Tag Archives: Eloise Coopersmith

#FringeFemmes Check-Ins: Lady M

by Eloise Coopersmith

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Caitlin Apparcel

WHAT: Lady M

WHERE: Theatre of Note, 1517 N Cahuenga Blvd

WHY: Lady M offers an inventive reimagining of Macbeth, shifting the spotlight from the ambitious thane to Lady Macbeth herself. Playwright Caitlin Apparcel explores an unexpected relationship between Lady Macbeth and one of the three witches, adding a fresh emotional dimension to Shakespeare’s familiar tragedy. As a playwright, what I found especially enjoyable was watching the script walk a delicate line between honoring the heightened intensity of Shakespeare’s world while gently puncturing it with humor. The servant, played by Sarah Lilly, is armed with impeccable dry wit and becomes the audience’s surrogate, quietly acknowledging that the nobles’ escalating madness is anything but normal. Those moments of grounded realism provide a welcome counterbalance to the play’s dark passions and supernatural intrigue. Rather than parodying the source material, Lady M finds comedy in perspective, reminding us that even the greatest tragedies can benefit from someone willing to observe – with perfect timing – that everyone on stage has completely lost their minds.

HOW: https://www.hollywoodfringe.org/projects/14378

#FringeFemmes Check-Ins: Glossolalia

by Eloise Coopersmith

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Christina Tinde Jesenski

WHAT: Glossolalia

WHERE:  Bad Ladder, 1514 N Gardner St

WHY: … What makes Glossolalia so compelling is that [Christina] never asks the audience to approve of the characters’ choices. Instead, she asks us to understand how each person arrives at them, creating a drama that is as intellectually engaging as it is emotionally unsettling…

Go Here for more of Eloise’s Review on Gia On The Move!

HOW: https://www.hollywoodfringe.org/projects/13629

#FringeFemmes Check-Ins: Adult Baby Doll

by Eloise Coopersmith

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Harper-Rose Drummond

WHAT: Adult Baby Doll

WHERE:  Actors Company (Let Live Theater), 916 N. Formosa Ave.

WHY: … Much of the fun in ADULT BABY-DOLL comes from the fact that [Harper-Rose] frequently ventures into territory that polite conversation suggests we should avoid. Yet rather than feeling shocking for its own sake, her humor works because she approaches these topics with candor, self-awareness, and a willingness to make herself the punchline….

Go Here for more of Eloise’s Review on Gia On The Move!

HOW: https://www.hollywoodfringe.org/projects/13926

#FringeFemmes Check-Ins: RADICAL ACTS with Ramón

by Eloise Coopersmith

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Ruby Marez

WHAT: RADICAL ACTS with Ramón: Tomfoolery, Grief and Whimsy

WHERE:  Los Angeles LGBT Center (Davidson / Valentini Theatre), 1125 North McCadden Place

WHY: At a time when many people are struggling with division, grief, and uncertainty, RADICAL ACTS with Ramón offers something increasingly rare: hope. Through the drag king persona Ramón, creator and performer Ruby Marez transforms audience participation into an act of community-building, inviting strangers to laugh, connect, reflect and engage with one another.

Part protest, part clown show and part communal celebration, the production embraces the full spectrum of human emotion. Rather than denying grief or frustration, Marez makes space for them while encouraging audiences to respond with empathy, action, and joy. Under Bonnie He’s direction, the evening balances activism, vulnerability, and playfulness, while musician Steve J helps create an atmosphere that is both welcoming and energizing.

What makes this work especially relevant is its belief that connection itself can be a radical act. In a cultural moment often defined by cynicism and isolation, Marez reminds us that community requires participation. Audiences may leave feeling lighter, more connected, and perhaps believing in one another a little more than when they arrived.

