not always easy to show up on the mat (or be in that quiet space) where you decide to work it out. Some days you try out a new pose that looks gorgeous, but when you imagine and assemble the different parts of your body to fit the pose, it’s a wobbly faulty towers. It’s the same with writing too. There are some things I want to say but the assembled words are not expressing the essence, so I let it go. Perhaps try again another time. Or I may decide after further attempts that I’m not yet ready. It’s the same with yoga. Sometimes I have to let go and admit that an asana is not for me, not yet anyway. “Adho Mukha Vrksasana” (translates to Downward-Facing Tree Pose or Handstand) is a mouthful for me, and I’m not ready to try it, because, because… fear. I’m afraid that I don’t have that upper body strength, I don’t have the technique, or that it’s not worth the effort today. Maybe someday I’ll get around to it. Yoga is not about the body fitting into the asana, rather it’s the asana fitting the body. Yoga and writing is about expression and the honesty of the expression.

Check out this 3 minute tutorial on the Adho Mukha Vrksasana:
Beyond Fear – Adho Mukha Vrksasana (Handstand)

I like how the yoga teacher, Sarah, tells her story about the Handstand: “that this is the scariest pose for me”, and that “for many years I just avoided it”, and that “now a days I just try a little bit every day”, and that “to be okay with where I’m at”, and finally, “to learn compassion for yourself”.

Were I to introduce yoga to writers I would start with chest opening and hip opening asanas. If you’ve heard of the expression ‘issues in your tissues’ or ‘biography is your biology’ then I’d start with these parts of our anatomy because we carry our grief, joy and stresses in these areas. I am inviting you to join me in a yoga and writing practice. Are you interested to try this? I’m game if you are.

Namaste

By Analyn Revilla

It was a visit from the SPCA that prompted the owner to remove Stuart from the junkyard. The officer had asked the man living next to the place if he knew the owner. “Soul” (aka Michael) told the officer he didn’t have the guy’s information, but he did know that the dog is neglected. It was only through the constant care of neighbors that kept the dog fed and watered. Those who were aware of the situation couldn’t fathom why the dog was “guarding” a junkyard littered with old dump trucks, pickups, and broken concrete and 2 by 4s with exposed rusty nails. The dog, Stuart, slept under the belly of a dump truck.

When I first noticed Stuart it was he who made eye contact with me. His expressive brown eyes looked into mine when I walked by casually with my two dogs, Goliath and Molly (a mix breed of Rottweiler & German Shepherd and a purebred Cocker Spaniel). Stuart didn’t pounce and bark at us. He sat on a mound under the trees, about 10 yards from the chain wire fence that would eventually become the only means we could touch one another. A few more times after that first meeting, I came around to observe what the deal was. I talked to Soul and the old man who owned the house next to the junkyard. The owner comes once in a while to feed the dog, and only slips the food under the solid metal fence. He never takes the dog out for a walk. The first time I approached the owner I broached the idea of adopting Stuart. “He’s lonely” I told him. “Yeah, but I need him,” he countered. It was beyond arguing with a man who needed a dog to guard scrap metal. There’s a mental illness that can’t be reasoned with when someone has a need to sacrifice the life of a living creature to protect material objects that are no longer in use.

After I overcame the initial fear of slipping my hands under the metal gate to check on the food and water, I was horrified and disgusted to find the water bowl filled with slimy water and dotted with furry blackish mold. I took it home, scrubbed it clean with bleach and brought it back to the yard refreshed with clean water. When Stuart recognized I was a friend he let me touch him through the eyelets of the fence. I became a habitual visitor bringing food, water and giving him cheese at night as a ritual of putting him to bed. I came so often (2 – 3X during the day on my way to and from work and once again at night) that people living nearby started to ask if I was the owner. On other occasions people would stop in their car and said “you’re doing a good thing.” They were aware and grieved by Stuart’s solitary confinement. In the mornings he would sit by the fence and watch the traffic go by. At sundown he would do the same thing as though appreciating the beauty of the changing lights. At nights I would rouse him from sleep to give him cheese like the chocolate placed on the pillow in the nice hotels when they turn down the bed. I waited for him to crawl out from under the dump truck, worried that if there was an earthquake he would be crushed. He accepted the cheese then wandered back to being sandwiched between the cold earth and the belly of the dump truck.

