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january
09janallday08febNight MiraclesMary Eileen O’Donnell, Caroline Redekopp, Megan Stogner, Willa Fossum
Show Info
The Actors’ Gang Presents Night Miracles A Bold and Unforgettable 10-Minute Play Festival January 9th – February 8th, 2025 The Actors’ Gang Theater, Culver City, CA Tickets at theactorsgang.com The Actors’ Gang is
more
Show Info
The Actors’ Gang Presents
Night Miracles
A Bold and Unforgettable 10-Minute Play Festival
January 9th – February 8th, 2025
The Actors’ Gang Theater, Culver City, CA
Tickets at theactorsgang.com
The Actors’ Gang is proud to announce Night Miracles, an exhilarating and inventive 10-minute play festival that will run from January 9th to February 8th, 2025 (press opening is Saturday, January 11, 2025) , at The Actors’ Gang Theater in Culver City, CA.
This dynamic collection of ten original plays is written, directed, and performed by the ensemble members of The Actors’ Gang. Each play explores a diverse range of themes, emotions, and storytelling techniques, ensuring a truly unforgettable theater experience.
For tickets, please visit theactorsgang.com.
10 Plays. One Stage. One Evening
In Night Miracles, audiences are invited to experience the boundless creativity, passion, and fearless artistry of The Actors’ Gang ensemble. The festival’s fast-paced, short-form performances promise to surprise and engage, ranging from laugh-out-loud comedy to deeply poignant moments. It is an immersive celebration of the human experience, crafted with precision and daring imagination.
“It was incredibly challenging to select just ten plays from the incredible creative energy that exists within this ensemble,” says Tim Robbins, Artistic Director of The Actors’ Gang. “This collection is a reflection of what inspires me—the raw energy, humor, and profound depth of the human experience. Each piece is a testament to the fearless imagination of our artists. I’m excited to share this bold, unpredictable journey with our community.”
Each play in Night Miracles is a unique exploration of life, crafted from the heart of The Actors’ Gang. Known for its bold, innovative approach to theater, the company will present new works that reflect its rich history of artistic risk-taking and its commitment to meaningful storytelling.
Where Ensemble Meets Imagination:
10 Original Plays, One Unforgettable Experience. Theater with Teeth.
In true Actors’ Gang fashion, Night Miracles promises to be a powerful evening of theater, unafraid to challenge, entertain, and provoke. The festival features ensemble-driven performances with a mix of humor, drama, and surrealism, ensuring theater that is raw, honest, and unapologetically bold.
From classic storybook characters in trauma therapy, to buried hens, a debtors’ game show, dueling nuns, saucy archangels, the revelation of masturbation (maybe not that), and a talking theater ghost light – we’re not entirely sure what to expect, but it’s definitely going to be bizarre. Think Topsy Turvy meets a Vegas-inspired circus of gods, clowns, and a master of ceremonies with a talking monkey. Expect the unexpected, from absurd to profound, each piece is as wild, strange, and playful as the artists who created it.
IN TREATMENT BY MARY EILEEN O’DONNELL: Six classic storybook characters confront their traumas, and each other, in a modern day PTSD group therapy session.
GHOST LIGHT BY CAROLINE REDEKOPP: A theatre custodian faces a potential demon in order to clean (sweep, mop) up her own demons.
GAME SHOW BY ADAM DUGAS: In a dystopian game show, three players compete for a chance to cancel their debts.
LOVE SONG FOR BURIED HENS BY MEGAN STOGNER: Two farmers at the end of their lives confront the nature of death, and life on the farm.
ROUGH HEWN BY KEN PALMER: From his miniature wheelchair, the poetic, songwriting drum set puppet announces… The stage Door is unlocked…Will anyone step out of their comfort zone and up to ‘ROUGH HEWN’S 24 hour OPEN MIC
PUNCH AND JUDY ON THE COAST STARLIGHT BY MARY EILEEN O’DONNELL: Riding a train up the coast, two traditional British puppets have a fight on their vacation.
TWO ANGELS WALK INTO A BAR BY MARY EILEEN O’DONNELL: Christmas Eve 1914 – the Archangel Gabriel and Clarence from “It’s a Wonderful Life” are making big plans.
THE JOB BY MARY EILEEN O’DONNELL: Three workers talk about their dirty dangerous job ahead.
NUN FIGHT BY WILLA FOSSUM: Everyone that’s anyone loved Sister Roberta.
SIXTEEN SUMMERS BY AYINDE HOWELL: One GenX’ers nostalgic journey of identity, family and the last act of love.
The Actors’ Gang is a dynamic, socially conscious theater company dedicated to the power of ensemble-driven storytelling. For over four decades, the company has been developing original works from within, encouraging its actors to explore playwriting and directing. With an emphasis on collaboration, boundary-pushing performances, and artistic risk, The Actors’ Gang continues to be a vital and influential force in Los Angeles’ vibrant theater scene.
Performances: January 9th – February 8th, 2025
Venue: The Actors’ Gang Theater, 9070 Venice Blvd, Culver City, CA 90232
Show dates:
Thursday, January 9th at 8pm : Pay-what-you-can/ Preview
Friday, January 10th at 8pm: Preview
Saturday, January 11th at 8pm: Opening
Thursday, January 16th at 8pm : Pay-what-you-can
Friday, January 17th at 8pm
Saturday, January 18th at 8pm
Thursday, January 23rd at 8pm : Pay-what-you-can
Friday, January 24th at 8pm
Saturday, January 25th at 8pm
Sunday, January 26th at 2pm- Matinee
Thursday, January 30th at 8pm : Pay-what-you-can
Friday, January 31st at 8pm
Saturday, February 1st at 8pm
Sunday, February 2nd at 2pm – Matinee
Thursday, February 6th at 8pm : Pay-what-you-can
Friday, February 7th at 8pm
Saturday, February 8th at 8pm: Closing
Playing
January 9 (Thursday) - February 8 (Saturday)
Venue
The Actors' Gang Theatre
9070 Venice Blvd
Get Tickets
Tickets at $35.00 (with fees $38.99) available online at theactorsgang.com
18jan5:30 pmNO...? & Two GirlsAllie Costa
Show Info
OPEN-DOOR PLAYHOUSE TO PRESENT FOUR PLAYS LIVE ON STAGE AT 30 MINUTES OR LESS FESTIVAL IN HOLLYWOOD ON JANUARY 18 AND 26 Open-Door Playhouse, which has become known for its award-winning
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OPEN-DOOR PLAYHOUSE TO PRESENT FOUR PLAYS LIVE ON STAGE AT 30 MINUTES OR LESS FESTIVAL IN HOLLYWOOD ON JANUARY 18 AND 26
Open-Door Playhouse, which has become known for its award-winning and critically-acclaimed audio dramas and comedies presented online since 2020, will be presenting four of its short plays live on stage as part of the 30 Minutes or Less Festival in Hollywood at the Stephanie Feury Theater, on the main stage, 5636 Melrose Avenue, Hollywood, CA 90038. Tickets will be $10 or what you can afford.
Saturday, January 18, 2025 at 5:30 p.m.:
Here’s our schedule and ticketing links for No..? and Two Girls https://www.30minutesorlessfestival.com/projects/11557?tab=tickets
Two Girls. Two women emerge from a violent attack in this haunting and poetic dialogue. The play Two Girls delves into the harrowing realities of sexual assault, exploring the emotional turmoil and societal implications faced by survivors. Through powerful storytelling and authentic character portrayals, it aims to foster understanding, compassion, and dialogue around a subject often shrouded in silence.
Written by Allie Costa. Directed by Bernadette Armstrong. Starring Barika Phillips Bell and Ayla Rose Barreau.
The play No..? explores several poignant themes, including the complexity of trauma, the struggle for empowerment. It also addresses the nuances of consent, the journey of healing, and the often-silenced voices of survivors. Each theme is intricately woven into the narrative, inviting the audience to reflect on their own beliefs and the wider societal implications. Written by Mark SaFranko. Directed by Gary Lamb. Starring Caitlin Bell and Michael Fletcher.
Suggested for audiences 13 to adult.
Playing
(Saturday) 5:30 pm
Venue
Stephanie Feury Theatre
5636 Melrose Ave, Los Angeles, CA
Presented by
30 Minutes or Less FestivalMatthew Quinn Hollywood, CA
Get Tickets
Here’s our schedule and ticketing links for No..? and Two Girls
https://www.30minutesorlessfestival.com/projects/11557?tab=tickets
19jan5:30 pm6:45 pmSearching For Me In All The Wrong PlacesGreta Fadness
Show Info
Searching For Me In All The Wrong Places by Greta Fadness When you are hiding from your traumatic past, escaping your present by binging on Netflix and neuroses, how do you find
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Searching For Me In All The Wrong Places
by Greta Fadness
When you are hiding from your traumatic past, escaping your present by binging on Netflix and neuroses, how do you find your future? Through help, hope and healing can one woman find the road to her authentic self, or will she stay stuck on a loop of life’s left turns? Filled with multimedia, multiple characters and the love in the lyrics of Sara Bareilles’ music, Searching For Me In All The Wrong Places is the Soaring Solo Studios Stars Series 2025 winner of the Encore Award. This solo show is about the power of connection, the possibility of recovery and the peace found when one rediscovers their truth. This one woman’s healing journey takes her through her painful past of adoption, childhood wounds, sexual trauma, suicide, and her struggles with mental illness. She discovers ways to not hit her panic buttons, those coping mechanisms that don’t serve her anymore that only keep her small, quiet, and hidden when life becomes unsafe. Seeking to embrace “the me in her mess” through a few tears, a few laughs, and a few face plants along the way she works to reclaim her resiliency as she learns the search for self-love starts from within. And sometimes you must leave your life to get a life.
