Posts tagged: Alien Citizen

The FPI Files: Solo Queens Fest @ Bootleg

Three Queens visiting Northeast LA. A good reason to head to Bootleg Theater. (As if you needed one!)

Solo Queens Fest brings together three acclaimed solo shows playing in rep – Kristina Wong’s Wong Street Journal, Elizabeth Liang’s Alien Citizen: An Earth Odyssey and Valerie Hager’s Naked in Alaska: The Behind The Scenes True Story of Stripping in the Last Frontier – in addition to workshops for writers and performers.  With (what?!) free childcare during Sunday matinees.

Yep. This is the brainchild of producer Jessica Hanna, fantastic femme queen of all things Bootleg. Well, we couldn’t pass up the chance to chat with the newly appointed sovereigns before the (inaugural? fingers crossed) Fest is underway.

LA FPI: So! What are you ladies queen of?

Elizabeth (Lisa) Liang: I’m individually the queen of 50% anxiety/50% grit; collectively we’re the queens of telling and supporting women’s unique stories with fierce honesty, vulnerability, and unpredictable humor, together at the Bootleg in the city of angels.

Valerie Hager: I am the queen of moving my body – it’s where I find my deepest flow.

Kristina Wong: This week I am the queen of cutting and pasting the link to my show all over the internet.  So much so that I’ve been banned by Facebook from posting in Facebook groups for the next week.  Marketing is hard yo.

Kristina Wong in THE WONG STREET JOURNAL

LA FPI: But we so love the Fest Hashtag: #QueenSaysWhat! What would you say your show is about, in 140 characters or less?

Kristina: A jaded Asian Am social media activist goes to Northern Uganda to volunteer with a microloan organization only to record a hit rap album.

Lisa: Alien Citizen: AEO is a funny and poignant one-woman show about growing up as a dual citizen of mixed heritage in six countries.

Valerie: Naked is a fearless look at the objects we make of ourselves to fit in and the buried truths we must face to have a chance at coming home.

LA FPI: Each of these shows has toured across the country and internationally. Where was the first public performance, in any incarnation?

Valerie: TheaterLab, NYC in late 2012. Interestingly, TheaterLab has a similar mission to Bootleg: to develop and present new and experimental work in theater, music, and visual arts.

Kristina: I showed this as a work in progress in Burlington, Vermont at the Flynn Center for Performing Arts in January 2015. They were one of the four National Performance Network Creation Fund commissioners for this show.  I’ve cut a few scenes since then and the show definitely sits better in my body from touring it the last few years.  I’m still finding ways to make the material more relevant and more alive.

Lisa: I performed one 12-minute segment at the first annual “5,000 Women” Festival at Wesleyan University in 2011.

Valerie Hager in NAKED IN ALASKA

 LA FPI: And thematically, each of your shows covers a lot of territory. Can you talk about where your show begins? Or the journey we’ll take?

Valerie:  Naked In Alaska begins when I’m 15 and living in my childhood home in San Diego. At that time, I didn’t have a lot of social and emotional tools to work through issues I was experiencing at home and school, so the coping mechanisms I created—like becoming a bulimic, cutter, and meth addict—laid the psychological foundation for experiencing stripping as the most exciting and fulfilling adventure I could possibly imagine when I discovered it—it truly gave me the family feeling I had been longing for all my life.

Lisa: My show’s starting point is an Alien (Martian-style) on Earth, trying to answer supposedly simple questions: Who are you? Where are you from? What are you?

Kristina: I have yet to see Valerie and Elizabeth’s shows, but what all our shows definitely have in common is that we are women who traversed incredible distances as we find out who we are.  I would say there are two journeys in my show.  One is obvious journey is from my armchair in America to Northern Uganda.  The other is the journey from a fight-happy Twitter activist out to call out anybody who has ever been a colonial asshole, to reconciling that I myself am guilty of being a colonial asshole.

LA FPI: Tell us a bit about your workshops, which sound incredible.

Valerie: SOLOfire [Sat. 11/4 at 1 pm] is a workshop series I developed over many years that takes a movement-based approach to discovering and creating new work. I lead students through physical exercises that combine both group and partner work, as well as stretching, character discovery, and vocal release.  The whole mission of SOLOfire is to shake the bullshit off and get to the raw, unvarnished truth.

Elizabeth Liang in ALIEN CITIZEN

Lisa: I’ve been leading my Solo Show & Memoir [Sat 11/11 at 1 pm]  workshop for 4 years on college campuses (Princeton, DePaul, CSULA), at conferences, in private in L.A. and via Skype with participants all over the world. Anyone who grew up or is currently living between or among different worlds, as a bridge or an island or both (whatever that may mean to them), will get a lot from this workshop. But all are welcome! I hope that anyone who’s been yearning to tell their own story but has been afraid or unsure of how to begin will take this workshop.

Kristina:  I’ve been mostly teaching workshops in social justice settings or as a guest at a university. It’s been a while since I’ve taught for individuals interested in making their own work and I’m so excited. The last few years of making work for harsh critics (professional and otherwise) has really taught me how to build a thicker skin and just “do the damn thing.” My workshop is called “How to Be a Badass Bitch” [Sat 11/8 at 11 am] and I really want to get participants to approach hard topics without fear.

Q:  Bootleg says it has “a fierce belief in the power​ ​of​ ​women​ ​in​ ​Art​ ​to​ ​create​ ​change​ ​in​ ​the world​.” How will you use your powers?

Kristina: There’s a great shift happening now with the harassers of Hollywood getting called out on their BS and women are speaking out about their harassment experiences with #MeToo. But theater has been one of the spaces where I first witnessed women call out their harassers and stand their own ground.  As we head full speed into some apocalyptic time, I want to hold the space for women to keep telling their stories.

Valerie: I will use my power to promote greater vulnerability within ourselves and with one another – to tell the truth out loud, all of it, and stand with an open heart and strong. This is also the power that naturally comes out in Naked In Alaska. I hope that when someone leaves the show, they feel a surge of that power within them, and they never look back. I call it the power of cracking open. It is where all hope lives.

Lisa: To create and connect via truthful storytelling on stage and page, building bridges between people, helping others to do the same, casting lifejackets to those who thought they were drifting alone (especially women)…and heal the world.

Solo Queens Fest plays from October 26 – November 19 at Bootleg Theater, 2220 Beverly Blvd., Los Angeles, CA 90057. For Festival Passes, Info & Tickets to Individual Shows and Workshops Visit www.bootlegtheater.org.

 

Know a female or FPI-friendly theater, company or artist? Contact us at lafpi.updates@gmail.com & check out The FPI Files for more stories.

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Los Angeles Female Playwrights Initiative is a sponsored project of Fractured Atlas, a non‐profit arts service organization. Contributions for the charitable purposes of LA FPI must be made payable to “Fractured Atlas” only and are tax‐deductible to the extent permitted by law.

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