Events

We currently meet quarterly for LA FPI Gatherings (+ Micro-Reads!) at the Samuel French Bookshop, help organize LA FPI Nights at the theater (which may include Micro-Reads) and have other plans up our collective sleeves.

Thanks to all who joined for our 1st 1st Gathering in 2017, to start off Women’s March at Samuel French!

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Now, join us on

Saturday, March 25 for SWAN Day LA, 2017!

We’re teaming up with Alliance of Los Angeles Playwrights to present a celebration of women theatre artists. It’s a free, public afternoon at Plummer Park in WeHo that will feature Micro-Reads from any women writer in attendance and short plays by female ALAP members, staged by a team of women directors and actors (of all genders).

If you are a female writer and would like to participate in the Micro-Reads, plan on arriving at Plummer Park at 11 am with 1 page, 400 words or less. Click Here for Micro-Reads Guidelines.
Questions? Email lafpi.updates@gmail.com

See you on March 25th for SWAN Day LA, 2017!

Click Here to Share Facebook Event.

BRING:

  • Snacks and/or drinks to share (no alcohol as it’s a public park) 
  • 1 page of your writing to be read aloud as a Micro-Read (if you’re a female writer!)

TIME:

11:00 AM to submit Micro-Reads
12:00 PM Snacks and Networking
12:30 PM Presentation of Micro-Reads
1:30 PM More Snacks and Networking
2:00 PM Presentation of ALAP Member Readings
4:00 PM Even More Snacks and Networking

PLACE:

Community Center at Plummer Park in West Hollywood
7377 Santa Monica Boulevard (between Vista and Fuller)

We’ll be back at Samuel French  on May 20th for our Annual Fringe Femmes Gathering before the Hollywood Fringe Festival. Thanks to Joyce Mehess and crew for opening up the bookshop’s fabulous Green Room for food, wine, connections and Micro-Reads.

It works.

ewp_kentucky_800x800_v1We were proud to be East West Players’ Community Partner in 2016 for their production of Leah Nanako Winkler’s KENTUCKY, directed by Deena Selenow; LA FPI Night at EWP included a fab female playwright/director mixer.  imgres

And we had a blast in 2015 at our LA FPI Nights at Pasadena Playhouse, bringing together groups of up to 77 for Vanessa Claire Stewart’s STONEFACE, Diana Son’s TOP KISS & REAL WOMEN HAVE CURVES by Josefina López.  Thanks so much to Seema Sueko and her crew for making these happen.

Do you have any ideas for companies or productions to approach?  We want to connect with theatermakers, share our work, and fill the house to deliver the message, “It Pays to Produce Plays by Women!”


Gathering w BitchPack + Vagrancy at Samuel FrenchFor more info go to our Facebook Page and join our Twitter  conversation.

SF Reading

TacticalReads_Logo_Web

 

THANKS! to those of you who joined us in 2013/14 for Tactical Reads, produced by The Vagrancy, to Atwater Crossing for kicking the program off, and to Rogue Machine Theatre, Son of Semele Ensemble, The Working Stage, Park La Brea, studio/stage & Theatre Asylum for giving shelter.

Numbers TR

NUMBERS by Mar Gomez Glez, directed by Brenda Varda

MJ 2 TR

MICHAEL JACKSON IS DEAD (Hee Hee) by Rachel Skytt, directed by Reena Dutt

Liar Paradox TR

THE LIAR PARADOX by Kristin Idaszak, directed by Sabina Ptasznik – post-read discussion at Theatre Asylum with Cort Brinkerhoff

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WORD OF THE DAY by Katherine Murphy, directed by Laura Steinroeder

A Song for a Surfer

A SONG FOR A SURFER by Callan Stout, directed by Katie Witkowski – with Cort Brinkerhoff at SOSE

Nina Harada+Tamika Katon-Donegal TR

MY FIRST, MY FIST, MY BLEEDING, SEEDED SPIRIT by Megan Breen, directed by Caitlin Hart at studio/stage

Director Sarah Doyle & Jennifer Maisel after OUT OF ORBIT Tactical Read

Director Sarah Doyle and playwright Jennifer Maisel discuss OUT OF ORBIT after the read at The Working Stage

Mary F. Casey’s THE ACTUAL MOMENT IN TIME BOB ROGERS FOUND LOVE, directed by Sabina Ptasznik, at SOSE

Sabina Ptasznik leads the discussion after Nancy Beverly’s HANDCRAFTED HEALING at RMT

Cindy Marie Jenkins captures Paula Cizmar’s STRAWBERRY at ATX – an incredible start to the series!

 

Got ideas and energy to spearhead something new in terms of Events?  We’re here to help you make it happen!

Contact lafpi.updates@gmail.com.

Check out some familiar faces at Tactical Reads and LA FPI Events…


Thanks to Gethsemane Church for being such gracious hosts for our meetings in 2012!

Cheers to those of you who joined us for LA FPI’s first “BYO Mix” Mixer in 2010, and a big thank you to NoHo’s Eclectic Company Theatre for hosting.

Thanks to Gethsemane Church for being such gracious hosts in 2012!

Many thanks to instigators who helped us move forward at our Spring Gathering in May, 2011 and to the very FPI-friendly Theatricum Botanicum for hosting.

Thanks again to Brenda Varda and wordspace for hosting our 1st LA FPI Gathering of 2011 in February… and to Cindy Marie Jenkins for her super online networking workshop.

(No, it’s not a secret!  If you ask nicely, we’ll tell you all about our candle-lit – and wine-infused! –  Outreach & Planning Meeting in January, 2011.) Great energy, ladies, and thanks so much to 55 Degree Wine in Atwater Village! Thanks to all of you who joined us for the 4th LA FPI Gathering in October, 2010!

And to Rogue Machine at Theatre/Theater for graciously hosting.

 

 

Click Here if you’d like to help us arrange FPI Meets, Special Offers, Discounts and group theater-going opportunities!

 

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Photo by Larry Dean Harris

On we go! Our next goal is to arrange a series of “theater mixers” to  introduce more women playwrights to theatermakers; these receptions will include other female and male theater artists.
We’d love to find someone to take charge and facilitate theater-going groups in the LA area to support female-authored plays onstage. (Women at Work Onstage) And we can tie some of these events to our “mixers,” held to recognize a theater that’s producing work by a women playwright.

LA FPI Spotlight

Native Voices New Play Festival 2008 Kudos to Los Angeles’ Native Voices at the Autry. Founded in 1999, Native Voices is devoted to developing and producing new works for the stage by Native American and First Nation playwrights. About 70% of the works Native Voices has supported have been written by women. Photo by Stephanie Lein Walseth Used by permission

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