Half of all proceeds will be donated to the Pasadena Humane Society.
January 19 at 5:30pm
Zephyr Theatre (Main Space)
7456 Melrose Avenue, Los Angeles, CA 90046
Produced by Soaring Solo Studios. Developed and directed by Jessica Lynn Johnson.
Playing
(Sunday) 5:30 pm - 6:45 pm
Venue
Zephyr Theatre
7456 Melrose Avenue, Los Angeles, CA 90046
Presented by
Soaring Solo StudiosZephyr Theatre 7456 Melrose Ave., Los Angeles, CA
Get Tickets
23janallday23febHere Comes The NightLisa Kenner Grissom
Show Info
Here Comes The Night Written by Lisa Kenner Grissom Directed by Dana Schwartz Produced by Moving Arts How far can female friendship go to bridge the abortion divide? When Olivia, a musician’s wife and climate
more
Show Info
Here Comes The Night
Written by Lisa Kenner Grissom
Directed by Dana Schwartz
Produced by Moving Arts
How far can female friendship go to bridge the abortion divide?
When Olivia, a musician’s wife and climate science advocate, invites Maggie, an old friend turned social media influencer, to spend the weekend while she has an at-home medical abortion, she doesn’t realize that Maggie is about to throw Olivia off course. And actually, these women of different generations are about to alter each other’s lives in ways they hadn’t expected or imagined. What happens when a woman’s right to choose becomes a litmus test for all of her life choices?
Opens Saturday, January 25 (previews January 23 & 24)
Playing Fridays & Saturdays @ 8pm; Sundays @ 4pm; Mondays @ 8pm
CLICK FOR TICKETS – $10 off with code LAFPI
THE CAST
Meeghan Holloway as Olivia
Julia Manis as Maggie
Playing
January 23 (Thursday) - February 23 (Sunday)
Venue
Moving Arts
3191 Casitas Avenue, Ste.100
Presented by
Moving Arts
Get Tickets
$10-$30 – $10 off with code LAFPI
29janallday09marFake it Until You Make itLarissa FastHorse
Show Info
FAKE IT UNTIL YOU MAKE IT A door-slamming, mistaken identity farce By Larissa FastHorse Directed by Michael John Garcés Mark Taper Forum at Center Theatre Group Los
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Show Info
The production will run January 29 to March 9, 2025 (press opening February 5) at the Mark Taper Forum, as the third offering of Center Theatre Group’s One CTG. One LA. Season, previously announced by Artistic Director Snehal Desai, Managing Director/CEO Meghan Pressman, and Producing Director Douglas C. Baker.
The cast at the Mark Taper Forum will be Noah Bean (David Mamet’s Romance), Eric Stanton Betts (Holiday Down Under), Julie Bowen (Modern Family) Tonantzin Carmelo (NBC La Brea), Brandon Delsid (Amazon Prime This is Me … Now), and Dakota Ray Hebert (Marvel’s Echo).
A bold world premiere comedy from Los Angeles-based playwright, Larissa FastHorse, about being whoever you want to be, even when it’s not who you are. In her uproarious new comedy, a collision of friends and foes within the non-profit sector sets the stage for a whirlwind of competition, chaos, and comedic revelation.
Meet Wynona, the Native American proprietor of N.O.B.U.S.H., and River, her white counterpart at Indigenous Nations Soaring. Their escalating rivalry ensnares colleagues and bystanders, leading to the unraveling of secrets that highlight the absurdities of ambition and authenticity. Amidst the laughter, genuine connections form, emphasizing the value of unexpected paths to success. Fake It Until You Make It takes an absurd look at what defines who we are, and the lengths some people will go through to change it.
“After re-opening the Mark Taper Forum in the fall, we are excited to partner with our friends at Arena Stage and get back to what the Taper has been celebrated for over the course of its history—and that’s by continuing to be the home for bold world premiere productions,” said Snehal Desai, CTG’s Artistic Director. “I am particularly thrilled that LA’s own Larissa FastHorse and her new comedy, Fake It Until You Make It, will be making its premiere at CTG this season. We are already laughing out loud in the rehearsal room with this incredible cast as they bring this fantastic and hilarious play to life and we can’t wait to share it with all of you.”
“Arena Stage is delighted to collaborate with Center Theatre Group on this hijinks-filled world-premiere comedy, featuring a fierce and funny ensemble that will rollick audiences from coast to coast,” said Arena Stage Artistic Director Hana S. Sharif. “Larissa FastHorse’s writing exposes the fragile yet ruthless underbelly of the nonprofit sector, where coworking and culture clash. In a town that runs on identity politics, Larissa dares to unmask us all.”
Fake It Until You Make It is an Edgerton Foundation Commission that was awarded to Center Theatre Group. The play was originally commissioned by Center Theatre Group.
2024/25 Season programming at the Mark Taper Forum is made possible through the generous support of the S. Mark Taper Foundation. Additional season support is provided by Perenchio Foundation.
Tickets for Fake It Until You Make It are available through CenterTheatreGroup.org, Audience Services at 213.972.4400 or in person at the Center Theatre Group Box Offices at The Music Center, 135 N. Grand Avenue in Downtown LA 90012.
Bank of America is Center Theatre Group’s 2024/25 “One CTG” Season Sponsor. Bank of America believes in the power of the arts to help economies thrive, to educate and enrich societies, and to create greater cultural understanding. For over 20 years, the company has supported Center Theatre Group’s innovative Education and Community Partnerships programs and world-class productions.
Venue: Mark Taper Forum, 135 North Grand Avenue, Los Angeles CA 90012
Dates: Wednesday, January 29 to Sunday, March 9, 2025; Press opening is Wednesday, February 5.
Schedule: Tuesday through Friday evenings at 8:00 p.m.; Saturdays at 2:00 p.m. and 8:00 p.m.; Sundays at 1:00 p.m. and 6:30 p.m
Website — CenterTheatreGroup.org
Phone — Audience Services at 213.628.2772
BIOGRAPHIES
LARISSA FASTHORSE (Sicangu Lakota Nation) (Playwright) is a MacArthur Fellow for theatre and co-founder of Indigenous Direction, the leading consulting company for Indigenous art. Larissa is currently represented across the country with a revised book of the musical Peter Pan. She was the first known female Native American playwright on Broadway with The Thanksgiving Play, one of the most produced plays in the country. Additional plays include The Native Nation Trilogy, For The People, and Fancy Dancer. Larissa is a professor of practice at Arizona State University.
MICHAEL JOHN GARCÉS (Director, he/him/his) is an LA-based director and playwright and a professor of practice at Arizona State University. Recently: productions at The Guthrie Theater, Arizona Theatre Company, Pioneer Theatre Company, and the Geffen Playhouse. Former artistic director of Cornerstone Theater Company, where he directed new plays by many writers including Mark Valdez, Juliette Carrillo, Alison Carey, Lisa Loomer, and three by Larissa FastHorse: Wicoun, Native Nation, and Urban Rez. Recipient of the Doris Duke Artist Award, Princess Grace Statue and SDC President’s Award.
NOAH BEAN (Theo, he/him) is thrilled to be back at The Taper after performing here in David Mamet’s Romance. He has performed in many New York and regional theatres; most notably, originating roles in David Henry Hwang’s Pulitzer Prize-nominated Yellowface at The Public Theater, as well as Jordan Harrison’s Pulitzer finalist Marjorie Prime at Playwrights Horizons. He has starred in such television series as the Emmy-nominated Damages, Nikita, 12 Monkeys, The Endgame, and Amazon’s upcoming series Ballard.
ERIC STANTON BETTS (Mark, he/him) is a mixed BIPOC performer based in Los Angeles. His work expands across commercial, fashion, theatre, and film. He is also a writer having finished his first full length feature film just last summer, a rom-com titled Holiday Down Under. Credits: Film; Tyler Perry’s Joy Ridge; Birthright: Outlaw; Martinez, Margaritas and Murder, and Deadly Scholars. Theatre: Kinky Boots at the Hollywood Bowl, A Family Business, Three Tables, Kinky Boots International Tour. Eric is grateful to delve deeper into his indigenous heritage through working with this company. Follow him @StandsTooTall21.
JULIE BOWEN (River at Center Theatre Group Mark Taper Forum). A two-time Emmy Award winner for portraying “Claire Dunphy” on Modern Family, Julie is thrilled to be making her LA theatre debut. Television includes Boston Legal and Lost. Julie will soon be seen reviving her role as “Virginia Venet” in Happy Gilmore 2 with Adam Sandler. Other film roles include starring opposite Melissa McCarthy in Life of the Party, and Horrible Bosses with Jason Bateman. Julie was most recently seen in Hysteria! (Peacock) and continues to produce and develop projects.
