By Analyn Revilla

I can pick from so many things to write about and I want to see it all related and tied together like how Einstein tried to formulate the equation that represents the universe. He had this notion of a Unified Field of Theory – aka Theory of Everything (TOE).

A unified field theory would reconcile seemingly incompatible aspects of various field theories to create a single comprehensive set of equations. Such a theory could potentially unlock all the secrets of nature and make a myriad of wonders possible, including such benefits as time travel and an inexhaustible source of clean energy, among many others. According to Michio Katu, a theoretical physicist at City College, City University of New York, those in pursuit of a unified field theory seek “an equation an inch long that would allow us to read the mind of God.”

(Source: http://whatis.techtarget.com/definition/unified-field-theory-or-Theory-of-Everything-TOE)

As a writer I need to see the relationships of everything. To me, these relationships give meaning to existence.

I am proposing my Theory of Everything to be a cup.

I was inspired last year to write a poem about a cup. I never wrote the poem, but like one of those inspirations that is shelved and left alone to collect dust – it lingered and fell from out of the blue.

The expression arrived in the form of a sympathy card that I wrote to a friend for the loss of her mother last January. I couldn’t focus on my work until I had found the card, signed it and sent it. It’s funny how a deep inspiration just nags when it’s been put off for so long.

I walked to the coffee shop of an office building. This coffee shop is a gem. It is located at the back of the former Variety building on Wilshire (across from LACMA). What makes it a treasure for me is their espresso machine. There is not one coffee shop within a 10-15 minute walking distance of the office that serves the delights of an espresso machine. They also have a substantial collection of greeting cards and magazines. On days when I want to tune out for a little while I go to the coffee shop and just day dream over a latte with 3 espresso shots.

That day I went to find a sympathy card, but I could not find any. The next best choice was a decorative card without words. The most generic card I chose was a graphic design of 5 cups stacked on top of one another. Back in my office I stared at the blank space and thought of what I wanted to say. I remember writing something to the effect of “… her life was well lived. Her lips kissed pressed upon the rims of cups from which she drunk the rainbow of life’s experiences: beauty, joy, pain and suffering…” I imagined her mother drinking cups of coffee or tea in her different moods, whether alone or with company and in different places.

Think of the times you caressed the surface of your favorite cup as your thoughts drifted and the aroma of your coffee or herbal tea infused your sense of smell. That moment is imprinted in your heart. I know it, because I can remember that feeling, that moment when I inhaled then exhaled. That pause in your day was shared with the cup. That pause happens like the periods in our day when we take a break.

My mug at work has a deep brown stain along the waterline. It is brown from the tannins of the tea and oils from the coffee. I surprise myself at how I don’t bother to rub away the stain with some special cleaner or just elbow grease. Some people would probably shirk away from using my cup. Good. Stay away from it. It’s my cup and it’s my theory of everything.

By Analyn Revilla

Yoga is a practice which exibits a natural cycle. It’s about the breath, and like the tides of the ocean the breath rises and falls. I started my yoga practice probably ten years ago. My boyfriend at the time was a hockey player and he took his level of fitness very seriously. He discovered yoga and he encouraged me to practice also.

I remember my first class. It was a cold and rainy evening in Vancouver and we went to a Bikram studio on 12th and Oak St. Yoga studios had just started to mushroom allover in major cities. I dressed in a loose t-shirt and shorts. The room was large with a mirror that spanned the length of one side of the room. The carpet was the industrial flat grey type. There were heaters blowing hot air into the room to warm it up to 95-100 degrees Fahrenheit. It was not an inviting experience especially with the funky odor, probably from sweat and maybe something else too.

There were mats and towels spread out within a comfortable distance of each other. My boyfriend put his mat not far from mine. People either laid flat on their back or stretched – their bodies reflected in the large mirror. I sat on my butt, lotus position style taking it all in. The women wore body fitting spandex gear and the men wore shorts only. More people trickled into the room and soon the empty spots between mats were filled up with mats. People were only an arms-length away from each other. It was a full class.

Once the class got started I found I was lost in the vocabulary and just watched what others did, especially my boyfriend who was considerately looking out for me and encouraging me. Once the sweat started to pour out of my body my t-shirt was soaked and flopped around like an inconvenient yoke. My shorts were too wide at the legs and some poses exposed my butt. But I don’t think anybody cared. We were all suffering the heat and exhaustion of the asanas. As a first time practitioner I did okay. I was able to stay in the room and also I did not throw up.

I survived my first class and felt pretty good afterwards. On top of feeling a sense of accomplishment there was also that euphoric afterglow of a good sweat like great sex. I understood then why people fell in love with the yoga practice which turned out for me a momentary spell of addiction.

Lately my practice has become less regular, but what I have observed with my relationship to it is I practice yoga when I am in need of salvation. Whenever my life is in turmoil the practice of yoga stills my mind, body and spirit. I remember times when I would be holding a pose, my skin sweaty, my breath slightly labored, and I’d be thinking – “Thank you for saving me.”

