Posts tagged: Mike Lew

The Playwright’s Voice and/or Intentions…

by Robin Byrd

The collaboration part of theater should not to come at the expense of the playwright’s voice and/or intentions. Is that a true statement?

I have been thinking about this — how intent/vision plays a big part in the end results of play production. But, whose vision should win out – if there is such a thing as winning in this case. Should it be a battle to get the story you wrote told, should you have to pick which part you will let go for the sake of someone else’s vision? Getting it to the stage is a big deal, getting collaborators who see the play as you do is an even bigger deal. I think the collective vision should be the playwright’s vision, first and foremost, and all other visions should move that vision forward, not stifle it, change it, ignore it but add to the layers of it. Tied up in all that intent, is a playwright’s voice which is life…blood, the culmination of many journeys, a song whose rhythm is pain and joy, a sound flung up to heaven echoing back at us…

I wonder about these things. What if after all one’s striving over the perfect line, it is missed in delivery or rearranged or deemed non-important; I hope my intent as a playwright is not lost…and I hope collaborator choices bring something wonderful to the piece and do not take away from my intent or my voice. I hope they ask me questions… while I am a living playwright.  But, most of all, I hope that I speak up if and when I need to, whether or not it is expected or welcomed to make my intentions known.

Intent. What is the playwright’s intent? That question is asked in literary settings when studying fiction, non-fiction, poetry and drama; it is also asked in acting class during scene study. It is a question that I strive to answer in all my work. It is the thing that makes a story stay with you…

Some interesting articles I found about intentions:

Pulitzer Winner Bruce Norris Retracts Rights to German Troupe’s Clybourne Park Over “Blackface” Casting

Playwright Katori Hall Expresses Rage Over “Revisionist Casting” of Mountaintop With White Dr. Martin Luther King

Playwright David Mamet Halts Play over Gender-Bending Casting

Heated exchanges at La Jolla Playhouse over multicultural casting [Updated]

Mike Lew – Playwright on Casting Actors of Color

‘For Colored Girls’ Movie: Ntozake Shange’s ‘No Madea’ Rule

 

I think about these things because I want to make sure that all of my work is filled with my voice and my intent without confusion and I don’t want to have to worry about it once the piece takes wings.

So, Yes; it is true that the collaboration part of theater should not to come at the expense of the playwright’s voice and/or intentions…  What do you think?

Dramatists Guild National Conference: #writechange – Presenting at the Conference

by Robin Byrd

July 16, 2015 at the National Dramatists Guild Conference.  We were exhausted and exhilarated and ready for the rest of the week.   Our workshop presentation Using the Senses: Character and Story Creation cover sheet and bios  went really well.  I don’t know about the other ladies but the content of some of the sessions, I attended, had me spinning.  Such profound insight and resolve to do the best work and create the best art – just to be in the room with these artists was inspiring.

Robin Byrd, Laurel Wetzork, and Debbie Bolsky sitting in on the opening presentation after our workshop "Using the Senses: Character and Story Creation" at the Dramatists Guild Conference: Writing the Changing World, #writechange.

Robin Byrd, Laurel Wetzork, and Debbie Bolsky sitting in on the opening presentation after our workshop “Using the Senses: Character and Story Creation” at the Dramatists Guild Conference: Writing the Changing World, #writechange.

Some of my favorite sessions were The Global Impact of Diversity on our Stages with panelists: Lydia R. Diamond, Rehana Lew Mirza, Mike Lew and moderated by Christine Toy Johnson and The DG Fund Presents: Beyond Emerging: The Stages of a Writer’s Life with panelists: Lydia Diamond, Christine Toy Johnson, Mike Lew and moderated by Seth Cotterman.   Will talk about those later.

Speaking of the Dramatists Guild Fund, they gave away free T-shirts in exchange for a bit of encouragement sharing.  I got a T-shirt with “Always try to do more than you know you can.” – a saying by Edward Albee that can be found in his interview in The Legacy Project: Volume 1.  After writing our saying down on a sticky, it was placed on the DG Fund Encouragement Wall. (#KeepWriting)  Totally awesome!  My saying is “Always be writing…”

 

 

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