Tag Archives: Fringe Femmes

#FringeFemmes Check-Ins: Vice

Fringe Festival, playwriting, , , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Simone Tetrault

WHAT: Vice

WHERE: Livestreamed from Zephyr Theatre 7456 Melrose Av  

WHY: Look! I was not ready for the vision of what Simone manifested upon the stage with her wonderful cast of actors. This play is a BIG idea piece that asks its audience to think BIG on a multitude of levels which gave the work a thrilling and relevant edge.

VICE asks you to ask questions about the society you are living and actively participating in. How will you exist and can you exist as a whole person within its current structure? I was fully absorbed and allowed myself to be taken into this utopian sci-fi live theatre film that felt like a new form of theatre. VICE felt familiar in that over the past couple of years as a country we have known devastation, yet we also know hope and we remember that human rights are worth fighting for. This play blows up all one’s expectations in the most special and subtle of ways.

HOW: Catch an Encore Performance Online September 10! https://www.hollywoodfringe.org/projects/7100

Click Here to Find More Hollywood Fringe Encores

#FringeFemmes Check-Ins: Caught in the Mix

Fringe Festival, playwriting, , , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Kira Powell

WHAT: Caught in the Mix

WHERE: The Broadwater Black Box 6322 Santa Monica Blvd 

WHY: I cannot lie: my heart broke in tiny pieces as I slowly realized the shame and confusion Kira had carried for years believing she was white. I was hit hard in the gut in a new way that was not familiar because Kira had unleashed an often quiet elephant in the room, the idea of white skin being superior – this gift of whiteness existing on high levels in our country and around the world, simmering still.

This hurtful reality of how Black people are seen by other people of color – and in some instances by other Black people – becomes clearer when we see Kira transform into her Ecuadorian mother, and lean into the audience as her Black father whispers “spooks” to a young Kira. A subtle stillness occurs in some audience members, while an uncomfortable laugh comes from others as the word hits the space. You know that this girl, right in front of you, right now, will not allow her past to hijack her future. Yet just as Kira gently breaks your heart she picks up the pieces in a contagious fervor and we see HER: a beautiful Afro-Latina young woman living her best life, no longer afraid to own her identity. We witness Kira loving herself, a splendid joy that arises deep down in the solar plexus, and when Kira starts to sing “I’m Growing Out my Afro” in all her glory, you start to believe that letting go of societal lies, shedding dead weight, and facing old pains will free your entire being.

This year there was a powerful thread occurring throughout the Hollywood Fringe: No more will we carry falsities of white superiority and propaganda by a white patriarchal system!

HOW: Catch an Encore Performance September 4! https://www.hollywoodfringe.org/projects/7054

Click Here to Find More Hollywood Fringe Encores

#FringeFemmes Check-Ins: TransSetter

Fringe Festival, playwriting, , , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Veronica Carey Matthews

WHAT: TransSetter

WHERE: studio/stage (Main Space) 520 N. Western Ave

WHY: There are many moments in the theatre that knock us outside of ourselves, but I dare say it is a rare moment to be reminded of what it means to be human. This is exactly what Veronica does, and in such a naturally commanding way that it takes your breath away.

As Veronica takes us on her journey of transitioning from Carey (not some other person, really) to Veronica (her full self), we share her experiences from couch surfing to having to sleep in her car (with her favorite vices and snacks and a dying phone used as a tv) and we immediately understand the grit it takes to survive in Los Angeles. There is a moment when Veronica decides to go make-up shopping for some damn foundation! (I mean what woman hasn’t felt foreign with the stress of having to “find” your color!) This was hilarious, yet did not steal away from the urgency in which Veronica is fighting for her life. We walk away seeing a woman who was determined to honor herself – a truly powerful moment on stage, as it reinforced that humor makes way for healing. I left this seamless show believing it will save lives. I have no doubt Veronica will continue to be a beacon of light for so many of us in her community and beyond. This beautiful journey she is on as an artist will make the American Theatre richer.

Thank you, Veronica, for your truth.