Memorable times in my life when I needed saving were during relationship breakups. I would dive into relationships with joy and hope that this is it! Then when it fell apart then I fell apart too. I practiced yoga fanatically as though it was my lifeline. My body looked lean. I was strong. My gait was confident. My breath was fluid. On the flip side of that rigorous fanaticism I ignored other aspects of my life. That experience showed my capacity to obsess too much, and the balance that yoga is supposed to achieve would tip towards a kind of mental disease.

Now I’ve settled down in a marriage. The relationship yo-yo’s has stopped, but this doesn’t mean I’m immune to relationship challenges. I do recognize that the level of commitment is different in a marriage than the other ones I had. I’ve reevaluated my need to practice yoga again. I miss the things that the yoga practice taught me: acceptance, humility, challenge, consistency, letting go, stillness – among other things. Yoga is a constant sense of renewal and probably this is what I need most about it. I still on occasion go to a studio to learn something new, but the cost of yoga classes these days can be expensive so I practice at home instead. But that’s not an ideal environment either as there are distractions or at least I allow these distractions to curb my intention.

I told my husband a couple of years ago that I’ve wanted to get my teacher’s certification in yoga. Finally I’m taking the step towards realizing that goal. I’ve registered for the training at a studio in South LA. It’s a wonderful place based upon the founding concept of the founder and executive director Raja Michelle of Green Tree Yoga and Meditation.

In 1992, I watched the South Los Angeles uprising on television. The images and exposure of deep racism and brutality shook me. My eyes were opened to the systemic injustice of our world and I set my intentions on a life of service. Years later, I discovered yoga and meditation. These practices not only woke me up and helped heal my personal suffering, but I saw how it helped others to foster acceptance and to be present in this chaotic world. After twelve years of personal practice and teaching, I wanted to serve in a bigger way.

We would like to believe that yoga is available to all communities, but the truth is, it’s not.
Looking at the yoga landscape of Los Angeles, with studios opening on seemingly every other block, there are still very few studios that exclusively offer donation-based classes and even fewer studios with students or teachers of color. In fact, there is only one other yoga studio in the entire area of South Los Angeles.

On Martin Luther King, Jr. Day in 2013, I founded the nonprofit organization Green Tree Yoga & Meditation in South Los Angeles. Ours is not your “typical” yoga studio—and we wouldn’t have it any other way. All classes are donation-based and open to yogis of all abilities. If we’re to stand on the pillars of the history of these practices, it goes without saying that we provide access and opportunity regardless of race, gender, orientation, body type, age, and income. Our mantra is to “allow that which connects us to flourish and to dissolve that which separates us.”

Source http://mantramag.com/yoga-diversity-community-in-los-angeles/

Namaste.

By Analyn Revilla

The theme this week started with cycles so I’m going one step further with recycling.
I’ve been reading some of Nancy Beverly’s past blogs and they’re so good that they’re worth mentioning here AGAIN! Her voice is so natural for one thing.

As I was humming and hawing about today’s blog, I felt oh God… I have to come up with another one. I was playing around with the idea of how cycles keep humanity together. The cycle of nature is bred and coded into our DNA and evokes the humanity in all of us. How can I show this? I looked at the torrential downpour outside my window around 11 this morning. You experienced it and so did I. Certainly details vary but overall there was a unity about being under the same cloud and wearing the same soggy shoes (or maybe warm toes in your UGG boots).

In my search for something to grab me, I read Nancy’s and Robin’s comment on yesterday’s blog. My mind got noodling and I clicked on a link that sent me to Robin’s interview of Nancy (Interview with Playwright Nancy Beverly) last April 2015.

Nancy turned in her blogger’s hat in November 2013. The title was “Thank You”. She mentioned that she tries to be religious about reading everyone’s blog and I felt so low. Then I perked up again and thought ‘you know what Analyn, that woman is teaching you some dedication.’ Nancy has a way of showing the silver lining behind every cloud. So “Thank You” was good for me for that reason. Also she recognized that this blog forum is a safe place for us to “contemplate, to rant, to share… and to feel connected to the wonderful female playwrights of L.A.” Good to remember that too.

She had another one on along the same vein called “Gratitude”. I think I will now consider doing what she did in March of 2012.

Last March I began writing a gratitude list in my journal every night before I went to bed. The practice was supposed to be for 40 days. The practice was inspired by Melody Beattie’s book Make Miracles in 40 Days, and I liked doing it so much (and things began happening that were pointing to the miracle I wanted), that I’ve kept it up ever since.

There was another one called “Connectedness” (January 2013). It’s not a coincidence that she wrote it in the beginning of the year, and here am I at the beginning of the year searching for something meaningful for this time of the year. I want to inspire to aspire.

Nancy speaks of an interview called “If Only We Would Listen” by Parker J. Palmer in “The Sun” magazine (November 2012 issue). The brain is designed to recognize patterns to make connections. (I found this out in reading a book on creativity. The left brain is about details and analysis; while the right brain is about seeing the whole picture and recognizing patterns. We need both to function well in our complex world).