One day, Soul came to ask me, “Do you want the dog?”. I said yes. He would do it for a fee. I said I’ve already offered $500 to the owner to take the dog from his hands, but he won’t have it. So Soul said he would steal the dog for me if I gave him $600. I didn’t want anyone to break the law. The dog is a personal property. As much as I wanted to free Stuart from his miserable incarceration I couldn’t face up to the consequences of something like that. I emailed Peta (People for the Ethical Treatment of Animals) about the situation complete with pictures. They replied that the South LA Animal Services is a “tricky” jurisdiction. I surmised that when the Stuart’s owner told me he knew some folks at the Animal Services that they condone the situation. So my next step was to contact the German Shepherd Rescue Society. They were more helpful than Peta. They advised me to report the situation to Animal Services while they also came around to check out the situation. Upon seeing Stuart’s living condition they filed their own complaint to Animal Services.

I was so absorbed by this situation that I talked to anyone and everyone about Stuart. My dental hygienist also called Animal Services and she had the right intuition to call SPCA (Society for the Prevention of Cruelty to Animals). Eventually, Animal Services and the SPCA did their own separate investigations and reached out to the owner to fix the problem. They posted letters on the metal fence and buggered the people living next door to the yard to get the owner’s contact information. I started to feel good about the possibility that Stuart would be relieved from having to endure the jail yard. I continued to nurture him with food, water and affection. I was really loving this dog, because he was such a beautiful spirit.

One Saturday morning I had to get up at 4 o’clock to drive my husband to work. On my way back home I had stopped by the yard to say hi to Stuart. It must’ve been around 5 in the summer. The sun was already rising and Stuart was up and sitting by the fence. He looked regal and guru-like as though a Bodhisattva communing with the gods in meditation. When I came to the fence he walked up and rolled on his side, belly exposed. I stroked him and we sat together in silence, comforted by the companionship and friendship. I said I’d be back later. I went home to sleep. I dreamt about Stuart. He and I were frolicking down a hillside of a meadow in a starburst sun. I woke up happy and looked forward to giving him his food and water. I had been experimenting with the law of attraction, and divined that if I imagined it hard enough then I can manifest what I want. I wanted Stuart to be part of my family and to be free. When I returned to the yard, he didn’t come around to eat. He was gone. I worried that he might be hurt somewhere in the yard, and I couldn’t see him or get to him. I searched around and asked people if they knew what happened to Stuart.

It’s been almost 3 months since Stuart disappeared from the junkyard in late August. I called Animal Services and SPCA and was baffled by their response. Both groups said once the dog has been removed from the place then they do not follow up on his condition. I felt I knew what it must be like for a parent to have a missing child, not knowing their offsprings whereabouts or condition. The child has gone missing. Missing is a deep longing for reuniting. I’ve since tried to reconcile myself with living without knowing what happened. I still call Animal Services to find out what’s happened, but they’ve turned a deaf ear to my inquiries because they’re too busy with other cases. I wonder how many missing cases they’ve accumulated. The SPCA officer has also closed the case. Call back, I’m told, if I see the dog turn up at the junkyard again.

By Analyn Revilla

At dinner last night, my husband said, ‘how lucky we are to have so much food.’ I asked where his comment came from, because we were talking about something different. ‘It’s all related,’ he said. He observed that I had refilled my wineglass; we were talking about the probability that this might be the last Thanksgiving for two of our friends, because of cancer; we remembered that it was at our home where another friend had celebrated their last Thanksgiving before dying from a heart attack. ‘Don’t tell anyone that,’ he teased ‘or nobody will come.’ All joking aside he recognized that we were blessed with the company of friends, family and we can gather and celebrate with plentiful of good food and spirits. He said, ‘just be aware.’