AMY BRENNEMAN (River at Arena Stage Kreeger Theater). Amy can most recently be seen in The Old Man opposite Jeff Bridges and John Lithgow and in Shining Girls with Elisabeth Moss. Her large body of film work includes Casper, Fear, Daylight, Heat, Friends and Neighbors, The Jane Austen Book Club, Peel, The Face of Love, Words and Pictures, Nine Lives, Things You Can Tell Just by Looking at Her, and Mother and Child. Amy created, executive produced, and starred in Judging Amy, earning two TV Guide Awards, three Golden Globe nominations, a Producers Guild nomination, three Emmy nominations, a People’s Choice nomination, and a SAG nomination. Amy starred in The Sound Inside at Pasadena Playhouse, as well as in the world premiere of the Pulitzer Prize-nominated Rapture, Blister, Burn (Playwrights Horizons, Geffen Playhouse) and in the world premiere of Rules of Seconds directed by Jo Bonney. Amy was a founding member of the award-winning Cornerstone Theater Company, which specializes in site-specific community-based theater on themes of social justice. Favorite Cornerstone roles include Juliet in Romeo and Juliet, Natasha in Three Sisters, Clytemnestra in The Oresteia, and Solveig in Peer Gynt. Other Theater: CSC Rep, Lincoln Center Theater, L.A. Theatre Works, LATC, Williamstown Theatre Festival, En Garde Arts, American Repertory Theater, and Yale Rep.
TONANTZIN CARMELO (Wynona, she/her). Tonantzin Carmelo is a SAG award nominated actress most recently seen as a series regular on La Brea (NBC) and recurring roles on NCIS Origins (CBS), The English (BBC), and the upcoming Dark Winds (AMC). She honed her craft in the theatre playing lead roles with Native Voices, Teatro Sinergia, and the DCPA. Her choreography work was featured in the Amazon TV series, Undone, and in The Industry opera, Sweetland. She’s honored to perform on her Tongva ancestral homelands in the great Tovaangar the central village of Yaanga (Downtown Los Angeles). Instagram: @tonantzincarmelo
BRANDON DELSID (Krys) is an actor originally from Fresno, CA. He can be seen starring in Amazon Prime’s This is Me…Now musical alongside Jennifer Lopez. This spring he’ll be guest starring on HBO’s The Rehearsal. Last year he completed June and John with director, Luc Besson (The Fifth Element) and shot Peacock’s The Date Whisperer. He can be seen in campaigns for Amazon, Cerave, White Claw, HBO, Redfin, and Netflix. Follow @brandondelsid for more fun.
DAKOTA RAY HEBERT (Grace, she/her/they/them) is from Meadow Lake, Saskatchewan, Canada, and a proud member of English River First Nation. Dakota does comedy: Trailer Treasure, I’ll Give You An Indian Act, Just For Laughs. Dakota does television: Shelved, Marvel’s Echo, Run the Burbs. Dakota does movies: #Vanlife (post-production), Run Woman Run. Dakota has a skin baby (Frankie), two fur babies (Lieutenant Dan & Mr. Bean), countless plant babies, and the world’s greatest and funniest sweetheart (Dylan). Follow this 2S Dene busybody on Facebook and Insta; they’re up to their beaded earrings in work they love to share. @dakota_raymond
Playing
January 29 (Wednesday) - March 9 (Sunday)
Venue
Mark Taper Forum
135 N. Grand Avenue
Get Tickets
Tickets:
Prices — begin at $35
Website — CenterTheatreGroup.org
Phone — Audience Services at 213.628.2772
In person — Center Theatre Group Box Office (at the Mark Taper Forum) at The Music Center, 135 N. Grand Avenue in Downtown L.A. 90012
Groups —CenterTheatreGroup.org/
Access — Center Theatre Group offers a number of services to accommodate persons requiring mobility, vision, and hearing access.
For more information, please visit CenterTheatreGroup.org/Access.
february
09janallday08febNight MiraclesMary Eileen O’Donnell, Caroline Redekopp, Megan Stogner, Willa Fossum
Show Info
The Actors’ Gang Presents Night Miracles A Bold and Unforgettable 10-Minute Play Festival January 9th – February 8th, 2025 The Actors’ Gang Theater, Culver City, CA Tickets at theactorsgang.com The Actors’ Gang is
more
Show Info
The Actors’ Gang Presents
Night Miracles
A Bold and Unforgettable 10-Minute Play Festival
January 9th – February 8th, 2025
The Actors’ Gang Theater, Culver City, CA
Tickets at theactorsgang.com
The Actors’ Gang is proud to announce Night Miracles, an exhilarating and inventive 10-minute play festival that will run from January 9th to February 8th, 2025 (press opening is Saturday, January 11, 2025) , at The Actors’ Gang Theater in Culver City, CA.
This dynamic collection of ten original plays is written, directed, and performed by the ensemble members of The Actors’ Gang. Each play explores a diverse range of themes, emotions, and storytelling techniques, ensuring a truly unforgettable theater experience.
For tickets, please visit theactorsgang.com.
10 Plays. One Stage. One Evening
In Night Miracles, audiences are invited to experience the boundless creativity, passion, and fearless artistry of The Actors’ Gang ensemble. The festival’s fast-paced, short-form performances promise to surprise and engage, ranging from laugh-out-loud comedy to deeply poignant moments. It is an immersive celebration of the human experience, crafted with precision and daring imagination.
“It was incredibly challenging to select just ten plays from the incredible creative energy that exists within this ensemble,” says Tim Robbins, Artistic Director of The Actors’ Gang. “This collection is a reflection of what inspires me—the raw energy, humor, and profound depth of the human experience. Each piece is a testament to the fearless imagination of our artists. I’m excited to share this bold, unpredictable journey with our community.”
Each play in Night Miracles is a unique exploration of life, crafted from the heart of The Actors’ Gang. Known for its bold, innovative approach to theater, the company will present new works that reflect its rich history of artistic risk-taking and its commitment to meaningful storytelling.
Where Ensemble Meets Imagination:
10 Original Plays, One Unforgettable Experience. Theater with Teeth.
In true Actors’ Gang fashion, Night Miracles promises to be a powerful evening of theater, unafraid to challenge, entertain, and provoke. The festival features ensemble-driven performances with a mix of humor, drama, and surrealism, ensuring theater that is raw, honest, and unapologetically bold.
From classic storybook characters in trauma therapy, to buried hens, a debtors’ game show, dueling nuns, saucy archangels, the revelation of masturbation (maybe not that), and a talking theater ghost light – we’re not entirely sure what to expect, but it’s definitely going to be bizarre. Think Topsy Turvy meets a Vegas-inspired circus of gods, clowns, and a master of ceremonies with a talking monkey. Expect the unexpected, from absurd to profound, each piece is as wild, strange, and playful as the artists who created it.
IN TREATMENT BY MARY EILEEN O’DONNELL: Six classic storybook characters confront their traumas, and each other, in a modern day PTSD group therapy session.
GHOST LIGHT BY CAROLINE REDEKOPP: A theatre custodian faces a potential demon in order to clean (sweep, mop) up her own demons.
GAME SHOW BY ADAM DUGAS: In a dystopian game show, three players compete for a chance to cancel their debts.
LOVE SONG FOR BURIED HENS BY MEGAN STOGNER: Two farmers at the end of their lives confront the nature of death, and life on the farm.
ROUGH HEWN BY KEN PALMER: From his miniature wheelchair, the poetic, songwriting drum set puppet announces… The stage Door is unlocked…Will anyone step out of their comfort zone and up to ‘ROUGH HEWN’S 24 hour OPEN MIC
PUNCH AND JUDY ON THE COAST STARLIGHT BY MARY EILEEN O’DONNELL: Riding a train up the coast, two traditional British puppets have a fight on their vacation.
TWO ANGELS WALK INTO A BAR BY MARY EILEEN O’DONNELL: Christmas Eve 1914 – the Archangel Gabriel and Clarence from “It’s a Wonderful Life” are making big plans.
THE JOB BY MARY EILEEN O’DONNELL: Three workers talk about their dirty dangerous job ahead.
NUN FIGHT BY WILLA FOSSUM: Everyone that’s anyone loved Sister Roberta.
SIXTEEN SUMMERS BY AYINDE HOWELL: One GenX’ers nostalgic journey of identity, family and the last act of love.
The Actors’ Gang is a dynamic, socially conscious theater company dedicated to the power of ensemble-driven storytelling. For over four decades, the company has been developing original works from within, encouraging its actors to explore playwriting and directing. With an emphasis on collaboration, boundary-pushing performances, and artistic risk, The Actors’ Gang continues to be a vital and influential force in Los Angeles’ vibrant theater scene.
Performances: January 9th – February 8th, 2025
Venue: The Actors’ Gang Theater, 9070 Venice Blvd, Culver City, CA 90232
Show dates:
Thursday, January 9th at 8pm : Pay-what-you-can/ Preview
Friday, January 10th at 8pm: Preview
Saturday, January 11th at 8pm: Opening
Thursday, January 16th at 8pm : Pay-what-you-can
Friday, January 17th at 8pm
Saturday, January 18th at 8pm
Thursday, January 23rd at 8pm : Pay-what-you-can
Friday, January 24th at 8pm
Saturday, January 25th at 8pm
Sunday, January 26th at 2pm- Matinee
Thursday, January 30th at 8pm : Pay-what-you-can
Friday, January 31st at 8pm
Saturday, February 1st at 8pm
Sunday, February 2nd at 2pm – Matinee
Thursday, February 6th at 8pm : Pay-what-you-can
Friday, February 7th at 8pm
Saturday, February 8th at 8pm: Closing
Playing
January 9 (Thursday) - February 8 (Saturday)
Venue
The Actors' Gang Theatre
9070 Venice Blvd
Get Tickets
Tickets at $35.00 (with fees $38.99) available online at theactorsgang.com
23janallday23febHere Comes The NightLisa Kenner Grissom
Show Info
Here Comes The Night Written by Lisa Kenner Grissom Directed by Dana Schwartz Produced by Moving Arts How far can female friendship go to bridge the abortion divide? When Olivia, a musician’s wife and climate
more
Show Info
Here Comes The Night
Written by Lisa Kenner Grissom
Directed by Dana Schwartz
Produced by Moving Arts
How far can female friendship go to bridge the abortion divide?