HOW: Catch a Fringe Encore Performance Friday, September 3! https://www.hollywoodfringe.org/projects/7094

Click Here to Find More Hollywood Fringe Encores

#FringeFemmes Check-Ins: I Heart Maroc

Fringe Festival, playwriting, , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Azo Safo

WHAT: I Heart Maroc

WHERE: The Broadwater Black Box 6322 Santa Monica Blvd (+ Live-Stream)

WHY: Because Azo Safo was a magical sight to behold onstage. Because each time Azo moved her body through space we were swept away to Morocco. Because each time Azo turns in the air like a magician I literally begin to see Khajida’s face, the way she tips her head when she speaks. Because I heard her mother’s voice and found deep laughter (as I know a few Armenian mothers in Glendale!).

Because I, too, fell in love with Mohammed, the villagers (even Sidi), I found I was not quite ready to yet leave these characters, either. Because onstage I saw a whole woman who had connected the dots of her life and was able to find delight and satisfaction, understand the pain, and reckon with the future. Because I Heart Maroc was a beautiful gift to – or perhaps for – the spirit. Because when Azo swallows a tear, no words are needed. We the audience completely understand and honor the story, her story she shared with us.

HOW: Catch a “Best of the Brodwater” Encore Performance September 5! https://www.hollywoodfringe.org/projects/7091

Click Here to Find More Hollywood Fringe Encores

#FringeFemmes Check-Ins: EGG

Fringe Festival, playwriting, , , , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Erin Fowler

WHAT: EGG

WHERE: Asylum @ Stephanie Feury Studio Theatre (SFS Theatre mainstage) 5636 Melrose Ave (+ Live-Stream)

WHY: EGG was a wild, ridiculous, unexpected ride! Erin investigates the age-old question that women in their thirties battle with, if we have not made a clear decision on motherhood: should I, will I, must I, can I give birth?! Erin undertakes this heavy topic with music, dancing, and absurdity that reveals a tendernerness in approaching a truly sensitive subject that differs and is personal for every woman. Erin’s boldness and bravery made me imagine having a real, grown ass conversation with a girlfriend who knows you, really knows you. This solo show really shines when Erin is in her element, moving with no sound. For it’s all there, and through her body we understand all that she could not say with words.

Learn more about Erin at https://www.erinfowlermovement.com

HOW: https://www.hollywoodfringe.org/projects/7185

Click Here to Find More “Women on the Fringe”

#FringeFemmes Check-Ins: Happily Ever After

Fringe Festival, playwriting, , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Diana Elizabeth Jordan

WHAT: Happily Ever After

WHERE: Live Streamed from Los Angeles LGBT Center (The Renberg Theatre) 6322 Santa Monica Blvd

WHY: I may not have enough words in my vocabulary or a creative palette expansive enough to express what a great joy and honor it was to watch Diana sit upon the stage and fill it with her whole being and spirit. She’s a natural actress, but I knew was also watching a talented technician at work as I witnessed her cleverness and her comedic timing, along with her ease of performing like a true theatre veteran. As I learned more about Diana and her personal journey, her quest for love revealed a common thread: that most little girls dream about a prince charming as we dress up as princesses and play “house.” Diana’s show is a huge gift and just the start – or shall I say continuation? – of a long theatrical legacy.

HOW: https://www.hollywoodfringe.org/projects/6896

Click Here to Find More “Women on the Fringe”

#FringeFemmes Check-Ins: Estrawberry Fields Forever

Fringe Festival, playwriting, , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Verenice Zuniga

WHAT: Estrawberry Fields Forever

WHERE: The Broadwater Black Box 6322 Santa Monica Blvd (+ Live-Stream)

WHY: As soon as Verenice appears upon the stage you know you are in the presence of a truly special artist. Verenice has the rare ability to spin language into poetry, and the way she attacks the stage with her body steals your heart from start to finish of her beautiful solo show. I caught myself holding my breath as Verenice confessed personal truths of family obligations, and stories of facing generational traditions while chasing dreams filled my soul with gentle familiarity. The vulnerability of this young artist makes you feel as if you’re witnessing a sacred rite of passage. After the show, as I got in the car, I sat and sobbed and the only way I could express that overwhelming feeling in my gut was to ask myself, “Have you ever seen a Brown girl fly?” I have no doubt the sensation this show leaves in the body is the spirit of the Fringe. This is what the future looks like in the theatre when artists are uplifted and supported. Go see this beautiful Brown girl manifest her future on her own terms!

