Category: Performing Arts

Ghost in the Warehouse

by Chelsea Sutton

Possession has been on my mind for the last year. Possession of the spirit, of the body, and possession of one’s own art. How to possess a thing, and how to let it go.

Since last fall, I’ve been working with fellow playwright Lisa Dring to write an immersive, site-specific show with Rogue Artists EnsembleKaidan Project: Walls Grow Thin, an adaptation of ancient Japanese ghost stories set in an old warehouse.

This was not our intention. The project came to us sideways, yet naturally. Like we were meant to work on it together.

From Kaidan Project: Walls Grow Thin. Photo by Rebecca Bonebrake.

Kaidan is a project that has long been brewing in the bowels of Rogue Artists Ensemble and East West Players—the idea itself was never ours, though the words, the shape, the adaptation of the stories themselves certainly were born of our brains. You can blame a lot of it on us.

But true possession of the work, so to speak, was already in question from the beginning. We were asked to take this on. The ownership of the stories were transferred to us, were lent to us, but it has never been ours alone, which has its own kind of freedom.

All stories are borrowed, lent, and passed along, in one way or another.

As the project progressed, we began to focus our main story on a single woman, Kana Mori—a woman who is very much possessed literally by a spirit and emotionally by a dark past. Kana’s journey—in which she loses control, fights for possession of her own will, struggles to center herself in an ever-changing landscape—began to mirror our own experience as writers. Not only were we in deep collaboration with a creative group of designers and actors with their own points of view about what the show should be, but we were coming to terms with the role of the audience in the piece. This is, first and foremost, an immersive theatre experience—meaning the audience is part of the story. They are active in what is going on, which makes Kaidan the audience’s play as well. Our possession over the play was schizophrenic on its best days.

From Kaidan Project: Walls Grow Thin. Photo by Rebecca Bonebrake.

We labored over every word, every beat (just ask our lead actresses, who may have memorized nothing short of 20 versions of their monologues), every transfer of information. We threaded the connective tissue lightly, then sharply, then hit the audience over the head with it, then lightly again. We argued for days about two or three words in the ending scene.

And yet. And yet. And yet.

In the end, we had to let it go. All shows always end up belonging to the actors after opening night, and to the audience. But here, with Kaidan Project: Walls Grow Thin, this is even more pronounced. The actors and audiences are actively engaging with it every night. No one person has the same experience. Some retain the words we sculpted, others are focused on the mask design, others are wondering how long they are going to sit in the dark and if a ghost is sneaking up behind them. Others will remember the moment they had candy with a monk, and nothing else.

From Kaidan Project: Walls Grow Thin. Photo by Rebecca Bonebrake.

I stand outside the warehouse at the box office. I welcome guests, fret about tickets and audience numbers (we can only fit 12 people per performance). I can’t even hear what is going on inside. But that’s okay. It is no longer mine.

In the end, with all art, we cannot fully possess what we create if we are going to share it with others. It doesn’t mean we don’t have a voice, or something to fight for, or are free from blame when something isn’t perfect.

But sometimes it is better to swallow the idea of full possession. Lisa and I wrote something that is a piece of us—but now it belongs to you. We’re just ghosts in the warehouse.

Kaidan Project: Walls Grow Thin has extended through November 19. Visit RogueArtists.org for information and tickets.

#FringeFemmes Check-Ins: Hey Hollywood, My Hustle Has ADHD

by Chris Farah

Quick peeks at the work of #HFF17 female playwrights, “Women on the Fringe,” by Fringe Femmes who’re behind the scenes this year. Click Here for all Check-Ins.

Fringe Femmes


 WHO: Rasika Mathur

WHAT: HEY HOLLYWOOD, MY HUSTLE HAS ADHD

WHERE: Lounge Theatre

WHY:
In this diversity scholarship winning show, Indian-American actress, improviser, and rapper Rasika (pronounced “Ross-ika”) takes us on her artist’s journey in Hollywood as she struggles with ADHD as well as finding relief in her diagnosis. This is a powerhouse one lady show where Rasika explodes with energy and commitment (until she gets distracted) but then dropping back in for sheer moments of brilliance. Anyone dealing with feelings of ineptitude in a town where everyone is working for their big break will find this show resounding. Also, for any fringers wanting to support females of color, YOU CANNOT MISS THIS SHOW.

