If there is anyone who deserves the term woman on the fringe, it’s Jacquetta Szathmari. I’ve known her since the first year of Fringe, and she is one of my favorite artists to see every year. First she brought the storytelling to stage piece That’s Funny, You Didn’t Sound Black on the Phone. By the way, she never utters those words in her show. This year she’s workshopping a new piece about a burlesque dancer and magician who meet in 1955 on the train to Vegas. Both female, both African-American, and both pursuing their dreams even as they must stick to the “Chitlin Circuit”. Let me just say that you’ve never thought about history more than watching a burlesque Harriet Tubman dance. More is below from the audience reaction/review I posted.
Watching this show, I found myself suspended somewhere between a guffaw and gasp of horror the entire time. Szathmari has an insane ability to draw you into these incredibly different characters’s greatest desires, teach some history and give a really good yank at your guts. A work-in-progress, I couldn’t stop thinking about it for hours afterwards, and honestly still don’t feel like I have fully digested it. It was such a great meal that I plan to go back for seconds.
I strongly suggest you see this show, and in true form to its setting of Vegas, have a stiff drink or two beforehand.