Anyway, she quotes from the interview: “We know from research that the brain’s weakest function is the retention of isolated bits of data. Its strongest function is the retention of pattern, narrative, story, and system. The brain is a patterning organ, and it thrives on making connections, which is why I say that good teachers have a ‘capacity for connectedness.’”

Her recommendation is to check out “The Sun” magazine on-line and get a subscription.
So I’ve done enough (I’m sorry to say ‘stealing’) of ideas from Nancy), but isn’t it true also that imitation is the sincerest form of flattery? How about ‘oldies but goodies’? Let’s try “You can’t keep a good woman down?” (In Nancy’s case she’s already done Mt. Whitney, and I’m still thinking about it.)

Happy New Year!

By Analyn Revilla

The cycle of life is the constancy of beginnings and endings and back to beginnings and endings again. The stuff in between these milestones is the skeleton of our core beliefs about ourselves and the world. The meanings are woven into our marrow, the source of blood and symbolically the source of life.

Today is the first day back at the office for many people who work in such an environment. I see an email from a friend expressing with a heavy heart the peaceful passing of his father in the early hours of December 31st in Vancouver. That particular day I was helping my husband cater a wedding in Los Angeles. The following day, on the 1st, we spent the day in our new home in Inglewood. It’s a house where a woman died from cancer last summer. These events are filled with the spaces of our day to day business of getting on with it. There are days when I just don’t feel like participating in the turning of the wheel – at least not at the same pace nor volume as other people are going about it. I question myself what’s wrong with me?

I went home during lunch and was greeted by 3 dogs wagging their bodies and tails. The latest addition to the family is Molly. My husband and I found her on January 1st wandering the busy street of Florence. After an eventful time of capturing the dog we finally made friends with her yesterday. She allowed us to pet her, put a collar on her and she sat on Bruno’s lap in the car as we made our way home. He bathed the dog. It took 4 full baths before the water in the tub started to run clear. Now Molly seems so eager to please us, so much so that the other dogs don’t like her “brown nosing” antics. Last night I watched her wander in front of me with its collar and leash. She sniffed and tugged and wagged her tail. I wondered what traumas this dog had endured. I recall my feeling when I covered my eyes and screamed “Oh no!” when I saw her beeline directly into the 4 lane traffic of Florence avenue 2 nights ago.

Meeting Molly was another milestone. Had I not cared enough to pause from my task of buying wine at the liquor store then I wouldn’t be thinking or writing about her. What’s going on here? These events are strung together by what? My credo is what propels me towards choices and actions. Last night after Molly was bathed I took my turn under the shower, letting the water unfurl the knots in my mind and body. How do I feel about myself? I’ve never asked myself that question before. My feelings can vary about myself, but lately it’s been disgust that I’ve been eating too much and not exercising at all. Honesty to myself is tough. To admit disgust at myself seems so wrong. It is everything that society deems as an illness or abnormality – Of course we love ourselves! But this is not always true. I have many days between milestones and events when I suck.

After admitting to myself this shallow feeling of disgust then I felt I’ve hit rock bottom. Hate and disapproval. Since I am capable of this feeling at myself then I can be capable to feel this towards another. When I think of it that way then I recognize that I do not want to be on this path. If can have kindness and compassion towards a little lost animal, then couldn’t I give myself an ounce of that kindness and compassion? What would that look like? I look to the setting sun peeking through a blanket of clouds. It’s brilliant at this moment. The remainder of the week’s weather forecast is rain. What grace! I love the rain. Thank you. The breath I had been holding whooshes out and my heartbeat slows down. Acceptance. I can’t change the weather but I can relax my grip on what perfect health is. There’s a part of me like Molly who is afraid. I’m afraid of my ennui. Then there was a moment when Molly took a leap of faith to trust this caravan of strangers. I have to do the same too – believe in me and trust that I will get back in the pool and be regular at swimming. One thing at a time, one day at a time are the events and milestones that make up a life. Awareness and minding those sunrises and sunsets is a gift in itself.

By Analyn Revilla

I had to compliment a man at the parking lot of Ralph’s because his tee shirt made me smile. “Doing It” with the Nike emblem discreetly below the words. It was simple, just like its progenitor “Just Do It”.

Doing it is what Nancy Beverly has been up to with her new play “Handcrafted Healing”. She is workshopping the play with her cohorts at Fierce Backbone. Nancy has a quiet and warm presence. She welcomed me and my husband at the door, then later directed us to sit at the chairs on the edge of the stage floor. We hustled with our glasses of wine to the area. I said to Bruno, “I wonder why there is sawdust scattered underneath our chairs.” I studied the ceilings to see if there’s some kind of construction going on and guessed that it was probably leftover from some props being built.

I scanned the stage and liked the simplicity and creativity of the set design. At the back is a window frame hanging in midair, and beneath that a countertop with shelves stacked with a blender, bottles of wine and whisky, a jar of marinara spaghetti sauce, tin cans, a pot, a trash bin and a hammer. Next to the kitchen is a dining table with 3 chairs, and at the forefront is the living room couch with a coffee table that would also serve as a seat for monologues.