HOW: http://hff17.com/4536

We’re Not Playing, and we want YOU to join us!

Last week a lot of us watched in horror as Donald Trump, a misogynistic, xenophobic, and wildly ignorant human (we think…) man, was elected to be President of these United States.

I’ve been spending a lot of time since then working through all my feelings on the subject, and I’ve managed to boil all my rage, disappointment, and shock into two major thinking points:  “We have to do better!” and “Fuck that guy!”

(Obviously the former is a more actionable frame of mind to be in, but I’d be lying if I said the latter thought didn’t help fuel my desire to follow through on the first)

So I’ve been doing a lot of writing… and not in the “Wow, I’m making some great art from this!” kind of writing (yet).  More like, “Umm, I think I’m writing a mission statement” kind of writing, and it’s based on the following:

We need to heal our divided nation and We need to make our objections to Trump’s dangerous policies heard.

I’m working on strategies for the first, but Little Black Dress INK already had a jump start on the second – and we’d like you to you to join us!

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Little Black Dress INK invites you to take action by participating in the 
We’re Not Playing initiative.  This initiative began as a way for us to support female voices who were speaking out on important issues through their work as playwrights – and now it’s time for these voices be heard!

Theatres and theatre practitioners across the nation are invited to hold readings of these plays, royalty free, Friday, January 20, 2017 – Inauguration Day.  The only caveat is that we ask any/all monies raised be donated to the ACLU, Planned Parenthood, and/or NRDC – organizations we believe will be integral to fighting the dangerous policies which the incoming administration intends to implement.

Little Black Dress INK will continue to post socially-conscious/politically-inspired plays between now and January for interested theaters to select from – or you can challenge your own circles of fabulous playwrights to write plays that inspire action.  Let’s just do something to help process the rising tides of panic gripping the nation.

Let us make our objections loud and clear, and let us put our humanity center stage on January 20th, 2017.

We can be better.  Let’s be better.  Let’s invite our audiences to be better with us.

Want to get involved?  Sign our pledge at www.LittleBlackDressINK.org  Then start reading and selecting plays from those we’ve published, or invite other awesome female playwrights in your area to contribute work!

And if you’re a female playwright who wants to contribute short plays or monologues to the initiative, please send them, along with a photo and brief paragraph explaining what inspired you to write the piece to Submissions@LittleBlackDressINK.org – make sure your subject line reads: WE’RE NOT PLAYING SUBMISSION.

#WereNotPlaying #WritingForChange #TheaterCanHeal

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And now for something new…

For those who don’t know, I am not only a playwright, but the Artistic Director (slash/Mad Woman) behind Little Black Dress INK – a female playwright producing org that produces an annual peer-reviewed short play fest.  Over the years we’ve grown our fest from a small group of playwrights produced in Prescott, AZ, to a now nation-wide new play reading series with productions slated in both Prescott AND Lafayette, LA in 2016.  I couldn’t be more proud of all the efforts our supporters, artist, and producers have put into this fest—and I am ecstatic that we continue to grow.

This year, we’re adding an online component to the festival—one that will allow us to produce online versions of full-length plays.  It’s called the ONSTAGE: ON-AIR podcast, and our very first one is now live!

ON-AIR poster-new-webSince it’s our inaugural podcast, we chose to focus on interviews with some of our VIP artists, and included excerpts from past ONSTAGE plays.  You should definitely check it out – the women we work with are all kinds of amazing!  And the great thing about podcasts is that you can listen while you’re working out, driving, cooking, and pretty much anything else-ing!