When Olivia, a musician’s wife and climate science advocate, invites Maggie, an old friend turned social media influencer, to spend the weekend while she has an at-home medical abortion, she doesn’t realize that Maggie is about to throw Olivia off course. And actually, these women of different generations are about to alter each other’s lives in ways they hadn’t expected or imagined. What happens when a woman’s right to choose becomes a litmus test for all of her life choices?
Opens Saturday, January 25 (previews January 23 & 24)
Playing Fridays & Saturdays @ 8pm; Sundays @ 4pm; Mondays @ 8pm
CLICK FOR TICKETS – $10 off with code LAFPI
THE CAST
Meeghan Holloway as Olivia
Julia Manis as Maggie
Playing
January 23 (Thursday) - February 23 (Sunday)
Venue
Moving Arts
3191 Casitas Avenue, Ste.100
Presented by
Moving Arts
Get Tickets
$10-$30 – $10 off with code LAFPI
29janallday09marFake it Until You Make itLarissa FastHorse
Show Info
FAKE IT UNTIL YOU MAKE IT A door-slamming, mistaken identity farce By Larissa FastHorse Directed by Michael John Garcés Mark Taper Forum at Center Theatre Group Los
more
Show Info
The production will run January 29 to March 9, 2025 (press opening February 5) at the Mark Taper Forum, as the third offering of Center Theatre Group’s One CTG. One LA. Season, previously announced by Artistic Director Snehal Desai, Managing Director/CEO Meghan Pressman, and Producing Director Douglas C. Baker.
The cast at the Mark Taper Forum will be Noah Bean (David Mamet’s Romance), Eric Stanton Betts (Holiday Down Under), Julie Bowen (Modern Family) Tonantzin Carmelo (NBC La Brea), Brandon Delsid (Amazon Prime This is Me … Now), and Dakota Ray Hebert (Marvel’s Echo).
A bold world premiere comedy from Los Angeles-based playwright, Larissa FastHorse, about being whoever you want to be, even when it’s not who you are. In her uproarious new comedy, a collision of friends and foes within the non-profit sector sets the stage for a whirlwind of competition, chaos, and comedic revelation.
Meet Wynona, the Native American proprietor of N.O.B.U.S.H., and River, her white counterpart at Indigenous Nations Soaring. Their escalating rivalry ensnares colleagues and bystanders, leading to the unraveling of secrets that highlight the absurdities of ambition and authenticity. Amidst the laughter, genuine connections form, emphasizing the value of unexpected paths to success. Fake It Until You Make It takes an absurd look at what defines who we are, and the lengths some people will go through to change it.
“After re-opening the Mark Taper Forum in the fall, we are excited to partner with our friends at Arena Stage and get back to what the Taper has been celebrated for over the course of its history—and that’s by continuing to be the home for bold world premiere productions,” said Snehal Desai, CTG’s Artistic Director. “I am particularly thrilled that LA’s own Larissa FastHorse and her new comedy, Fake It Until You Make It, will be making its premiere at CTG this season. We are already laughing out loud in the rehearsal room with this incredible cast as they bring this fantastic and hilarious play to life and we can’t wait to share it with all of you.”
“Arena Stage is delighted to collaborate with Center Theatre Group on this hijinks-filled world-premiere comedy, featuring a fierce and funny ensemble that will rollick audiences from coast to coast,” said Arena Stage Artistic Director Hana S. Sharif. “Larissa FastHorse’s writing exposes the fragile yet ruthless underbelly of the nonprofit sector, where coworking and culture clash. In a town that runs on identity politics, Larissa dares to unmask us all.”
Fake It Until You Make It is an Edgerton Foundation Commission that was awarded to Center Theatre Group. The play was originally commissioned by Center Theatre Group.
2024/25 Season programming at the Mark Taper Forum is made possible through the generous support of the S. Mark Taper Foundation. Additional season support is provided by Perenchio Foundation.
Tickets for Fake It Until You Make It are available through CenterTheatreGroup.org, Audience Services at 213.972.4400 or in person at the Center Theatre Group Box Offices at The Music Center, 135 N. Grand Avenue in Downtown LA 90012.
Bank of America is Center Theatre Group’s 2024/25 “One CTG” Season Sponsor. Bank of America believes in the power of the arts to help economies thrive, to educate and enrich societies, and to create greater cultural understanding. For over 20 years, the company has supported Center Theatre Group’s innovative Education and Community Partnerships programs and world-class productions.
Venue: Mark Taper Forum, 135 North Grand Avenue, Los Angeles CA 90012
Dates: Wednesday, January 29 to Sunday, March 9, 2025; Press opening is Wednesday, February 5.
Schedule: Tuesday through Friday evenings at 8:00 p.m.; Saturdays at 2:00 p.m. and 8:00 p.m.; Sundays at 1:00 p.m. and 6:30 p.m
Website — CenterTheatreGroup.org
Phone — Audience Services at 213.628.2772
BIOGRAPHIES
LARISSA FASTHORSE (Sicangu Lakota Nation) (Playwright) is a MacArthur Fellow for theatre and co-founder of Indigenous Direction, the leading consulting company for Indigenous art. Larissa is currently represented across the country with a revised book of the musical Peter Pan. She was the first known female Native American playwright on Broadway with The Thanksgiving Play, one of the most produced plays in the country. Additional plays include The Native Nation Trilogy, For The People, and Fancy Dancer. Larissa is a professor of practice at Arizona State University.
MICHAEL JOHN GARCÉS (Director, he/him/his) is an LA-based director and playwright and a professor of practice at Arizona State University. Recently: productions at The Guthrie Theater, Arizona Theatre Company, Pioneer Theatre Company, and the Geffen Playhouse. Former artistic director of Cornerstone Theater Company, where he directed new plays by many writers including Mark Valdez, Juliette Carrillo, Alison Carey, Lisa Loomer, and three by Larissa FastHorse: Wicoun, Native Nation, and Urban Rez. Recipient of the Doris Duke Artist Award, Princess Grace Statue and SDC President’s Award.
NOAH BEAN (Theo, he/him) is thrilled to be back at The Taper after performing here in David Mamet’s Romance. He has performed in many New York and regional theatres; most notably, originating roles in David Henry Hwang’s Pulitzer Prize-nominated Yellowface at The Public Theater, as well as Jordan Harrison’s Pulitzer finalist Marjorie Prime at Playwrights Horizons. He has starred in such television series as the Emmy-nominated Damages, Nikita, 12 Monkeys, The Endgame, and Amazon’s upcoming series Ballard.
ERIC STANTON BETTS (Mark, he/him) is a mixed BIPOC performer based in Los Angeles. His work expands across commercial, fashion, theatre, and film. He is also a writer having finished his first full length feature film just last summer, a rom-com titled Holiday Down Under. Credits: Film; Tyler Perry’s Joy Ridge; Birthright: Outlaw; Martinez, Margaritas and Murder, and Deadly Scholars. Theatre: Kinky Boots at the Hollywood Bowl, A Family Business, Three Tables, Kinky Boots International Tour. Eric is grateful to delve deeper into his indigenous heritage through working with this company. Follow him @StandsTooTall21.
JULIE BOWEN (River at Center Theatre Group Mark Taper Forum). A two-time Emmy Award winner for portraying “Claire Dunphy” on Modern Family, Julie is thrilled to be making her LA theatre debut. Television includes Boston Legal and Lost. Julie will soon be seen reviving her role as “Virginia Venet” in Happy Gilmore 2 with Adam Sandler. Other film roles include starring opposite Melissa McCarthy in Life of the Party, and Horrible Bosses with Jason Bateman. Julie was most recently seen in Hysteria! (Peacock) and continues to produce and develop projects.
AMY BRENNEMAN (River at Arena Stage Kreeger Theater). Amy can most recently be seen in The Old Man opposite Jeff Bridges and John Lithgow and in Shining Girls with Elisabeth Moss. Her large body of film work includes Casper, Fear, Daylight, Heat, Friends and Neighbors, The Jane Austen Book Club, Peel, The Face of Love, Words and Pictures, Nine Lives, Things You Can Tell Just by Looking at Her, and Mother and Child. Amy created, executive produced, and starred in Judging Amy, earning two TV Guide Awards, three Golden Globe nominations, a Producers Guild nomination, three Emmy nominations, a People’s Choice nomination, and a SAG nomination. Amy starred in The Sound Inside at Pasadena Playhouse, as well as in the world premiere of the Pulitzer Prize-nominated Rapture, Blister, Burn (Playwrights Horizons, Geffen Playhouse) and in the world premiere of Rules of Seconds directed by Jo Bonney. Amy was a founding member of the award-winning Cornerstone Theater Company, which specializes in site-specific community-based theater on themes of social justice. Favorite Cornerstone roles include Juliet in Romeo and Juliet, Natasha in Three Sisters, Clytemnestra in The Oresteia, and Solveig in Peer Gynt. Other Theater: CSC Rep, Lincoln Center Theater, L.A. Theatre Works, LATC, Williamstown Theatre Festival, En Garde Arts, American Repertory Theater, and Yale Rep.