The dialogue of the opening scene grabbed my attention quickly with a question by Evie – could we influence the outcome of an event (such as our illnesses and our death)? Whammy! hit me with that hammer. It’s a question that has been asked for generations in different situations. What a hook! In that scene the story opens up with the problem that faces Camm, a furniture builder, who has tumors in her lungs. She and her partner Meredith are embarking on a journey to live with Camm’s cancer.

Camm and Meredith as a couple is wonderful. I enjoyed their relationship and also the individual personalities. Camm is the male with her logical tendencies and attitude towards her illness. She is a furniture builder which is predominantly a male occupation. Meredith is the female with her holistic approach. She works as a teacher. Her nurturing personality never imposes her beliefs nor her practices upon Camm. Instead, she envelops Camm with a deep respect and so much love in every nuance of her words and actions by her presence at the medical appointments, and rearranging her life so that they are together in every step of the journey.

Among the many things that I appreciated in seeing this play is it made me ask myself about my capacity to be there for someone I love who is going through this crisis. I watched my father suffer chemotherapy and radiation when he battled with pancreatic cancer. I watched my mother live through the visits at the different doctors’ offices; the dialysis; the array of bottles filled with toxic medicine; the medical bills; the well-meaning visitors; the blisters on his feet; the sores in his mouth; the peeling skin of his finger tips; the needles (picking, probing, invading); his brooding moments; the storms of his anger; the mashed cantaloupe.

What I learned from that experience in watching my parents go through it together was that I’m made of the same stuff. I have their genes in my own gene pool. And this play exhibits our capacities to survive and live with illnesses.

It shows the litany of events that a couple engages in as they battle against the killer cells that are eating away at the life giving cells. As a couple they grow while they evolve as individuals reaching out to their potentials like the limbs of a tree that rises to meet the elements of wind, sun, air and rain. As individuals they are rooted to one another within their own skins.

Whenever Camm has an encounter with Meredith about the illness, there’s a break in the tension with a release to her subconscious. The play turns inward into Camm’s young adult memories of her relationship with her older brother Gary. She idolized him, and he perhaps influenced her decision to become a furniture builder. Camm has flashbacks to events of her first project – building a treasure chest for her mother who was absent. Her mother was also dealing with her own cancer. Replacing the physical bonds absent in her life, she handcrafts her relationships through her work with the treasure chest. The task asks of her to measure twice then cut the pieces of wood; she has to treat the wood and shape them and sand them before she can bind them together with nails, glue and hinges. Through this she handcrafts her relationship with her mother with the help of her older brother Gary. But Gary’s presence is inconsistent as he too finds his path through his fate.

I wonder what changes will come from the workshopping weekend. The play is already budding beautifully and Nancy is doing it! I can hardly wait for her to reach the point where she can be wearing the words “Did it.”

By Analyn Revilla

It was before 8 o’clock in the morning. The sun was up and the temperature was rising slowly. I was walking my two dogs around the neighborhood when we met with a couple walking towards us. The logo on the woman’s tee shirt read “Cunt Works”.

I felt uncomfortable. I wondered why she chose to wore this tee shirt. Maybe I was offended, but I didn’t want to judge her. I needed to understand what was behind the words.

Does it mean her cunt works? Does it mean that calling her ‘cunt’ is fitting? Did she buy it at a concert by a band called “Cunt Works”? The logos on our shirts are like sandwich boards advertising something about us. Was it an overstated way of letting others know she’s a lesbian? What is the appeal of wearing this shirt this particular day? Maybe it was a dare?

In 10 minutes I had all sorts of thoughts and feelings about the words and the person who could’ve been of any gender and any age and of any race. Today the wearer was a black woman in her late 20’s to early 30’s. Her hair was cropped and dyed blonde. She wore spandex pants. She was stocky. She was talking and walking with a man. They could’ve been taking a break from working out at the LA Fitness.

After the dogs finished their business I turned back. The man and woman had turned around too, and I had another opportunity to cross paths with them again. This time, my younger dog Goliath seemed to be sporting for something so I moved her to my other side, furthest away from the couple. I stepped aside to let them pass. The man looked suspiciously at the dogs. I looked at her curiously. Then I turned my attention to Goliath to harness her down as she started to lunge and bark at them.

No harm done, as I had checked the dog in time, except for the barking. The woman reacted by saying “Oooo. I’m scared.” Upon hearing her I put the last period at the end of my character study. Within 15 minutes of walking the dogs I encountered a part of me that I had not faced before. It was the word ‘cunt’ paraded by a woman.

What I tried to avoid is judgment based on my own feelings. The initial impulse was curiosity about the words, and that they were brazenly printed on a shirt, and the shirt was worn by a woman walking in public. When I put it in that context it removed the offensiveness of ‘cunt’ which is generally considered rude – ‘cunt’ is harsher than ‘bitch’. But I suppose if a word is thrown out there often enough then it de-sensitizes peoples’ feelings and consciousness that they let the words go by like litter on the streets.

Imagine if your drawer only had tee shirts in different styles and colors with the same logo. You don’t have a choice except to pick the style and color and what attitude you’re going to wear with that shirt. It’s how you say it. Words are words and the power comes from the meaning we attach to it. It can command respect or draw degradation.