Listen to the first ONSTAGE: ON-AIR podcast HERE

~Tiffany Antone

The coolest thing happening in East LA

by Madhuri Shekar

I had plans for another blog post this week, but I stumbled into something a lot of fun this weekend, and now I’m going to write about that instead. Because I want all my theatre friends in LA to know about this awesome community project going on in Boyle Heights.

Paper mache puppets of the Corn People from the legend of Popol Voh

Paper mache puppets of the Corn People from the legend of Popol Voh

I’ve lived in Boyle Heights for 5 years, and I absolutely love it. It’s a warm, friendly, welcoming neighborhood full of family-run businesses and amazing street art. For at least a year now, I’ve been aware of ‘The Shop’, a new community engagement program that the Center Theatre Group has been running in Boyle Heights, where through workshops, classes and events every weekend, local residents are invited to participate in art and theatre making. My friend Jesus Reyes, Creative Artistic Director of East LA Rep and CTG Program Manager, facilitates and leads the team managing this wonderful initiative. I’ve seen his pictures and updates on Facebook for months now, but due to travels and a crazy schedule, I never actually was able to go. Until now!

Workshop participants

Workshop participants

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The space at Self Help Graphics

Yesterday morning, I was taking a walk and happened to see that CTG had set up their ‘Shop’ at Self-Help Graphics on 1st street. Excited, I stopped in to say hi to Jesus, and found out that they were going to be making masks and puppets – MASKS AND PUPPETS – all day! The stars aligned. My afternoon was free. I stopped by with my roommate for the afternoon session and got to dive right in.

The initial character concepts as drawings

The initial character concepts as drawings

A clay mould ready for paper mache!

A clay mould ready for paper mache

Examples of the final product!

Examples of the final product!

So the program that’s happening right now is the ‘Community as Creators’ project. Over the course of several weekends this summer and fall, Boyle Heights residents gather to collectively create and shape a show that will be a retelling of the Mayan legend of Popul Vuh. The show will go up in October at Hollenbeck Park in Boyle Heights, and Grand Park in Downtown LA. These community workshop participants help create the characters, props, music, and may also eventually act in the show, depending on where their interests lie. When I stepped in this weekend, the process was already several weeks underway. So what I got to do was help paper-mache the giant masks that will be used on stage!

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Jesus Reyes surveys the cardboard models of the characters

Jesus with an eagle and a toucan

Jesus with an eagle and a toucan

I can’t tell you how much fun it was to lose myself completely in this crafts project after weeks and weeks of sitting at my desk writing. I got to know my neighbors in the best, most organic way, as I shared tables with people from all over East LA (I even got to know my roommate better!). The energy was fantastic, and lots of families showed up to spend the whole day in this fun artistic activity. I did the afternoon session of Saturday, and the morning session of Sunday, and managed to get all the way through paper-mache-ing a giant human mask!

At the end of Day 1 with our paper mache man!

Me, at the end of Day 1 with our paper mache man!

Major props to Teatro Campesino who are producing this project, and Beth Peterson, the puppet artist who guided all the workshop participants through the process of creating these beautiful, vivid masks.

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The workspace

LAFPI readers – I highly recommend checking this out next weekend in Boyle Heights. The paper mache process will still be underway (it will actually be the final weekend of the mask workshop). It’s a rewarding, relaxing, even therapeutic way to spend a day, collectively creating something that will be part of a beautiful theatrical presentation, truly representing the heart and spirit of Los Angeles.

Here’s the blurb with more info! Or tweet me at @madplays with any questions on the experience.

Center Theatre Group
Free Puppet and Mask Making Workshops!
Discover the artista in you! Come and help us create puppets and masks for the upcoming El Teatro Campesino production of the Popol Vuh: Heart of Heaven based on the Mayan creation myth. Master Puppet Maker la Beth Peterson brings her special talent to Boyle Heights and needs gente to help her build giant puppets, wood people and animal masks that will be part of the show. Come on, show off your talent, join us!

