Staged Readings

By Diane Grant

I might have written about this before. It’s been a while and I’m glad we’re all back. Thank you lafpi!

The Palisades Playwrights Reading Festival will be in its ninth year next April. It is produced at the community theater in the Pacific Palisades and for three Tuesdays in April 2018, it will again be presenting staged readings of three new plays.

We ask for submissions until January the 1st and every submission is read by the committee and discussed.

No playwright is paid, and the only money that changes hands is a five dollar fee at the door, which covers the wine and refreshments. The festival now has a growing number of people who come to the readings, which are really well received with a Q&A afterwards, if the playwright wants one. And everybody has a good time.

All of the plays have something interesting about them, the subjects are diverse, and some stick in the mind long after. We had a play about a submarine crew underwater after a nuclear war called The Letter Writer, by Steve Yusi, that people still ask me about. We’ve had romantic comedies, one by Don Gordon, about the issue of two license plays marked PANACHE, one by Jim McGinn, called Vincent O’Shea about a man who never looks older; a look at end of life issues called Reprieves, by David Reuben, a gerontologist as well as a playwright, and a dark comedy by Virginia Mekkelson, called The Losers Club, about an office, a crocodile and Bad Bosses.

Which brings me to the crux of the matter. The theater will not consider producing any of these plays! I don’t think it is because it is a community theater, although it may be. But it is reflective of such a large problem for all of us. I have a play called The Last of The Daytons, which is read over and over. Years ago, it had a wonderful reading at Theatricum Botanicum as part of their Seedlings program. (Thank you, Jennie Webb.)  It’s had several staged readings since and an almost production in Memphis.

This year it won the PlayFestSantaBarbara. First place, with prize money! The festival was a weekend affair of workshops and readings of new pieces and the company at Santa Barbara presented a brilliant reading after a very helpful rehearsal with a skilled director. It was one of the best experiences I’ve had in the theater and I’m so grateful for it.

(Check out their website for new submission dates. The competition is closed for 2018 but will probably be taking 2019 submissions in the New Year.)

So, The Last of the Daytons is ready to go, as are the others we’ve read. The trick is finding the production company that loves it, wants it, and has the money and time to produce it. I’m looking.

Submit, Diane, submit!

In the meantime, if anybody would like to submit a play the Palisades Reading Festival, send it to me at [email protected].

One thought on “Staged Readings

  1. Thanks for this, Diane. (And what fun we had w DAYTONS!) Yes, it’s always tricking trying to figure out where to put readings in our playwright pockets–are they developmental, a testing ground for the theater who’s presenting them, or a chance to show other theaters our work? Or all three? Hmmmm.
    We will definitely get the word out about the Palisades Reading Festival–thanks for the heads up! (And glad to hear your voice again on the blog!)

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