I think of Eve Ensler’s “Vagina Monologues” and how the stories in her play elevated the anatomical word to be acceptable in conversation outside of a medical lab or biology class. It awakened peoples’ hearts to the tragedies and comedies about women’s vaginas. It’s not about the hole but the whole of it – in other words, what meanings we attach to this part of the woman’s anatomy.

I’ve only been called ‘cunt’ once by a man who was very angry with me. He felt powerless over me so he could only resort to calling me a name that he thought was the most degrading thing he could offend me with. Calling me ‘cunt’ didn’t hurt me. However it gave me the opportunity to understand his sense of helplessness. Like this woman today, I see her. In my mind, despite her comeback to the dog’s aggression and the words on her tee shirt, maybe she’s really a pussycat and wears a tough exterior to protect her tender parts. There is a story there, and I’m curious about it.

“ – imagination to me is not the capacity to invent what is there but the capacity to see and develop what is there.” Samson Raphaelson

By Analyn Revilla

This spell of hot temperature is conducive to crawling under a rock and sleeping. Call me a lounging lizard. Despite my thoughts flaying my mind “write”, I sit by the opened window on the bean bag and snooze for a long time. When my eyes open, my mind is cloudy from dreams and my skin sticks to the faux leather. I go back to sleep.

This is alternated with sleepless nights. I lie with legs and arms splayed wide. That works for a little while then I need to find under position to cool off the sweat of my back. Finally, I retreat to the bean bag and wait it out. The next day at work, I’m not the only one weary from another sleepless night.

I began to wonder what if this spell of hot temperatures is a continuous trend, and not a cycle of El Nino. Living in LA, we’re used to sunny days throughout the year. We can detect nuances of slight variations in the weather such as the Santa Ana Winds and June Gloom. There are even some trees that change in the fall.

Last night I seriously considered that this drought might be a direct effect of the global climate change. What if we really have tipped the balance towards a climate change that is irreversibly detrimental to the planet? Scientists have been warning us to ease up on burning up fossil fuels. Even Pope Francis has been moved to include the climate change in his encyclical. He spoke in Ecuador urging its citizens to be sage guardians of its natural resources:

The goods of the Earth are meant for everyone. And however much someone may parade his property, it has a social mortgage. In this way, we move beyond purely economic justice, based on commerce, toward social justice, which upholds the fundamental human right to a dignified life. The tapping of natural resources, which are so abundant in Ecuador, must not be concerned with short-term benefits. – Pope Francis on his visit to Ecuador in July 2015

How would I cope? Would I consider moving to a more temperate climate? Or do I change now and have more kindness and consideration for the planet and other people?

This weekend I started to lessen the frequency of flushing the toilet. I learned this practice when vacationing on Pender Island in the Gulf Islands of British Columbia. The fresh water was from a well and the sewer was a septic tank. During my first visit I took long showers and ran the tap without reservations. Others who knew about island living made me aware and told me to conserve the water; reminding me that we all shared the same sources. I learned to practice “if it’s yellow let it mellow, if it’s brown flush it down”. This is probably extreme for some people, but it’s my little tithe towards the cause to heal the earth.

The ocean, king of mountains and the mighty continents are not heavy burdens to bear when compared to the burden of not repaying the world’s kindness. – The Buddha

by Analyn Revilla

The theme of the story can be likened to the spirit of a verse from a John Lennon song: “Life is what happens while you’re busy making plans” (from “Beautiful Boy”).

The first unexpected is being offered a free beer upon entrance into the theater (and it’s a designer beer too.) The theater is nearly full and the seated audience is already being entertained by a clown fawning for affection and laughter. People are all smiles and curious as to what will unfold for the Four Clowns presentation of “The Halfwits’ Last Hurrah”.

A young woman at the front row is being wooed by the clown. He draws her out to the stage, and they do a Simon Says act in mime. She’s surprisingly good as she follows his soft shoe dance and improvise some of her own. I wondered if she was a member of the troupe. She was a good sport regardless.

“Butterbeans Arbuckle” (Don Colliver) shoos away the clown from the stage. He’s half dressed in a white shirt and underwear. He butters up the audience with jokes. He flirts with the females (“Who likes sausage?” A drizzling of hands go up and he picks on a pretty woman. “We’ll talk later after the show. I know of a good sausage place in Echo Park.”) He cajoles the audience to imbibe on the free booze. Finally, he chooses a volun’told’ member of the audience to be his scapegoat should any any mishaps and failures befall the evening’s presentation. “Leopold, I’m blaming it on you.”

Butterbeans runs to the back of the curtain and hails fists upon the clown for good measure of proof that he will not accept failure or fault. Lights dim down, and the show begins. Welcome to an authentic American vaudeville. In a few minutes Butterbeans is back with his assistant Nimrod (Elizabeth Godley). Nimrod’s costume is a bowler’s hat and a black vest over a white shirt, and she holds an orange cone that pipes her squeaky voice. Her enthusiasm and sweet adoration of Butterbeans wins the audience’s hearts from the get go. Already the story is rich with characters that has possibilities of the unexpected.

