GLO (Green Light One-Acts), featuring 5 new plays by local women, runs at The Miles Memorial Playhouse November 5-15th. For more information and tickets please visit: www.greenlightproductions.org.
All About Harold and Me by Diane Grant
All About Harold is one act play that eventually became a two act play called Has Anybody Here Seen Roy?
It began with my daughter who used to work for a visually impaired woman, named Jean, who had been married to a man named Harold. Jean had many stories about him and the one I loved the most was the one about the big black Cadillac. That triggered the play. Harold also conjured up in my memory a man named Roy who once picked me up in the university cafeteria, chatted me up, wooed me, and then set me up with his friend who was 5’4”. (I have never topped 5’. Indeed, it’s stretching it to say I’m 4’11”). And then Roy disappeared. Like Harold.
I don’t know if either Harold or Roy sang but I’ve always felt in my heart of hearts that most male singers, tenor or baritone, are just a bit treacherous.
I started to write when I was very young and began with stories. The first one was about my piano teacher who would excuse herself from the music room to take some of her medicine. When she returned, her breath always smelled somewhat different. Sweeter. Stronger. My second teacher enjoyed a sherry with my Mother after my lessons, which got shorter and shorter. Somewhere around Chopin’s Nocturne #2 in E Flat Major and the last glass of sherry, I stopped taking lessons but am still writing.
Although I was part of a radical troupe of actors in Canada, called Toronto Workshop Productions, and threw myself into political writing and performing, I’ve always loved and written comedy. The humor in my plays is always about something underneath, something that keeps us going or stops us from living fully. And I hope it makes people laugh.
About the same time I worked with Toronto Workshop, two amazing and energetic women, Francine Volker and Marcy Lustig, asked me if I wanted to join them in forming the first professional women’s theatre in Canada. I did and we called it Redlight Theatre and wrote about women! Most of my protagonists are still women because, well because I’m a woman, and because they are interesting and funny and complex and bound to run up against a man or two.
I’m so pleased to be part of GLO, and thank them for giving women a voice and the joy of working together.
(Article written by the playwright: Diane Grant Article also (posted/to be posted) at “Lightbulbs” on the Green Light Productions website www.greenlightproductions.org.)