TONANTZIN CARMELO (Wynona, she/her). Tonantzin Carmelo is a SAG award nominated actress most recently seen as a series regular on La Brea (NBC) and recurring roles on NCIS Origins (CBS), The English (BBC), and the upcoming Dark Winds (AMC). She honed her craft in the theatre playing lead roles with Native Voices, Teatro Sinergia, and the DCPA. Her choreography work was featured in the Amazon TV series, Undone, and in The Industry opera, Sweetland. She’s honored to perform on her Tongva ancestral homelands in the great Tovaangar the central village of Yaanga (Downtown Los Angeles). Instagram: @tonantzincarmelo
BRANDON DELSID (Krys) is an actor originally from Fresno, CA. He can be seen starring in Amazon Prime’s This is Me…Now musical alongside Jennifer Lopez. This spring he’ll be guest starring on HBO’s The Rehearsal. Last year he completed June and John with director, Luc Besson (The Fifth Element) and shot Peacock’s The Date Whisperer. He can be seen in campaigns for Amazon, Cerave, White Claw, HBO, Redfin, and Netflix. Follow @brandondelsid for more fun.
DAKOTA RAY HEBERT (Grace, she/her/they/them) is from Meadow Lake, Saskatchewan, Canada, and a proud member of English River First Nation. Dakota does comedy: Trailer Treasure, I’ll Give You An Indian Act, Just For Laughs. Dakota does television: Shelved, Marvel’s Echo, Run the Burbs. Dakota does movies: #Vanlife (post-production), Run Woman Run. Dakota has a skin baby (Frankie), two fur babies (Lieutenant Dan & Mr. Bean), countless plant babies, and the world’s greatest and funniest sweetheart (Dylan). Follow this 2S Dene busybody on Facebook and Insta; they’re up to their beaded earrings in work they love to share. @dakota_raymond
Playing
January 29 (Wednesday) - March 9 (Sunday)
Venue
Mark Taper Forum
135 N. Grand Avenue
Get Tickets
Tickets:
Prices — begin at $35
Website — CenterTheatreGroup.org
Phone — Audience Services at 213.628.2772
In person — Center Theatre Group Box Office (at the Mark Taper Forum) at The Music Center, 135 N. Grand Avenue in Downtown L.A. 90012
Groups —CenterTheatreGroup.org/
Access — Center Theatre Group offers a number of services to accommodate persons requiring mobility, vision, and hearing access.
For more information, please visit CenterTheatreGroup.org/Access.
08feballday23marFour Women in RedLaura Shamas
Show Info
Award-winning ‘Four Women in Red’ highlights Missing Murdered Indigenous Women in world premiere at the Victory Someone knows. Somewhere. The Victory Theatre Center presents the world premiere of Four Women in Red, a provocative new play, written by Laura Shamas (Chickasaw Nation)
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Award-winning ‘Four Women in Red’ highlights Missing Murdered Indigenous Women in world premiere at the Victory
Someone knows. Somewhere. The Victory Theatre Center presents the world premiere of Four Women in Red, a provocative new play, written by Laura Shamas (Chickasaw Nation) and directed by Jeanette Harrison (Onondaga), about four resilient women searching for their missing loved ones. Opening night is set for February 14 (International Day of Action for #MMIW) at The Victory Theatre Center in Burbank, where performances continue through March 23. Two low-priced previews take place on February 8 and February 9.
Carolyn Dunn (Tunica-Choctaw/Biloxi, Mvskoke), Harriette Feliz (Chumash), Zoey Reyes (Diné and Chicana) and Jehnean Washington (Yuchi, Seminole and Shoshone) star as four First American women desperate to find missing friends and relatives in the face of apathetic sheriffs and dwindling clues. Are their loved ones lost? Were they taken? Are they even alive? This moving new play celebrates the power of community as the four women seek answers against all odds. Their roller coaster journey involves mystery, grief, prayer and moments of sudden joy.
Indigenous women are currently facing an epidemic of violence, with some of the highest rates of physical and sexual violence in the nation.
“Women and girls are disappearing, and no one will look for them,” says Victory Theatre Center producing artistic director Maria Gobetti. “It’s horrifying.”
“It breaks my heart,” says Shamas. “I wrote this play to raise awareness about this very real crisis. Congressional hearings were held last month to try to address some of these issues, but most Americans are unaware of this horrible ongoing emergency, and we must take action.”
Four Women in Red was first developed by Native Voices, the only Actors’ Equity theater company in the country dedicated to developing and producing new plays by Native artists. Written during the pandemic for a virtual Native Voices Short Play Festival, an expanded, full-length version was selected for the 2022 Native Voices Festival of New Plays. The Victory’s world premiere production, championed by Gobetti and board members Zilah Mendoza, Donna Preacher–Hall and Herb Hall, marks the first time a play developed by Native Voices has been produced by another Los Angeles theater. The play is the recipient of a prestigious Los Angeles New Play Project (LANPP) grant. In addition, the production is supported in part by a Burbank Community Arts Grant.
“Four Women in Red exposes an issue that touches nearly every Native family, yet one that most people are completely unaware of,” explains Harrison. “Deb Haaland, currently Secretary of the Interior under Biden—the first Native woman ever appointed to a cabinet position—has started the Missing and Murdered Unit (MMU), so this is a particular moment in history. If we can let people know the true impact of programs like this, it may help.”
The creative team for Four Women in Red includes costume designer Lorna Bowen (Muscogee Creek Nation, Seminole and Cherokee); lighting designer Grayson Basina (Ojibwe); production designer Evan Bartoletti; sound designer Jose Medrano Velazquez; graphic designer Nipinet Landsem (Ojibwe and Michif, descendant of the Turtle Mountain Band of Chippewa and a citizen of the Manitoba Métis Federation); dramaturg Gail Bryson; and photographer Tim Sullens. The associate producer is Lisa Lokelani Lechuga and the stage manager is Ngan Ho-Lemoine. Maria Gobetti and Evan Bartoletti produce.
Four Women in Red runs Fridays at 8 p.m., Saturdays at 8 p.m., and Sundays at 4 p.m. through March 23. Three preview performances take place February 8 and 9 on the same schedule. Tickets range from $20 to $41. The Victory Theatre Center is located at 3324 W. Victory Blvd in Burbank, CA 91505. For information and to purchase tickets, call (818) 841–5421 or go to thevictorytheatrecenter.org.
Playing
February 8 (Saturday) - March 23 (Sunday)
Venue
The Victory Theatre Center
3326 W. Victory Blvd, Burbank CA 91505
Presented by
The Victory Theatre
Get Tickets
TICKET PRICE:
$20–$41
HOW:
thevictorytheatrecenter.org
(818) 841-5421
Show Info
Pasadena Playhouse Announces World Premiere Musical Adaptation from EGOT-Winners Pasek and Paul (Dear Evan Hansen) Lyle, Lyle, Crocodile: The Musical An iTheatrics Musical
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Pasadena Playhouse Announces
World Premiere Musical Adaptation from
EGOT-Winners Pasek and Paul (Dear Evan Hansen)
Lyle, Lyle, Crocodile: The Musical
An iTheatrics Musical
Music and Lyrics
Benj Pasek, Justin Paul, Ari Afsar, Emily Xu Hall,
Joriah Kwamé, Mark Sonnenblick
Libretto
Timothy Allen McDonald, Sara Wordsworth
Based on the Books by
Bernard Waber
Lyle, Lyle, Crocodile & The House on East 88th Street
Vocal Arrangements and Incidental Music
Daniel Mertzlufft
Directed by Nina Meehan
February 15 – March 16, 2025
at The Colony Theatre in Burbank
Tickets at pasadenaplayhouse.org or by calling 626-356-7529
Lyle, Lyle, Crocodile: The Musical splashes onto the stage with a song to sing! Join Lyle as he and his new human friends face their fears and find their voices. Inspired by Bernard Waber’s much-loved picture books, this lively musical features new music by EGOT-winning composers Benj Pasek and Justin Paul (The Greatest Showman, Dear Evan Hansen, La La Land). A celebration for the whole family, Lyle, Lyle, Crocodile: The Musical is packed with humor, heart, and showstopping tunes that will have audiences of all ages roaring with song.
Tickets: Starting at $34 (Everyone ages 2+ needs a ticket)
Member Price: 20% off
Online — PasadenaPlayhouse.org
By phone at 626-356-7529
In person — Pasadena Playhouse Box Office, located at 39 South El Molino Avenue, Pasadena, CA 91101
Performance Schedule: Saturdays and Sundays – 10:00 AM, 1:00 PM
Ages: 5-12 year olds and their families
Playing
February 15 (Saturday) - March 16 (Sunday)
Venue
The Colony Theatre
555 N. Third Street, Burbank, CA 91502
Presented by
Pasadena Playhouse
Get Tickets
Tickets: Starting at $34 (Everyone ages 2+ needs a ticket)
Member Price: 20% off
Online — PasadenaPlayhouse.org
By phone at 626-356-7529
In person — Pasadena Playhouse Box Office, located at 39 South El Molino Avenue, Pasadena, CA 91101
Ages: 5-12 year olds and their families
16feballday30marAlabasterAudrey Cefaly
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Fountain Theatre presents L.A. premiere of funny, poignant ‘Alabaster’ The Fountain Theatre presents the Los Angeles premiere of Alabaster, a funny and poignant new play about healing and the power of women by Audrey Cefaly. Directed by Casey Stangl,
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Fountain Theatre presents L.A. premiere
of funny, poignant ‘Alabaster’
The Fountain Theatre presents the Los Angeles premiere of Alabaster, a funny and poignant new play about healing and the power of women by Audrey Cefaly. Directed by Casey Stangl, this darkly comic Southern drama runs February 16 through March 30.