The show is kicked off by the Inderdorf Twins (Jennifer Carroll and Dave Honigman). Their suggestive blue dialogue was, at first, strange to my ears until the the light went on – Ahh…that’s better. The twins describes their clean country living at the farm in the alps with strange acrobatic forms and sexual innuendos of “collecting morning wood” and “riding the chicken”. The risque content is standard fare of vaudevilles. “The Halfwits’ Last Hurrah” is complete with a burlesque act by Blonde Burlesque (Jamie Franta). Her mystique is the brave face she puts on and puts out. The black eyeliner, false lashes, bright red lips on creamy skin is arresting. There’s an awkward sexuality beneath the facade. I play along and want her to seduce me with her dance, costume and song. Then she braces for the finale of her act. “Here goes nothing!” she hopes, and shakes her titties to twirl the tassles of her brassiere that covers a modest 34B cup (maybe).

Between the first and second acts a mysterious character calls out from the darkness. “Soo wee!” the voice hollers, and Butterbeans falls into a hypnotic trance that is a combination turret-body contortion that disengages him from his normal faculty into a puppet. The voice is The Real McCoy (Jolene Kim), a figure in an all white western getup that haunts Butterbeans throughout the show. She taunts him to give up his dream of theater and accept that the future is in something outside himself. The latest magic is in technology which The Real McCoy claims as what Butterbeans wants. She holds up the magic wand beyond his reach like the forbidden apple on the tree of knowledge. The relationship between Butterbeans and the Real McCoy is symbolic of the hero and his inner dragon that taunts him to fail.

This relationship and its battles weave in and out through the show; they are the shadows to the light of the heartful comedic acts of: Madame La Merde (Helene Udy) who walks in stilts to spin plates on towers; the angelic singing of Pruella Tickledick (Charlotte Chanler); the liquor vendor (Julia Davis), and a handkerchief trick show by Nimrod. Her expressions are reminiscent of Charlie Chaplin’s ‘The Tramp’. Nimrod catches a teary-eyed audience, the same woman dancing on stage earlier. They have touching interlude that gives the audience some breathing space as the conflict mounts to a crescendo, like the wave building momentum to its crest.

The story has a lot of moving pieces like a chessboard game with each player having a specific contribution to the whole. Their common goal is to pull it all together for the audience. The mayhem culminates with The Real McCoy and her henchmans (Tyler Bremer and Jamarr Love) turning the stage into a scene from ancient Pompeii after the eruption of Mount Vesuvius and it is left to Butterbeans and Nimrod to save the the Halfwits from The Real McCoy. How does the hero face his dragon?

The unexpected of this wonderful souffle is the texture of airy lightness of the Halfwits’ performances to the soul-satisfying struggle of Butterbeans to overcome the struggle with The Real McCoy. It is the forbearance of the heroes to be in the light, thus their last Hurrah! and to shed their mediocrity to be the bright stars on stage as well as to be immortalized in the memory and hearts of the audience.

Four Clowns production of “The Halfwits’ Last Hurrah” is the company’s 5th appearance at the Hollywood Fringe Festival.

The last performance of the show for the Fringe is this Friday, June 26th at 10:30 in the Lillian Theater located at 1076 Lillian Way LA. CA. 90038.
Get tickets through this link: http://www.hollywoodfringe.org/projects/2166?tab=tickets

A conversation over instant message begins with:

A: What’s worse than losing your mind?
B: Death.
A: How about a heart turning to stone?
B: That’s death

I began with an inquiry on the expression “heart of stone”. With the approach of Mother’s Day, I wanted to have a heart-to-heart connection with my mom. I felt the distance between Hawaii and Los Angeles has created a permanent rift between us, and especially since I’ve never been good at initiating a phone call. During the times I tried, I couldn’t have a conversation with her because of the blare of her television. “Mom, turn down the TV”. “What?!” I’m afraid my mom’s heart has turned to stone. She lives alone, and she’s old. Ever since my father died, I think she’s walled off her heart.

This is my idea about the heart. It’s the engine that drives life literally and figuratively. In the literal sense the brain is the “control” center akin to the operating system of the computer. It regulates the body’s optimal homeostasis and gives the commands to the organs and glands to do their jobs. If there is an imminent threat I need to get away from then my brain tells my adrenal gland to give my body a little extra boost of adrenalin. So the gland drops a dose of the adrenalin into my blood stream, and my heart pumps the blood through the rest of my body. At the same time this flow of the blood removes toxins and other byproducts from the respiration of the cells. With every exhale the impurities are taken away. Every breath in and out is a cycle of life.

So that’s the mechanics of the heart. The heart is referenced with a breadth and depth linguistically in the Romantic and Germanic languages. The heart is the container of our emotional life. It is the motor of our motivations and aspirations. We use heart in our language that expresses our soul, spirit and our body.

If my “heart is not into it” then I either won’t do it or I do it badly.

If I don’t get the “heart of the matter” then I am missing the essence or the point.

