Top 10 reasons to see plays at the Hollywood Fringe Festivals:
10. Participation in the Hollywood Fringe is completely open and uncensored. This free-for-all approach underlines the festival’s mission to be a platform for artists without the barrier of a curative body. By opening the gates to anyone with a vision, the festival is able to exhibit the most diverse and cutting-edge points-of-view the world has to offer. – That was straight out of the horse’s mouth – http://www.hollywoodfringe.org/learn/index/89
9. Theatre hopping in one night in the same theatre or just mozyin’ on down to the theatre next door to catch the next act. Two weeks of staying out late theatre-bar-theatre-bar hoppin.
8. Live entertainment with breathing, salivating, thinking, reacting and overacting people in their own skin. This is the opportunity to boycott computer animated movies for two weeks.
7. Make an artist feel appreciated.
6. Surprise yourself. If you can’t stretch your body, stretch your mind. It’s yoga for the imagination.
5. Because Theatre is the new Cool (always has and always will be). I liken Theatre to Miles Davis – a classic cool who will always be cool, because he was fearless in reinventing himself.
4. 278 shows! (I think this is about right from the search on the website) to choose from in 2 weeks
acting · american · comedy · dark comedy · hilarious · identity · los angeles · love · new york · one woman show · relationships · storytelling · adult themes · comedic · comedy · dark humor · death · drama · dramedy · ensemble · family · funny · gay · music · musical · musical theater · one person show · one-act · original · satire · solo show · storytelling · theater · women · world
3. Fancy is back! (I saw FANCY: Secrets from the Bootydoir last year, and was amazed by the talent. Chris Farah is a hot blooded story teller.)
2. A new and brave talent on the scene from Europe – Natacha Astuto wrote the thriller The Last Train. This is the first English version of the play that has played for 2 years in Europe in French. It won both the Grand Prix and the Young Jury prize at last weeks’ FESTIVAL DE CAHORS, FRANCE.
1. Women on the Fringe! This is the list of the shows that were written by women – shortened without the hashtags. Get the complete details on https://lafpi.com/about/women-at-work-onstage/women-on-the-fringe/
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BURNT AT THE STEAK by Carolann Valentino
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I CAN HEAR YOU…BUT I’M NOT LISTENING by Jennifer Jasper
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LYDIA TRUEBLOOD – THE BLACK WIDOW OF THE ATLANTIC COAST by Liz Eldridge & Efrain Schunior
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BETTER THAN SHAKESPEARE PRESENTS: MUCH ADO ABOUT SOMETHING, created by Megan Kelly and Kate Grabau (and William Shakespeare)
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WOMEN by Chiara Atik
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THE PENS SHALL HAVE THEIR DAY by Lesley Gouger
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GWYNETH & BEYONCÉ: A Tale of 2 Virgins by Laura Keller and Christina Jeffs
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THE CAVE: A FOLK OPERA by Melanie Rose Thomas
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HONESTLY, OK – THE SEMI-TRUE STORY OF A GIRL AND HER SHOES by Nicole Dominguez and Lauren Stone
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LOST IN LVOV by Sandy Simona
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PIECES OF CARRA created by Rachae Thomas and Carly Pandza
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THAT’S WHAT SHE DIDN’T SAY: A TRUE STORY OF TABOO, REDEMPTION & MUSICAL THEATRE by Bonnie Joy Sludikoff
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THE LAST TRAIN (Le Dernier Train) by Natacha Astuto
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FANCY: SECRETS FROM MY BOOTYDOIR by Chris Farah
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SHAME BASED FUN by Sasha Fisher
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GIMPLECAPPED: A JOURNEY OF “INSPIRATION” by Regan Linton and Laura Alsum
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FROM A YARDIE TO A YANKEE BY Sardia Robinson
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THE ALEXIS LAMBRIGHT TELL-A-THON: COMBATING ADULT VIRGINITY by Alexis Lambright
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MARIA CONCHITA ALFONSO ALFONSO ALFONSO by Marina Gonzalez Palmier
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BELLI GEMELLI: AN OPERA SITCOM by Kara Morgan and Heidi Tungseth
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LOCKOUT by Ann Matthews
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HAROLD & STELLA: LOVE LETTERS by Sheana Ochoa
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THAT OLD BLACK MAGIC by Jacquetta Szathmari
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CAN’T TAKE MY (EYES) OFF OF YOU by Fiona Lakeland
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BONNIE’S FUTURE SISTERS by Meghan Gambling
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AND SHE BAKES, LIVE by Daliya Karnofsky
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VICTORIAN COURTING AND ZOMBIES book by Susan Sassi
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WOMEN ON THE VERGE by Kimba Henderson
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Poofy du Vey in BURDEN OF POOF by Courtney Cunningham
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THE LAST TEMPTATION OF PAULA DEEN by Fell Swoop Playwrights
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RIOT GRRRL SAVES THE WORLD (or, The Zine of Grrrl)’ by Louisa Hill
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THE MERMAID WHO LEARNED HOW TO FLY by Kyla Garcia
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WAITLESS by Cailin Harrison
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DAUGHTER OF . . . by Susannah Blinkoff
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CHITLIN BLUES: DANCING IN THE GREY concept by Constance Strickland
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52 PICK-UP by Rita Bozi and TJ Dawe
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WHY I DIED, A COMEDY! by Katie Rubin
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JESUS H: A SOLOR PLAY FOR THE ZEALOT IN ALL OF US by Mariah Freda
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THINGS BEING WHAT THEY ARE by Wendy Macleod
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GERMAINE by Rachel Germaine
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PATHWAYS the DIGITAL MUSICAL by Lei Lei Lashawn
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HAPPY AND GAY by Mary Steelsmith
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LA BETE by June Carryl
Reinvent away! And let’s get your info on the site: https://lafpi.com/about/women-at-work-onstage/women-where-are-you-working/
Remember, tho, we’re all volunteers so it’s not automatic. Welcome to #FringeFemmes and DO join the FPI!https://lafpi.com/join-the-la-fpi-2/
and yes, that was me who accidentally spelled my name wrong. go figure.
Schachner! yowsie! Can I reinvent my last name to be Smith?
Don’t forget ‘Schachner Vs. Schachner’! Last I checked, I was/am a female! And I must say, I’m a fan of reinvention! That’s the best part of creating! If you’re free, I’d love to share with you! http://www.hollywoodfringe.org/projects/1587
I’m so excited for this year’s Fringe. (And can’t wait to see Fanciness and The Last Train.) Is it just me, or are there more fabulous women than ever?