Tag Archives: Circle X2amtheatre

Entry Level

Yesterday I published an article for Bitter Lemons on the amazing way that Arena Stage, 2amtheatre and LA Stage Alliance* are working together to widen the dialogue on new plays.

That’s fascinating in and of itself – not my article, but all the detail and coverage that Arena Stage created and is creating, so that artists know what people are talking about and can contribute in a meaningful way.

Remember that.

Cut to later that day, and Dennis Baker announces that the LA satellite convening was relocated because of high attendance. It happened to be relocated to four blocks from my house, the site of the new Atwater Village Theatres, home to EST-LA and Circle X.

Not just convenient for me, but I amended the original article and then could post it on Atwater Village Now, gaining more exposure for both the event and the neighborhood. While writing it, though, I thought of my audience for Atwater Village Now and decided they might have no idea why a convening on new plays is important. If my goal was to interest those outside of theatre practitioners to find interest in the art and the craft, then I needed to write an entryway into the article. The Editor suggested I give some history, a small idea of how important this dialogue is for the national community, the theatrical community, and in some way give a larger importance to our community.

This was my introduction. I welcome feedback and suggestions in the comments:

With Broadway focused on revivals and musicals based on movies and star vehicles, new plays often go by the wayside. If you are an unknown playwright, it’s nearly impossible to be produced.

Not so at The Arena Stage, however, and they’ve been working intensely for a national dialogue that includes all voices – new playwrights, established playwrights, and the people who decide which plays are produced. Arena Stagey began a New Plays Convening yesterday in DC, and Los Angeles participates on Saturday, in our brand new Atwater Village Theatre!

*Full Disclosure: I also write for the LA Stage Times.

How do you invite laymen into the theatrical experience?