‘Awareness’ seems to be popping up in books I’ve been reading, conversations I’ve engaged in and in practicing something religiously like yoga and meditation. In metaphysical writings by Eckhart Tolle, Deepak Chopra and BKS Iyengar they describe awareness as the true self. It’s always there, but it is overshadowed by the eye of the ego, the one we identify with as “I am” this or that.

When I’m writing I’ve started to sift through the impulse of the words. Is it my ego expressing itself, or is it my consciousness (awareness) that’s speaking? I’ve been struggling with my identity since I quit my long-time career in a corporation. I wonder if I’m reconnecting to my truth or if I’m reassembling what I am. I’ve experimented with burning my ‘stream of consciousness’ writing based on the advice of John Rogers (of “Spiritual Warrior”). His idea is that ‘free-form writing (with a pen and paper) is a kinesthetic activity: The neural impulses from the fingers are sent back to the brain so that writing actually releases and records the patterns of the unconscious… called ‘beach balls’, those things we have suppressed for a long long time and have expended energy to keep under the surface.” Following the free-form writing then “do not read it over. Rip up what you have written and burn it”. He recommends not to read over and look for the beautiful writing bits, because the energy and negativity released onto the paper can return to you if you reread it.

I tried this exercise of free-form writing and burning it up, and it wasn’t easy to do the second part. I’ve been journaling since I was a teenager, and I’ve hauled my collection of notepads and diaries in different shapes and sizes wherever I’ve camped. I thought about Anais Nin’s diaries and wondered if she had ever considered or experimented with burning her writing. When I’m doing stream of consciousness writing it’s a lot of crap that comes out. Often, I’ve come to accept, that I write to normalize my mind, body and spirit. It’s all these parts of me that are competing for self-expression without fear of judgement. Writing is an exploration and not necessarily the truth of what is. It’s a process of seeking out the truth.

I remember two occasions when someone invaded my privacy by reading my journals on two separate occasions. The first was when I was breaking up with my first husband. He tore the red hard-covered journal from my hands and looked for ‘evidence’. The evidence being my thoughts. The other occasion of invasion of my privacy was when I asked a friend to clean up the hard drive of my Sony Vaio and he came upon some stream of consciousness writing. When I came back from Japan my ‘friend’ was cool and distant towards me. It was much later in the relationship he divulged reading my writing. I tried to explain to him that it was just stream of consciousness stuff – things I’m working out.

Anyways, I’m still on the bench as to the validity of ‘truth’ in free-form (‘stream of consciousness’) writing. It’s a dance between my ego and my awareness. It’s all of me that is coming together to confer what is the truth. This truth can shift based on the parameters at hand. It’s very much aligned to the principles of the physics of quantum mechanics and relativity. There is truth in both sides of the argument. The shift of which is truer than the other is the degree of awareness. I can be convinced that your argument against mine is allowable based on how illumined my mind is to your perspective. And this can happen on your side of the camp where your awareness shifts and you can say ‘you’ve got a point’.

I’ll tie this all up with a link to a Youtube video of a song written by Burt Bacharach & Hal David. By the way, I was so lucky to have the opportunity to watch Burt Bacharach perform his music live at UCLA last summer. The guy is a legend whose music spans 6 decades and he’s still writing cool tunes. The song “Be Aware” was written to be sung by Barbara Streisand, but I like Dionne Warwick’s version better. Here it is: “Be Aware” written by Burt Bacharach & Hal David; sung by Dionne Warwick

“Be Aware”

When the sun is warm where you are
And it’s comfortable and safe where you are
Well it’s not exactly that way
All over

And
Somewhere in the world
Someone is cold, be aware.
And while you’re feeling young
Someone is old, be aware.
And while your stomach is full
Somewhere in this world
Someone is hungry
when there is so much
should anyone be hungry?