For three years since the death of her family in a tornado that left her covered in scars, June has been living and creating “outsider” art in an isolated Alabama farmhouse, with only her goats for company. When a New York photographer working on a series about women with scars arrives, the attraction between June and Alice is palpable — but what they need from each other transcends anything physical. Nominated for the Pulitzer Prize, named to “The Kilroy’s List” of excellent new plays by women, and winner of the Calicchio Prize, Alabaster is an irresistible comic drama about women, art and healing.
“I love the play’s edgy theatricality and deft mix of comedy and drama,” says Stangl. “It attacks some very complex subjects — trauma, grief and the healing power of art — with a complete lack of sentimentality that is filled with humor and humanity.”
The all-woman cast features Virginia Newcomb, last seen at the Fountain in On the Spectrum and A House Not Meant to Stand, as June and Erin Pineda, whose L.A. credits include The Tempest, Love and Information and As You Like It at Antaeus Theatre Company, as Alice. The two goats, Weezy and Bib, are played respectively by Carolyn Messina, who originated the role in the world premiere production at Florida Repertory Theatre; and Laura Gardner, known for Marilyn, Mom & Me at International City Theatre, King Charles at the Pasadena Playhouse, and Razorback at Rogue Machine.
Since its launch at Florida Repertory Theatre as part of a record-breaking, 11-theater National New Play Network Rolling World Premiere, Alabaster has gone on to productions and rave reviews across the country. Reviewing that first production, Charles Runnels wrote in the Fort Myers News-Press, “First someone messaged me on Facebook. Then a text from a friend. Then a phone call. Then another message. And another. They all said the same thing: You HAVE to see ‘Alabaster’… I wasn’t planning on reviewing the show [but] finally ventured out to see what all the fuss is about… [and] Yes…‘Alabaster’ is terrific.” The Florida Weekly wrote, “It’s easy to see why theaters from Oregon to Illinois to Texas are all lining up to stage this new play… Ms. Cefaly rips your heart out of your chest, shatters it, then mends it.” The Chicago Tribune calls Alabaster “a nuanced, darkly comedic play… that examines how people cope with trauma and what recovery can look and feel like.”
The creative team at the Fountain includes scenic designer Frederica Nascimento; lighting designer Alison Brummer; sound designer Andrea Allmond; video designer Ly Eisenstein; costume designer Rebecca Carr; and properties designer Jenine MacDonald. The production stage manager is Angela Park, assisted by Gina DeLuca.
The Fountain Theatre creates, develops, and produces new plays that bring to life the urgent social, political, and cultural issues of our time, reflecting the vibrant diversity of Los Angeles and the nation. Its educational outreach programs inspire young people to become engaged citizens and leaders of tomorrow. The L.A. City Council commended the Fountain for “achieving a position of leadership in the Los Angeles theatre community… producing meaningful new plays of social and political importance that enrich the lives of the citizens of Los Angeles.” The Fountain is the recipient of the Los Angeles Drama Critic Circle’s Margaret Harford Award for sustained excellence in theater, presented for “outstanding productions of meaningful new plays and first-class performances spanning three decades.” Los Angeles Times theater critic Charles McNulty hailed the Fountain, stating, “No L.A. theater has done a better job of asking us to reexamine our lives through the lens of acute contemporary drama.” The Fountain Theatre’s most recent world premiere, Fatherland, conceived and directed by Stephen Sachs, just closed an off-Broadway run at Manhattan Theatre Club (New York City Center) with the original cast, where it received rave reviews as well as national and international coverage including from The New York Times, MSNBC, NPR and PBS.
Alabaster opens on Sunday, Feb. 16 at 7 p.m., with performances thereafter on Fridays, Saturdays and Mondays at 8 p.m. and Sundays at 2 p.m. through March 30 (dark Monday, Feb. 10. Tickets range from $25–$45; Pay–What–You–Want seating is available every Monday night in addition to regular seating (subject to availability); all previews are Pay-What-You-Want.
The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Patrons are invited upstairs to relax before and after the show at the Fountain’s café. For reservations and information, call (323) 663–1525 or go to FountainTheatre.com.
Playing
February 16 (Sunday) - March 30 (Sunday)
Venue
The Fountain Theatre
5060 Fountain Ave., Los Angeles CA 90029
Presented by
The Fountain Theatre
Get Tickets
TICKET PRICES:
$25 – $45:
• Premium Seating: $45
• Regular Seating: $40
• Seniors 65 or older: $35 (regular seating only)
• Students: $25 (valid ID required)
• Monday nights: Regular seating ($40) and Pay–What–You–Want (subject to availability)
• Previews: Pay–What–You–Want
PARKING:
• Secure, on-site parking: $5
• Street parking available in the neighborhood north of Fountain Ave.
• No parking after 6 p.m. on Mariposa or Alexandria Avenues south of Fountain Ave.
• Allow extra time to find street parking; make sure to read all parking signs
HOW:
FountainTheatre.com
(323) 663-1525
march
29janallday09marFake it Until You Make itLarissa FastHorse
Show Info
FAKE IT UNTIL YOU MAKE IT A door-slamming, mistaken identity farce By Larissa FastHorse Directed by Michael John Garcés Mark Taper Forum at Center Theatre Group Los
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The production will run January 29 to March 9, 2025 (press opening February 5) at the Mark Taper Forum, as the third offering of Center Theatre Group’s One CTG. One LA. Season, previously announced by Artistic Director Snehal Desai, Managing Director/CEO Meghan Pressman, and Producing Director Douglas C. Baker.
The cast at the Mark Taper Forum will be Noah Bean (David Mamet’s Romance), Eric Stanton Betts (Holiday Down Under), Julie Bowen (Modern Family) Tonantzin Carmelo (NBC La Brea), Brandon Delsid (Amazon Prime This is Me … Now), and Dakota Ray Hebert (Marvel’s Echo).
A bold world premiere comedy from Los Angeles-based playwright, Larissa FastHorse, about being whoever you want to be, even when it’s not who you are. In her uproarious new comedy, a collision of friends and foes within the non-profit sector sets the stage for a whirlwind of competition, chaos, and comedic revelation.
Meet Wynona, the Native American proprietor of N.O.B.U.S.H., and River, her white counterpart at Indigenous Nations Soaring. Their escalating rivalry ensnares colleagues and bystanders, leading to the unraveling of secrets that highlight the absurdities of ambition and authenticity. Amidst the laughter, genuine connections form, emphasizing the value of unexpected paths to success. Fake It Until You Make It takes an absurd look at what defines who we are, and the lengths some people will go through to change it.
“After re-opening the Mark Taper Forum in the fall, we are excited to partner with our friends at Arena Stage and get back to what the Taper has been celebrated for over the course of its history—and that’s by continuing to be the home for bold world premiere productions,” said Snehal Desai, CTG’s Artistic Director. “I am particularly thrilled that LA’s own Larissa FastHorse and her new comedy, Fake It Until You Make It, will be making its premiere at CTG this season. We are already laughing out loud in the rehearsal room with this incredible cast as they bring this fantastic and hilarious play to life and we can’t wait to share it with all of you.”
“Arena Stage is delighted to collaborate with Center Theatre Group on this hijinks-filled world-premiere comedy, featuring a fierce and funny ensemble that will rollick audiences from coast to coast,” said Arena Stage Artistic Director Hana S. Sharif. “Larissa FastHorse’s writing exposes the fragile yet ruthless underbelly of the nonprofit sector, where coworking and culture clash. In a town that runs on identity politics, Larissa dares to unmask us all.”
Fake It Until You Make It is an Edgerton Foundation Commission that was awarded to Center Theatre Group. The play was originally commissioned by Center Theatre Group.
2024/25 Season programming at the Mark Taper Forum is made possible through the generous support of the S. Mark Taper Foundation. Additional season support is provided by Perenchio Foundation.
Tickets for Fake It Until You Make It are available through CenterTheatreGroup.org, Audience Services at 213.972.4400 or in person at the Center Theatre Group Box Offices at The Music Center, 135 N. Grand Avenue in Downtown LA 90012.
Bank of America is Center Theatre Group’s 2024/25 “One CTG” Season Sponsor. Bank of America believes in the power of the arts to help economies thrive, to educate and enrich societies, and to create greater cultural understanding. For over 20 years, the company has supported Center Theatre Group’s innovative Education and Community Partnerships programs and world-class productions.
Venue: Mark Taper Forum, 135 North Grand Avenue, Los Angeles CA 90012
Dates: Wednesday, January 29 to Sunday, March 9, 2025; Press opening is Wednesday, February 5.