HOW: https://www.hollywoodfringe.org/projects/7092

Click Here to Find More “Women on the Fringe”

#FringeFemmes Check-Ins: Naturally Tan

Fringe Festival, playwriting, , , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Tanya Thomas

WHAT: Naturally Tan

WHERE: The Broadwater Black Box 6322 Santa Monica Blvd (+ Live-Stream)

WHY: It’s hard to believe as you view Tanya physicalize thirty-five characters onstage – free, beautiful and vulnerable with the lights shining on her – that she was ever uncomfortable in her own skin. Tanya takes us on a global journey into Singapore’s culture as we find a woman battling for her identity, self-acceptance, and self-love… while discovering that colonialism has terrorized, infested and affected beauty standards around the world.

Watching Tanya’s solo show, I was reminded of the magic and necessity of sharing world dialogues onstage. Naturally Tan is a potent testament to how having a variety of bodies – different colors and forms – grace the stage as storytelling vessels expands the scope of American theatre. Multifaceted and multicultural theatre is essentially human and reminds us all of our similarities rather than our differences.

HOW: http://hff21.co/5740

Click Here to Find More “Women on the Fringe”

#FringeFemmes Check-Ins: Black Woman In Deep Water

Fringe Festival, playwriting, , , , ,

by Constance Strickland

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Makena Hammond

WHAT: Black Woman In Deep Water

WHERE: Actors Company (LET LIVE THEATER) 916 N. Formosa Av (+ Live-Stream)

WHY: Black Woman In Deep Water was a breath of fresh air. As Makena floated onto the stage I was immediately transported to another time when choices came hard, in harsh conditions, for Black bodies. Makena brings us the powerful and heartbreaking story of Margaret Garner, a woman forced to make a horrific choice between a life of slavery or death.

It was the way Makena took what could be a tragic story but instead made space for love that became a lesson for the heart. It was the way music came from Makena’s voice that turned pain into poetry. It was the way she made room for silence while allowing us to take her in. It was the way she bridged the gap from Africa to America as she began to speak in the mother tongue that stirred old emotions and the everlasting old questions many Black Americans hold in the back of their mind and hearts: Where do I come from? What part of Africa am I birthed from? Ghana? Nigeria? Sudan?

Yet as I watched Makena onstage, the feeling of being lost began to fade. In her performance I found a connection to the past and it was not a reminder, but a memory of my ancestors’ perseverance and the whisper of Dr. Maya Angelou’s words: “I am the dream and the hope of the slave. I rise. I rise. I rise.”

HOW: https://www.hollywoodfringe.org/projects/7013

Click Here to Find More “Women on the Fringe”

#FringeFemmes Check-Ins: And The Beat Goes On: A Comedic Cabaret

Fringe Festival, playwriting, , , ,

by Heather Dowling

Quick peeks at #HFF21’s “Women on the Fringe” by Fringe Femmes who are behind the scenes this year. Click Here for all Check-Ins

Fringe Femmes

WHO: Charley Karlotta

WHAT: And The Beat Goes On: A Comedic Cabaret

WHERE: The Broadwater Black Box 6322 Santa Monica Blvd (+ Live-Stream)

WHY:

“First when there’s nothing, But a slow glowing dream, That your fear seems to hide, Deep inside your mind…” What A Feeling, Irene Cara

Well, Charley Karlotta’s passion for performing and love of music is no longer hidden deep inside. What a Feeling is only one of many songs covered, and many personalized, by Charley In her show, accompanied by a 3-piece band. She takes us on the journey of her life, spent largely being denied the opportunity to let her self-expression, her voice, her purpose shine. Charley brings many characters to life in this one-person show who offer moving insights and humor, too.  

HOW: https://www.hollywoodfringe.org/projects/7184

Click Here to Find More “Women on the Fringe”