by Tiffany Antone
I’m caressing a wall – feeling its temperature and taking notes on “all kinds of walls”. I’m listening to a stranger’s stomach gurgling (even though I’m supposed to be pressing my hesitant ear down heavily enough to hear his heart beat) – now this stranger has his head to my belly… listening. I can feel his breath on my hand which is resting just below my stomach. The sudden and unexpected closeness of this listening exchange is alarming and calming all at once.
Now I’m watching a man press a lit cigarette into a child’s painting, burning away the colors.
Now I’m shaking hands with a cardboard-obscured (and thus body-less) hand… someone else kisses the hand. I laugh, I think about germs, I think about intimacy amongst strangers, I think about chapstick and lotion and Purell and calluses.
I think about my laptop, sitting a few feet away and I feel the familiar feeling of yearning to just… write.
I’m at the Great Plains Theatre Conference (#GPTC) and this is Lisa D’Amour‘s Yoko Ono workshop. I’m learning about the occasions on which D’Amour has performed Ono’s “Cut” piece and how her work as a performance artist has influenced her as a playwright. Her experience is transformative.
There are playwrights everywhere.
It’s hard to believe that only 8 days ago I was in LA, putting up my Little Black Dress INK Female Playwrights ONSTAGE Project at the Los Angeles Theatre Center. We live-streamed last Sunday’s play readings, and I will go on to produced each of the plays in Prescott, AZ this Fall. It’s been a FANTASTIC experience, a wild ride…
But I’m exhausted.
Which is why I’m so ecstatic to be at the GPTC this week.
This week, I get to sit back and just be a playwright.
I’ve taken two workshops and seen five new play readings already, and it’s only Monday!
So while I’ve got to get to bed early tonight in order to try to sleep off the rest of last week’s Producer fatigue (in order to enjoy the accumulation of new Playwright fatigue), I can promise I’ll be blogging again soon about my time spent here on the Plains, enjoying my role in the writer’s tribe.