When there’s laughter all around me
and my family embraces surround me
If I seem to be forgetful
Remind me

That
Somewhere in the world
People are weak, be aware.
And while you speak your mind
Others can’t speak, be aware.
And while your children sleep
Somewhere in this world
The child is homeless
When we have so much
Should any child be homeless?
Homeless?

No, not even one child!
Be aware…

By Analyn Revilla

The best temperature to heat milk to is 140 degrees Fahrenheit. It’s the optimal temperature for ‘milking’ the flavor out of the moo juice, because it’s when the sugar (lactose) has been broken down to the simple sugars of sucrose & glucose. To go higher in temperature breaks down the sugar further to its less than sweetest point. Milk also has fat and protein. The temperature rising breaks down the chains of protein molecules which can either blend with the melted fat or go out into the air to escape the water. Have you noticed the rim of bubbles as the milk goes up in temperature – and if you happened to turn away during the critical moment – the whole thing inflates like a hyperbole’d soufflé.

So it was at 2 this morning when I decided to make hot chocolate after the dog woke me up with its pacing to let me know it needs to go out. I’ve been an addict of hot cocoa lately. It’s just a phase (I think) with the weather being cold and the season getting festive. I was contemplating adding a splash of Cointreau into my cocoa. Then my mind wandered about the transformative property of heat as I waited for the magic. I whipped the milk with the chocolate, played with the temperature knob impatient to have my cocoa.

My writing can be impatient too. I want magic without the work of blood and guts. In writing the journey is about the transformation. I write because I’m curious about something. In my exploration I can transform my perspective. In story telling the journey is a transformative experience for both the writer and the audience with the vehicle of change being the plot, the characters and the process. In cooking it’s also the cast of the ingredients and the process of applying the heat that transforms everything into a magical melange.

Heat isn’t just a physical property. There’s heat when there’s interaction between the two sexes. There’s heat when there’s a debate between opposing camps. Heat transforms life. Without the light and warmth of the sun there wouldn’t be life on the third rock from the sun. Another concept of heat is used in yoga. “Tapas” (not the delightful Spanish word for appetizer or snack) is a Sanskrit word meaning “to burn”, originating from “tap”. There are yogic breathing exercises that uses bodily locks (akin to lifting the pelvic floor like Kegel exercises) to burn impurities in the body. Tapas is a philosophy dictated in the yoga bible, Patanjali’s “Yoga Sutras”. It is through tapas – the fiery discipline, passion and courage – that impurities can be burned off physically, mentally and emotionally to regenerate life like nature’s wisdom of forest fires to recycle and give new life to the earth.

“A worthy aim makes life illumined, pure and divine. Without such an aim, action and prayer have no value. Life without tapas is like a heart without love.” – BKS Iyengar

Here’s another example of heat… Check out this solo from Monte Montgomery with his song “All On Men”. He’s cooking something soulful on his Alvarez guitar https://www.youtube.com/watch?v=8KiUnGVOY1A ; at around the 5 minute mark of this video he turns up the heat. Watching an artist unleash that passion in his instrument is transformative. It makes me aspire to that height; it makes me want to be in the presence of the guitar god like him. I believe this is one of the attractions of going to live performances because its transformative to be part of the magic making. It’s the reason we also gather for rituals of the holidays because it renders the ordinary to extraordinary; a meal isn’t just something to get through. It’s the preparation and the celebration of life which renders it holy and sacred.

A gathering of bodies generates heat. Friction generates heat. Zeal and passion is heat. In what seams like the bleak and lifeless cold of winter there’s heat in the DNA of the trees that knows to “turn on” when the conditions are just right. So how do I turn on the heat in my writing? The question contains the answer – Patanjali’s sage advice is to tap, tap, tap on the keyboard through discipline, passion and courage. This practice of discipline, passion and courage is love. The secret to good cooking is love; and the love of doing what we do is what transforms something good into something soulful that aspires our spirit to align to our highest self.

But first, another sip of hot cocoa with a dash of Cointreau.