Alyson Mead interviews playwright Inda Craig-Galván about questionable mothers, Carrie as a role model, and a better Scott Baio. The Playwrights’ Arena premiere of I Go Somewhere Else plays at the Atwater Village Theater through September 17th.
These days, I produce a podcast called the Book Club for Kids. A trio of middle graders discuss a novel, there’s an interview with the author and a reading from the book by a “celebrity.”
Last month, I blew it. I was a no-show at a scheduled taping. More than a dozen young readers were waiting for me that Sunday afternoon and I stood them up.
I could use the excuse that I was jet lagged, arriving after midnight the night before from a cross-country flight. Or I could plead that Sundays I take a tech Sabbath, not looking at my phone – and its calendar – at all. But excuses didn’t make any difference to the dozen or so disappointed young readers awaiting their chance at podcast stardom…and their angry parents who’d driven for miles to get their kids to the bookstore for the taping.
It was then that it became very clear that I needed to get organized.
I’m not the only one – particularly at this time of year. You can’t even go in to the Home Depot without stumbling over a display of 2018 calendars for sale. At Fed Ex, pickings were slim among the display of pretty, fat calendar books with floral motifs. Even my husband gets into the act every December, watching the mailbox for the one thing on which he spends an absurd amount of money: the new filler for his portable paper calendar book.
Then I stumbled across Bullet Journals. There’s an enormous cult following for “BuJo” as the aficionados call them. Invented by a digital designer named Ryder Carroll, Bullet Journals seem to have captured the imagination.
The basic idea is simple: a blankish book and a variety of colored pens and perhaps a ruler are all it takes. I say blankish because “BuJos” prefer blank pages with dots that they can use as grid makers to create weekly or monthly pages full of “things to do” lists and food diaries and weather reports and words of the day.
Things get more extravagant after that.
Some “BuJos” fight on social media about page thickness and the bleed level of pens. They proudly show off their collection of highlighter pens. (Who knew there was a gray highlighter pen?) There’s a debate about whether stickers are appropriate. I counted eight different groups on Facebook devoted to Bullet Journals, including the Minimalist Bullet Journal group that still seems overly complicated to me. Pinterest, as you can imagine, has hundreds of pictures of Bullet Journals.
Buzz Feed has an article to tell you what your style of Bullet Journaling says about you. I realized my style says I am not a Bullet Journaling kind of girl. I can’t draw. I never scrapbooked in my life. And why would I spend hours drawing in the dates of a 2018 calendar when I can get a perfectly good one at any store in America?
I think the BuJo serves the same purpose for visual people as my Morning Pages do for a word person like me. Julia Cameron’s classic “Artist’s Way” assignment has always helped me untangle my disorganized brain. Sitting down first thing in the morning to scribble away for three pages in a cheap composition book – part diary, part writing ideas, mostly things to do lists – grounds me and helps me sort out what’s important in my life and what to let go. Obviously it wasn’t enough to keep me from missing an important appointment.
So I bought a nice, light paper calendar that fits in my handbag. I’ve started marking it up with travel plans and podcast tapings. More important, I vowed to look at it every day. Even on my tech Sabbath.
What about you? How do you keep organized? Please share your secret!
Sometimes facing a blank page on your laptop can be the most depressing sight on planet earth.
Nobody said playwriting was going to be easy. But the email rejections, the harsh feedback from your writing group, the statistics on the tiny number of new plays that get produced every year (and the even smaller number by female playwrights not named Lauren Gunderson) can just shut you down. Or, as I put it, take the heart out of the writing.
How do you get your mojo back?
I had the pleasure of interviewing writer Laurel Snyder whose middle grade novel “Orphan Island” is a very odd book – orphan kids on a desert island who come as toddlers and depart as teenagers to parts unknown. Needless to say, it’s not like anything else Laurel has previously written.
She says the book started as her own prescription for writers block. She was stuck in the “business” of writing and forgot about the joy. So she bought herself some toys – markers and paint and notebooks and her favorite mechanical pencil. She vowed to write the entire project in longhand and take the time to illustrate the characters. She drew islands and maps. She drew animals that didn’t exist that didn’t make it into the book. She had fun – the same fun she felt when she started writing when she was eight years old.
She promised herself that she wouldn’t show the project to anyone until it was done and if it didn’t get published, that would be okay, too. She would write a book just for herself.
Laurel got back in touch with the reason she started writing in the first place. She was writing out – putting on paper something inside of her that needed to get out in the world. In the process, she rediscovered the joy.
And of course, the book she created was so unique, it made the longlist for the National Book Award.
We’re not guaranteed such a reward of public recognition, but we can at least make the journey more enjoyable. Slow down. Buy a fabulous red gel pen with sparkles for the editing process. Find some fun stickers and reward yourself when you put down 500 words. Take yourself out for an outrageously fattening Toasted White Chocolate Mocha at Starbucks when you’ve written every day for a week. Give yourself permission to watch hours of Hallmark Christmas movies. Find a way to make the writing fun again.
And share YOUR secrets with us.
You can hear the whole interview with Laurel Snyder here. You can even hear kids dissect the book on this episode.
Alyson Mead speaks with playwright Deb Hiett about development, trusting “the soup,” and the alternate universes of game shows in her new work The Super Variety Match Bonus Round, a Rogue Machine Theatre production currently playing at the Met Theatre in Hollywood