If my “heart stood still” then I could either have been frightened that I catch my breath or I’ve been hit by a bolt of love at first sight.

If I’m “disheartened” then I’ve lost my spirit for something that I once had courage for. There’s the Latin origin of heart “Coeur” in courage. To be lion-hearted is to be brave and courageous.

When I say, “Don’t play with my heart” then I’m asking you to please be gentle with me.

I saw a production of Beth Henley’s play, Crimes of the Heart, at the Rubicon Theater in 2010. I savored that scene between Babe Botrelle and Barnette Lloyd in the kitchen where she describes how she shot her husband because she didn’t like his looks. The thrust of those words stood for her anger at her husband’s cruelty because of her affair with a 15 year old black teenager. After shooting him in the stomach, she made a big pitcher of ice-cold lemonade which she drank thirstily while he bled and moaned asking her to call for help. Out of her customary politeness she offers him a glass of lemonade – the whole thing executed with an absence of mind. In a 1998 review by Jamie L. Jones in the Harvard Crimson, he noted that:

It should not surprise audiences of Crimes of the Heart to learn that Babe Botrelle did not kill her husband when she shot him (she aimed for his heart but hit his stomach): she’s a good Southern woman, after all, and among the other myths she heard about men and women, she undoubtedly learned that “the only way to a man’s heart is through his stomach.”

It’s fascinating how the heart in language to represent the real, intangible and yet powerful aspects of our persona.

Going back to a heart turning to stone, I researched that the leading cause of death for women (short term and long term( is aortic aneurism where there is an abnormal bulge in the wall of the artery (the artery being the largest artery in the body). Medically, what can cause aortic aneurysms are (source: www.webmd.com):
• Atherosclerosis, or hardening of the arteries, which weakens arterial walls.
• Hypertension (high blood pressure).
• Local injury to the artery.
• Congenital abnormality. A number of conditions, such as Marfan syndrome or bicuspid aortic valves are present at birth and can cause weakness of the artery walls.
• Aging
• Syphilis used to be a common cause of thoracic aneurysms, but it is no longer as common

Could a long-term psychological-emotional trauma of a heartache lead to a heart of stone in its fullest sense. An emotional wound that won’t heal could render a person to choose to stop feeling their feelings as a protection, and so they become cold and unfeeling. There is a medical condition called Calciphylaxis. In Wikipedia, it cites that ‘a severe calciphylaxis can cause diastolic heart failure from cardiac calcification, called “heart of stone”.’ Also from the same source: Calciphylaxis can result from “chronic non-healing wounds and is usually fatal. Calciphylaxis is a rare but serious disease.”

Women tend to have a longer life span than men. Imagine generations of women whose husbands or boyfriends have died in the war, natural causes, illnesses or accidents. Some women succumb to the grief. It’s been 14 years since my father died. Since 2001, every year, my mother still prays novenas and holds masses for his death anniversary and birthdays. She carries a vial containing his ashes wherever she travels. I’ve stopped asking why she does it, because she responds with a sigh that sounds like I’ve treaded into private territory. Whether she does it from a sense of duty or the ritual of honoring their marriage, I feel she hasn’t allowed herself to move past the grief. I don’t mean for her to “get over it”, because that sounds like it is nullifying the sacrament of their marriage. Though I wonder if she still carries the torch for her departed beloved.

There is also the biblical aspect from the book of Ezekiel on the heart of stone:

Therefore say to the house of Israel: Thus says the Lord GOD: It is not for your sake, O house of Israel, that I am about to act, but for the sake of my holy name, which you have profaned among the nations to which you came. I will sanctify my great name, which has been profaned among the nations, and which you have profaned among them; and the nations shall know that I am the LORD, says the Lord GOD, when through you I display my holiness before their eyes. I will take you from the nations, and gather you from all the countries, and bring you into your own land. I will sprinkle clean water upon you, and you shall be clean from all your uncleannesses, and from all your idols I will cleanse you. A new heart I will give you, and a new spirit I will put within you; and I will remove from your body the heart of stone and give you a heart of flesh. I will put my spirit within you, and make you follow my statutes and be careful to observe my ordinances. Then you shall live in the land which I gave to your ancestors, and you shall be my people, and I will be your God. (Ezekiel 36:22–28)

With the guidance of Jeffrey Keuss in understanding this scripture, he breaks it down to the Word of God (or the Hebrew word Rûaḥ which means the Breath or Spirit of God) which brings life to the inanimate stone.

as God breathed his spirit (rûaḥ) upon creation at the beginning of all things, this same spirit will remove that which is inanimate stone and bring life where once there was death. As deep calls out to deep, the same breath that blows away stone will reside as a living spirit to animate and enliven. This much is clear: bones come together in Ezekiel 36, but they don’t live until the spirit is breathed on them. It is the Spirit of God that animates, and it will also be the Spirit that preserves, redeems, and restores.

I ask these questions of myself that were suggestions from the same posting:

In Hebrew culture, having a “heart of stone” means that the core of one’s being is lifeless. What are parts of modern life that leave you feeling as if you are experiencing a “hardening of heart?” Conversely, in what ways have you experienced the rûaḥ of God breathing new life in creation of a “heart of flesh?”