Schedule: Tuesday through Friday evenings at 8:00 p.m.; Saturdays at 2:00 p.m. and 8:00 p.m.; Sundays at 1:00 p.m. and 6:30 p.m
Website — CenterTheatreGroup.org
Phone — Audience Services at 213.628.2772
BIOGRAPHIES
LARISSA FASTHORSE (Sicangu Lakota Nation) (Playwright) is a MacArthur Fellow for theatre and co-founder of Indigenous Direction, the leading consulting company for Indigenous art. Larissa is currently represented across the country with a revised book of the musical Peter Pan. She was the first known female Native American playwright on Broadway with The Thanksgiving Play, one of the most produced plays in the country. Additional plays include The Native Nation Trilogy, For The People, and Fancy Dancer. Larissa is a professor of practice at Arizona State University.
MICHAEL JOHN GARCÉS (Director, he/him/his) is an LA-based director and playwright and a professor of practice at Arizona State University. Recently: productions at The Guthrie Theater, Arizona Theatre Company, Pioneer Theatre Company, and the Geffen Playhouse. Former artistic director of Cornerstone Theater Company, where he directed new plays by many writers including Mark Valdez, Juliette Carrillo, Alison Carey, Lisa Loomer, and three by Larissa FastHorse: Wicoun, Native Nation, and Urban Rez. Recipient of the Doris Duke Artist Award, Princess Grace Statue and SDC President’s Award.
NOAH BEAN (Theo, he/him) is thrilled to be back at The Taper after performing here in David Mamet’s Romance. He has performed in many New York and regional theatres; most notably, originating roles in David Henry Hwang’s Pulitzer Prize-nominated Yellowface at The Public Theater, as well as Jordan Harrison’s Pulitzer finalist Marjorie Prime at Playwrights Horizons. He has starred in such television series as the Emmy-nominated Damages, Nikita, 12 Monkeys, The Endgame, and Amazon’s upcoming series Ballard.
ERIC STANTON BETTS (Mark, he/him) is a mixed BIPOC performer based in Los Angeles. His work expands across commercial, fashion, theatre, and film. He is also a writer having finished his first full length feature film just last summer, a rom-com titled Holiday Down Under. Credits: Film; Tyler Perry’s Joy Ridge; Birthright: Outlaw; Martinez, Margaritas and Murder, and Deadly Scholars. Theatre: Kinky Boots at the Hollywood Bowl, A Family Business, Three Tables, Kinky Boots International Tour. Eric is grateful to delve deeper into his indigenous heritage through working with this company. Follow him @StandsTooTall21.
JULIE BOWEN (River at Center Theatre Group Mark Taper Forum). A two-time Emmy Award winner for portraying “Claire Dunphy” on Modern Family, Julie is thrilled to be making her LA theatre debut. Television includes Boston Legal and Lost. Julie will soon be seen reviving her role as “Virginia Venet” in Happy Gilmore 2 with Adam Sandler. Other film roles include starring opposite Melissa McCarthy in Life of the Party, and Horrible Bosses with Jason Bateman. Julie was most recently seen in Hysteria! (Peacock) and continues to produce and develop projects.
AMY BRENNEMAN (River at Arena Stage Kreeger Theater). Amy can most recently be seen in The Old Man opposite Jeff Bridges and John Lithgow and in Shining Girls with Elisabeth Moss. Her large body of film work includes Casper, Fear, Daylight, Heat, Friends and Neighbors, The Jane Austen Book Club, Peel, The Face of Love, Words and Pictures, Nine Lives, Things You Can Tell Just by Looking at Her, and Mother and Child. Amy created, executive produced, and starred in Judging Amy, earning two TV Guide Awards, three Golden Globe nominations, a Producers Guild nomination, three Emmy nominations, a People’s Choice nomination, and a SAG nomination. Amy starred in The Sound Inside at Pasadena Playhouse, as well as in the world premiere of the Pulitzer Prize-nominated Rapture, Blister, Burn (Playwrights Horizons, Geffen Playhouse) and in the world premiere of Rules of Seconds directed by Jo Bonney. Amy was a founding member of the award-winning Cornerstone Theater Company, which specializes in site-specific community-based theater on themes of social justice. Favorite Cornerstone roles include Juliet in Romeo and Juliet, Natasha in Three Sisters, Clytemnestra in The Oresteia, and Solveig in Peer Gynt. Other Theater: CSC Rep, Lincoln Center Theater, L.A. Theatre Works, LATC, Williamstown Theatre Festival, En Garde Arts, American Repertory Theater, and Yale Rep.
TONANTZIN CARMELO (Wynona, she/her). Tonantzin Carmelo is a SAG award nominated actress most recently seen as a series regular on La Brea (NBC) and recurring roles on NCIS Origins (CBS), The English (BBC), and the upcoming Dark Winds (AMC). She honed her craft in the theatre playing lead roles with Native Voices, Teatro Sinergia, and the DCPA. Her choreography work was featured in the Amazon TV series, Undone, and in The Industry opera, Sweetland. She’s honored to perform on her Tongva ancestral homelands in the great Tovaangar the central village of Yaanga (Downtown Los Angeles). Instagram: @tonantzincarmelo
BRANDON DELSID (Krys) is an actor originally from Fresno, CA. He can be seen starring in Amazon Prime’s This is Me…Now musical alongside Jennifer Lopez. This spring he’ll be guest starring on HBO’s The Rehearsal. Last year he completed June and John with director, Luc Besson (The Fifth Element) and shot Peacock’s The Date Whisperer. He can be seen in campaigns for Amazon, Cerave, White Claw, HBO, Redfin, and Netflix. Follow @brandondelsid for more fun.
DAKOTA RAY HEBERT (Grace, she/her/they/them) is from Meadow Lake, Saskatchewan, Canada, and a proud member of English River First Nation. Dakota does comedy: Trailer Treasure, I’ll Give You An Indian Act, Just For Laughs. Dakota does television: Shelved, Marvel’s Echo, Run the Burbs. Dakota does movies: #Vanlife (post-production), Run Woman Run. Dakota has a skin baby (Frankie), two fur babies (Lieutenant Dan & Mr. Bean), countless plant babies, and the world’s greatest and funniest sweetheart (Dylan). Follow this 2S Dene busybody on Facebook and Insta; they’re up to their beaded earrings in work they love to share. @dakota_raymond
Playing
January 29 (Wednesday) - March 9 (Sunday)
Venue
Mark Taper Forum
135 N. Grand Avenue
Get Tickets
Tickets:
Prices — begin at $35
Website — CenterTheatreGroup.org
Phone — Audience Services at 213.628.2772
In person — Center Theatre Group Box Office (at the Mark Taper Forum) at The Music Center, 135 N. Grand Avenue in Downtown L.A. 90012
Groups —CenterTheatreGroup.org/
Access — Center Theatre Group offers a number of services to accommodate persons requiring mobility, vision, and hearing access.
For more information, please visit CenterTheatreGroup.org/Access.
08feballday23marFour Women in RedLaura Shamas
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Award-winning ‘Four Women in Red’ highlights Missing Murdered Indigenous Women in world premiere at the Victory Someone knows. Somewhere. The Victory Theatre Center presents the world premiere of Four Women in Red, a provocative new play, written by Laura Shamas (Chickasaw Nation)
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Award-winning ‘Four Women in Red’ highlights Missing Murdered Indigenous Women in world premiere at the Victory
Someone knows. Somewhere. The Victory Theatre Center presents the world premiere of Four Women in Red, a provocative new play, written by Laura Shamas (Chickasaw Nation) and directed by Jeanette Harrison (Onondaga), about four resilient women searching for their missing loved ones. Opening night is set for February 14 (International Day of Action for #MMIW) at The Victory Theatre Center in Burbank, where performances continue through March 23. Two low-priced previews take place on February 8 and February 9.
Carolyn Dunn (Tunica-Choctaw/Biloxi, Mvskoke), Harriette Feliz (Chumash), Zoey Reyes (Diné and Chicana) and Jehnean Washington (Yuchi, Seminole and Shoshone) star as four First American women desperate to find missing friends and relatives in the face of apathetic sheriffs and dwindling clues. Are their loved ones lost? Were they taken? Are they even alive? This moving new play celebrates the power of community as the four women seek answers against all odds. Their roller coaster journey involves mystery, grief, prayer and moments of sudden joy.
Indigenous women are currently facing an epidemic of violence, with some of the highest rates of physical and sexual violence in the nation.
“Women and girls are disappearing, and no one will look for them,” says Victory Theatre Center producing artistic director Maria Gobetti. “It’s horrifying.”
“It breaks my heart,” says Shamas. “I wrote this play to raise awareness about this very real crisis. Congressional hearings were held last month to try to address some of these issues, but most Americans are unaware of this horrible ongoing emergency, and we must take action.”
Four Women in Red was first developed by Native Voices, the only Actors’ Equity theater company in the country dedicated to developing and producing new plays by Native artists. Written during the pandemic for a virtual Native Voices Short Play Festival, an expanded, full-length version was selected for the 2022 Native Voices Festival of New Plays. The Victory’s world premiere production, championed by Gobetti and board members Zilah Mendoza, Donna Preacher–Hall and Herb Hall, marks the first time a play developed by Native Voices has been produced by another Los Angeles theater. The play is the recipient of a prestigious Los Angeles New Play Project (LANPP) grant. In addition, the production is supported in part by a Burbank Community Arts Grant.
“Four Women in Red exposes an issue that touches nearly every Native family, yet one that most people are completely unaware of,” explains Harrison. “Deb Haaland, currently Secretary of the Interior under Biden—the first Native woman ever appointed to a cabinet position—has started the Missing and Murdered Unit (MMU), so this is a particular moment in history. If we can let people know the true impact of programs like this, it may help.”
