Years ago, I was involved in a kind of “immersive theatre” – portraying living suffragette characters from history when I lived in Boston. It was more of a “yelling at people” kind of theatre – any interaction from the audience was viewed as a disruption. I was painfully reminded of those characters during the recent Democratic debates. I did, in fact, turn off the television and did not watch the rest of the last debate when the candidates started screaming at one another.
But it did remind me of this style of performing – a sort of living out loud conversation with the audience. This was a kind of “passionate role playing” that attempted to share the experience and rage of the women’s movement in the early 20th century. Mostly what I remember is that I blew out my vocal chords, (not using the right kind of vocal training here), and that I wore a really uncomfortable corset that squeezed me like a lemon.
Here is a link with a 22 minute video that shares some of the performers/creators of some of the current immersive style theatre being performed in New York City. The folks that I know that have gone to see “SLEEP NO MORE” have really enjoyed the experience (with some reservations). I think there is a kind of intimacy, not just physical, but energetically, that connects people to this style of performance. It speaks to how our audiences need to feel connected to the world and what they feel.
Hey, it’s me, Tiffany! The used-to-live-in-LA-but-now-I-live-in-Iowa playwright who launched Little Black Dress INK, had a baby, and then (because I wasn’t busy enough – duh) started Protest Plays Project too. I’m pretty much busy ALL THE TIME now, and it got me to thinking…
It’s all Jennie Webb’s fault.
She’s the one who invited me to the first LAFPI meeting all those years ago. The meeting where I got a taste of she-playwright POWER and decided I needed MORE! I knew I was moving to AZ, far away from my cherished playwright coven, but what the hell? If Jennie Webb (with Laura Shamas) could unite the female playwrights of Los Angeles, I could certainly found and operate a female playwright producing company in Arizona, right?!
And now we’re in our 7th year. We’ve just announced 2019’s Female Playwrights ONSTAGE Theme. I’ve been privileged to get to know a ton of amazing female playwrights from all around the country (along with some international playwrights as well!) It’s been a hell of a ride, and a TON of work, but it’s also been totally worth it.
But I wanted to do MORE, remember? Especially since I was politically mortified with the results of the 2016 election. So I founded Protest Plays Project (PPP). My initial aim was to collect plays about social issues that theatre-activists could use for protest or fundraising* purposes. (*Specifically, fundraising for non-profits working for positive social change.)
Well, PPP has been busy. Super busy.
And I want to take the start of my blogging week to tell you how you can get involved, in case you’re that kind of theatremaker!
First, we’ve got our #TheatreActionVOTE! Initiative going on and all you have to do to get involved is commit to presenting Vote! plays or monologues in your pre-show.
You can write your own piece for this purpose, or select pieces from our Collection. The plays in our collection are:
1-3 minutes in length
Available royalty free
Written to be presented pre-show in whatever location works for your theatre
You can sign your theatre up to participate HERE. (It’s free, it’s easy, and we won’t spam you!)
We’re also collecting plays on Immigration. The AMAZING LA playwright, Diana Burbano along with the awesome playwright Ricardo Soltero-Brown, are curating the collection – and we’ll be encouraging theatres to present readings for fundraisers. You can find more info and send us your play, HERE.
Protest Plays continues to support #TheatreActionGunControl and if you want to put up a reading, we have links to a number of excellent collections on our website!
But does it ever feel like enough? Does political theatre work? Can we truly effect change with passionately written, socially conscious plays? I plan on examining these questions later this week, right here, on the LAFPI blog.
So stay tuned, stay connected, and if you see Jennie Webb – hug that wild woman for me!