Jeffrey Keuss is a professor at Seattle Pacific University.

I know my Mom has the heart of a woman, the heart of a mother and the heart of a human being. She is warm and tender and full of love. In writing about this I see now that this has been a season for me where I’m trying to put life where I feel I’ve stagnated. From my last blog Lilac Time I shared that I am feeling a dead end with my corporate job. My heart ache is not having the title of “Writer” in my Linkedin profile. I love Nancy Beverly’s profile. Flat out “Writer”. I wondered if anybody’s put down “Mother”. That resume of work experience and aptitude would be at the top of the list of the most desirable people to work with. (Maybe not everyone would agree.)

But within the last 10 minutes of writing this post I bought tickets to fly to Hawaii on my mother’s birthday which falls on Memorial Day this year, May 25th. It’s my chance to make a heart-to-heart connection with her, and I can turn down the volume of the TV myself.

By Analyn Revilla

The lilac season is very short. My room is suffused with its sweet scent. Lilacs have an allure with its delicate heads bowing to the ground in a humble curtsy. They remind me of childhood days in the cold north. I don’t know the physiology of these plants, similar to the bulbs of tulips and daffodils, that need the cold winter to hibernate. I look at the bouquet often even as I type words on the page. The cursor blinks and it waits to obey the next action.

Lately, I’ve been into analyzing dreams. I describe mine as fantastic. I think anyone who remembers their dreams would probably use ‘bizarre’, ‘strange’, ‘amazing’ when they put together the images and scenes that play out in their dreams. When I awake I’m curious to know what my dreams mean; are there messages being conveyed? I want to linger in bed and let it play out, but duty calls and I have to get up. I intuit that I could be missing out on something of value in my dreams, and I decided that I need to pay closer attention to it.

It was April in Vancouver and the lilacs were in full bloom. My dog Chloe and I walked on a street that had a generous hedge of lilac bushes. I wrote a poem that year called “Lilac Dreams”. Like dreams the lilacs were ephemeral, like the fog that sits on the lake. The moment is surreal, because it’s a tangible reality that lasts for a such a brief period of time.

So it goes with dreams. You’re in it during the REM stage of sleep which lasts maybe 3 minutes. Everything that happens feels real and has dream logic. One moment I am washing my face under the running waters of the kitchen sink and the neighbors can see me through the window then it changes. I’m sitting in a car with a girlfriend and we’re driving a slushy narrow road that we decide that we can’t travel on any further. So we turn back. I get out to direct my friend turn the car around. My feet are in the freezing cold lake and I have this magnificent strength to push the car onto the paved road so it doesn’t fall into the lake. Then another friend, a man, and I argue whether or not to continue on the motorcycle on the same road. There’s a tricky hairpin turn that forces the rider to glide into the opposite lane to navigate the way, but risks slamming head on with oncoming traffic. Plus the icy conditions will make it harder than it already is. I told him I’m not going to risk it. He said he’s going to go for it.

I’ve been researching dream symbols and this is what I’ve deciphered about my dream. People in my conscious life can appear in my dreams, and each one of them is an apparition of me. In my dream there was a woman and a man. They are the female and male aspects of me. The number 2 occurs in each scene. Two represents “the balance of masculine and feminine energies; or some balance in some area of life that is needed” (source “The Dream Book” by Betty Bethards). The kitchen is a work area where plans and schemes are “cooked”, and preparations for nourishment are made. There’s also a window which is the ability to see beyond a given situation – a view to the other side – “inter-dimensional awareness” (“The Dream Book”)

The feminine aspect intuits that we can’t continue the journey, so the decision is to turn back and not continue with the journey. A car is symbolic of the daily physical life and how it is used to manifest what I want. The course of the car is parallel to the direction my life is going. I am not behind the wheel so I am not in charge of the my life’s direction. A motorcycle means a need to have balance. The images in my dreams are symbols of a dialogue between my masculine and feminine aspects. My masculine nature decides to continue the journey despite the risks of the road conditions and the weather. My feminine aspect says ‘Wait. Stop. I’m not ready to take the risks.”

What context is this dream juxtaposed against? I’ve been seriously evaluating my career path and I’ve decided that I need a change and I need growth. My feminine side wants to be safe and it fears change; while my masculine side wants to bolt out and ‘go for it’ despite the limiting parameters.

This dream does not seem to give me an answer as to which course to take, but it examines the conflict within. So, I need to sit more with the decision and make the right choices with wholeness of being. How will I navigate this change? At times of upheavals I remind myself to be kind with myself by being aware of my feelings, being in touch with them and accepting them wholly. I need to balance both sides of me: one who wants to be a bull and charge forward and the other who wants to be bearish and roll with it.

The subconscious is like a winter scene where everything appears silent and still on the surface, but underneath it, there is the teeming subconscious – full of creativity. It flows and churns eddies of images. These dreams come to consciousness and my active consciousness is the tool to manifest them. I liken the lilac season to dream time. The moment is fleeting, and I have to be present and aware of the fruits they bear.