The creative team for Four Women in Red includes costume designer Lorna Bowen (Muscogee Creek Nation, Seminole and Cherokee); lighting designer Grayson Basina (Ojibwe); production designer Evan Bartoletti; sound designer Jose Medrano Velazquez; graphic designer Nipinet Landsem (Ojibwe and Michif, descendant of the Turtle Mountain Band of Chippewa and a citizen of the Manitoba Métis Federation); dramaturg Gail Bryson; and photographer Tim Sullens. The associate producer is Lisa Lokelani Lechuga and the stage manager is Ngan Ho-Lemoine. Maria Gobetti and Evan Bartoletti produce.
Four Women in Red runs Fridays at 8 p.m., Saturdays at 8 p.m., and Sundays at 4 p.m. through March 23. Three preview performances take place February 8 and 9 on the same schedule. Tickets range from $20 to $41. The Victory Theatre Center is located at 3324 W. Victory Blvd in Burbank, CA 91505. For information and to purchase tickets, call (818) 841–5421 or go to thevictorytheatrecenter.org.
Playing
February 8 (Saturday) - March 23 (Sunday)
Venue
The Victory Theatre Center
3326 W. Victory Blvd, Burbank CA 91505
Presented by
The Victory Theatre
Get Tickets
TICKET PRICE:
$20–$41
HOW:
thevictorytheatrecenter.org
(818) 841-5421
Show Info
Pasadena Playhouse Announces World Premiere Musical Adaptation from EGOT-Winners Pasek and Paul (Dear Evan Hansen) Lyle, Lyle, Crocodile: The Musical An iTheatrics Musical
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Pasadena Playhouse Announces
World Premiere Musical Adaptation from
EGOT-Winners Pasek and Paul (Dear Evan Hansen)
Lyle, Lyle, Crocodile: The Musical
An iTheatrics Musical
Music and Lyrics
Benj Pasek, Justin Paul, Ari Afsar, Emily Xu Hall,
Joriah Kwamé, Mark Sonnenblick
Libretto
Timothy Allen McDonald, Sara Wordsworth
Based on the Books by
Bernard Waber
Lyle, Lyle, Crocodile & The House on East 88th Street
Vocal Arrangements and Incidental Music
Daniel Mertzlufft
Directed by Nina Meehan
February 15 – March 16, 2025
at The Colony Theatre in Burbank
Tickets at pasadenaplayhouse.org or by calling 626-356-7529
Lyle, Lyle, Crocodile: The Musical splashes onto the stage with a song to sing! Join Lyle as he and his new human friends face their fears and find their voices. Inspired by Bernard Waber’s much-loved picture books, this lively musical features new music by EGOT-winning composers Benj Pasek and Justin Paul (The Greatest Showman, Dear Evan Hansen, La La Land). A celebration for the whole family, Lyle, Lyle, Crocodile: The Musical is packed with humor, heart, and showstopping tunes that will have audiences of all ages roaring with song.
Tickets: Starting at $34 (Everyone ages 2+ needs a ticket)
Member Price: 20% off
Online — PasadenaPlayhouse.org
By phone at 626-356-7529
In person — Pasadena Playhouse Box Office, located at 39 South El Molino Avenue, Pasadena, CA 91101
Performance Schedule: Saturdays and Sundays – 10:00 AM, 1:00 PM
Ages: 5-12 year olds and their families
Playing
February 15 (Saturday) - March 16 (Sunday)
Venue
The Colony Theatre
555 N. Third Street, Burbank, CA 91502
Presented by
Pasadena Playhouse
Get Tickets
Tickets: Starting at $34 (Everyone ages 2+ needs a ticket)
Member Price: 20% off
Online — PasadenaPlayhouse.org
By phone at 626-356-7529
In person — Pasadena Playhouse Box Office, located at 39 South El Molino Avenue, Pasadena, CA 91101
Ages: 5-12 year olds and their families
16feballday30marAlabasterAudrey Cefaly
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Fountain Theatre presents L.A. premiere of funny, poignant ‘Alabaster’ The Fountain Theatre presents the Los Angeles premiere of Alabaster, a funny and poignant new play about healing and the power of women by Audrey Cefaly. Directed by Casey Stangl,
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Fountain Theatre presents L.A. premiere
of funny, poignant ‘Alabaster’
The Fountain Theatre presents the Los Angeles premiere of Alabaster, a funny and poignant new play about healing and the power of women by Audrey Cefaly. Directed by Casey Stangl, this darkly comic Southern drama runs February 16 through March 30.
For three years since the death of her family in a tornado that left her covered in scars, June has been living and creating “outsider” art in an isolated Alabama farmhouse, with only her goats for company. When a New York photographer working on a series about women with scars arrives, the attraction between June and Alice is palpable — but what they need from each other transcends anything physical. Nominated for the Pulitzer Prize, named to “The Kilroy’s List” of excellent new plays by women, and winner of the Calicchio Prize, Alabaster is an irresistible comic drama about women, art and healing.
“I love the play’s edgy theatricality and deft mix of comedy and drama,” says Stangl. “It attacks some very complex subjects — trauma, grief and the healing power of art — with a complete lack of sentimentality that is filled with humor and humanity.”
The all-woman cast features Virginia Newcomb, last seen at the Fountain in On the Spectrum and A House Not Meant to Stand, as June and Erin Pineda, whose L.A. credits include The Tempest, Love and Information and As You Like It at Antaeus Theatre Company, as Alice. The two goats, Weezy and Bib, are played respectively by Carolyn Messina, who originated the role in the world premiere production at Florida Repertory Theatre; and Laura Gardner, known for Marilyn, Mom & Me at International City Theatre, King Charles at the Pasadena Playhouse, and Razorback at Rogue Machine.
Since its launch at Florida Repertory Theatre as part of a record-breaking, 11-theater National New Play Network Rolling World Premiere, Alabaster has gone on to productions and rave reviews across the country. Reviewing that first production, Charles Runnels wrote in the Fort Myers News-Press, “First someone messaged me on Facebook. Then a text from a friend. Then a phone call. Then another message. And another. They all said the same thing: You HAVE to see ‘Alabaster’… I wasn’t planning on reviewing the show [but] finally ventured out to see what all the fuss is about… [and] Yes…‘Alabaster’ is terrific.” The Florida Weekly wrote, “It’s easy to see why theaters from Oregon to Illinois to Texas are all lining up to stage this new play… Ms. Cefaly rips your heart out of your chest, shatters it, then mends it.” The Chicago Tribune calls Alabaster “a nuanced, darkly comedic play… that examines how people cope with trauma and what recovery can look and feel like.”
The creative team at the Fountain includes scenic designer Frederica Nascimento; lighting designer Alison Brummer; sound designer Andrea Allmond; video designer Ly Eisenstein; costume designer Rebecca Carr; and properties designer Jenine MacDonald. The production stage manager is Angela Park, assisted by Gina DeLuca.
The Fountain Theatre creates, develops, and produces new plays that bring to life the urgent social, political, and cultural issues of our time, reflecting the vibrant diversity of Los Angeles and the nation. Its educational outreach programs inspire young people to become engaged citizens and leaders of tomorrow. The L.A. City Council commended the Fountain for “achieving a position of leadership in the Los Angeles theatre community… producing meaningful new plays of social and political importance that enrich the lives of the citizens of Los Angeles.” The Fountain is the recipient of the Los Angeles Drama Critic Circle’s Margaret Harford Award for sustained excellence in theater, presented for “outstanding productions of meaningful new plays and first-class performances spanning three decades.” Los Angeles Times theater critic Charles McNulty hailed the Fountain, stating, “No L.A. theater has done a better job of asking us to reexamine our lives through the lens of acute contemporary drama.” The Fountain Theatre’s most recent world premiere, Fatherland, conceived and directed by Stephen Sachs, just closed an off-Broadway run at Manhattan Theatre Club (New York City Center) with the original cast, where it received rave reviews as well as national and international coverage including from The New York Times, MSNBC, NPR and PBS.
Alabaster opens on Sunday, Feb. 16 at 7 p.m., with performances thereafter on Fridays, Saturdays and Mondays at 8 p.m. and Sundays at 2 p.m. through March 30 (dark Monday, Feb. 10. Tickets range from $25–$45; Pay–What–You–Want seating is available every Monday night in addition to regular seating (subject to availability); all previews are Pay-What-You-Want.
The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. Patrons are invited upstairs to relax before and after the show at the Fountain’s café. For reservations and information, call (323) 663–1525 or go to FountainTheatre.com.
Playing
February 16 (Sunday) - March 30 (Sunday)
Venue
The Fountain Theatre
5060 Fountain Ave., Los Angeles CA 90029
Presented by
The Fountain Theatre
Get Tickets
TICKET PRICES:
$25 – $45:
• Premium Seating: $45
• Regular Seating: $40
• Seniors 65 or older: $35 (regular seating only)
• Students: $25 (valid ID required)
• Monday nights: Regular seating ($40) and Pay–What–You–Want (subject to availability)
• Previews: Pay–What–You–Want
PARKING:
• Secure, on-site parking: $5
• Street parking available in the neighborhood north of Fountain Ave.
• No parking after 6 p.m. on Mariposa or Alexandria Avenues south of Fountain Ave.
• Allow extra time to find street parking; make sure to read all parking signs
HOW:
FountainTheatre.com
(323) 663-1525