HOW: https://www.hollywoodfringe.org/projects/14421

#FringeFemmes Check-Ins: Dead Man

by Eloise Coopersmith

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Ann Noble

WHAT: Dead Man

WHERE:  The Broadwater (Black Box), 6322 Santa Monica Blvd

WHY: This play is brilliant.  Ann Noble embraces the classic elements of film noir: a detective searching for answers, unreliable appearances, a world filled with secrets and characters trapped by circumstances they don’t fully understand. Like the best noir stories, Dead Man keeps audiences slightly off balance, drawing us forward even when we’re not entirely sure where the journey is leading.

What makes the play extraordinary is what happens when we finally arrive. In a single moment, the mystery gives way to revelation, and what seemed like a clever noir comedy suddenly becomes something much more profound. The realization lands intellectually, emotionally and spiritually all at once. We don’t simply understand the answer; we feel it. That rare ability to engage the head, the heart and the soul simultaneously is what makes Dead Man feel less like a mystery and more like a theatrical act of magic.

HOW: https://www.hollywoodfringe.org/projects/13562

#FringeFemmes Check-Ins: Rise

by Eloise Coopersmith

Quick peeks at #HFF26’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Diana Varco

WHAT: Rise

WHERE:  Actors Company (Other Space Theater), 916 N. Formosa Ave.

WHY: … At a time when conversations surrounding mental health, healing, and lived experience are becoming increasingly important, Varco’s voice offers both insight and compassion. Through storytelling that is honest, vulnerable, and unflinching, she creates space for audiences to witness experiences that are often hidden from public view…

Go Here for more of Eloise’s Review on Gia On The Move!

HOW: https://www.hollywoodfringe.org/projects/14443

#FringeFemmes Check-Ins: Too Much of a Good Thing

by Eloise Coopersmith

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Rachel Redleaf

WHAT: Too Much of a Good Thing

WHERE: Skiptown Playhouse, 655 N. Heliotrope Dr

WHY: …This is a story of personal triumph and self-discovery, resonating with anyone who has struggled with body image or faced body shaming. The audience, men and women alike, were deeply moved by the emotional depth of her narrative, demonstrating the universal power of her experience…

Go Here for more of Eloise’s Review on Gia On The Move!

HOW: https://www.hollywoodfringe.org/projects/11883

#FringeFemmes Check-Ins: Funeral Show

by Eloise Coopersmith

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Elena Martinez

WHAT: Funeral Show

WHERE: The Broadwater (Studio), 1078 Lillian Way

WHY: …Elena Martinez brings a distinctively dry sense of humor to the stage, which may not resonate with everyone, but her interactions with the audience, particularly as she coaches volunteers, bring a playful and interactive energy that remains consistent throughout the show

Go Here for more of Eloise’s Review on Gia On The Move!

HOW: https://www.hollywoodfringe.org/projects/11710

#FringeFemmes Check-Ins: Atypical Grace

by Eloise Coopersmith

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Maria Fagan Hassani

WHAT: Atypical Grace

WHERE: Zephyr Theatre, 7456 Melrose Av

WHY: ...Maria’s creativity and bravery in sharing this story are evident, and the show’s blend of entertainment and education—what she calls “Edu-tainment”—makes it a truly worthwhile experience, offering an opportunity to open hearts and minds to the experiences of others.

Go Here for more of Eloise’s Review on Gia On The Move!

HOW: https://www.hollywoodfringe.org/projects/10815

Click Here to Find More “Women on the Fringe!”

#FringeFemmes Check-Ins: One Up: The Musical

by Eloise Coopersmith

Quick peeks at #HFF25’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

WHO: Mary Bonney & Weslie Lechner

WHAT: One Up: The Musical

WHERE: Actors Company  (Let Live Theater), 916 N. Formosa

WHY: …Fresh, invigorating, and exciting, the cast of One Up [book by Mary Bonney & Weslie Lechner, Music & Lyrics by Matt Dahan] reminds us why we love Hollywood Fringe shows. The press release states, “One Up is a heartfelt celebration of ambition, friendship, and what it takes to make it in the digital frontier.” How would I describe it? Fun!

Go Here for more of Eloise’s Review on Gia On The Move!

HOW: https://www.hollywoodfringe.org/projects/11981

Click Here to Find More “Women on the Fringe!”