All workshops are free and will be held at Self-Help Graphics and Arts on Saturdays and Sundays. There are two opportunities each day to jump in:

10am–1pm: Mask work
2pm–5pm: Puppet work

Dates: 7/11, 7/12, 7/18, 7/19, 7/25, 7/26, 8/1, 8/2

Self-Help Graphics and Arts 1300 E. First St., LA 90033

• Bilingual in Spanish/English • Open to all levels of experience • Open to all ages • All materials will be provided • Snacks & beverages provided.

To reserve a spot or for more information please contact: Jesús Reyes, Community Partnerships Manager 213.972.8028 or jreyes@CenterTheatreGroup.org

 

 

5 Sirens: Women Rock!

By Guest Blogger Alex Dilks Pandola 

I’ve produced over 10 productions that feature short plays written and directed by women. So, I was intrigued by 5 Sirens: Beware of Rocks and excited to learn more about the 5 playwrights (all women) who joined forces to produce this show.

Graduates of the USC Master of Professional Writing Program, the 5 Sirens are: Sarah Dzida (Don’t Panic), Autumn McAlpin (Ten Years Left), Kiera Nowacki (Spock at Bat), Caron Tate (Whatever Works) and Laurel Wetzork (Out of Here). They realized that by pooling their resources and sharing in the production responsibilities they had the skills to tackle everything from advertising and publicity to fundraising (check out their super-successful Indiegogo campaign) and contracts on their own.

5 Sirens: Beware of Rocks features 5 10-minute plays centered around theme of miscommunication and longing for connection. What’s wonderful about the production is that the audience is treated to five distinctly different styles and approaches to the theme.

Director Laura Steinroeder had previously worked with Laurel Wetzork and came on board to direct the five plays. Wetzork says, “she was very brave to take on five different, very strong women and make this show work.” Though directed by one person, Steinroeder allows each piece to live in its own world, so that the audience can experience the progression of a debilitating disease through a rhythmic pattern in one play (Ten Years Left) and move seamlessly into the next play about the inter-species communication between intelligent and not-so-intelligent life (Out of Here).

What I find most inspiring about 5 Sirens: Beware of Rocks is that these five women, a group as diverse as can be, banded together as a community to support each other and produce their own work. Now, they are confident that they can produce a Fringe show on their own, individually. I’m certain that whatever productions they do in the future, 5 Sirens: Beware of Rocks will be an experience that proves to be both unforgettable and invaluable. Through June 27th at Theatre Asylum.

One-Woman Fringe

By Guest Blogger Alex Dilks Pandola

The Hollywood Fringe Festival is a fringe-purist’s dream where content is queen and storytellers work their spreadsheets to self-produce their show.

The first play I produced for Green Light Productions was for the 2003 Philadelphia Fringe Festival. It was a two-person show about the tumultuous and creative relationship between Zelda Sayre and F. Scott Fitzgerald called Boats Against the Current. From rehearsals in living rooms, costumes from Goodwill and one-hour techs to packed houses and standing ovations, I learned how to create magic on a shoestring budget by putting the story first.

This year there are over 20 one-woman shows in the Hollywood Fringe Festival.

At the last LAFPI meeting at Samuel French I was treated to a preview of Snack by Megan Dolan. In the hysterically funny world of Snack, Dolan traces the roots of her smoothie addiction back to her childhood, posing the question “How do you parent yourself and your kids at the same time?” Snack runs until 6/27 at Theatre Asylum.

This weekend I saw Jennifer Bobiwash’s Indians in a Box: There’s No “I” in NDN where Bobiwash sets out on a journey to discover what it truly means to be a modern American Indian. Through the laughs of Bobiwash’s story, we begin to understand the many complexities of her identity and how it’s shaped her life. NDN runs until 6/17 at Lounge Theatre.

There is an electric energy during the fringe, as artists become Olympians and audiences become active participants in the creation of these raw, intimate, now-or-never productions. Check out the “one woman show” tab on the HFF site where you’ll find an amazing group of storytellers who are the true heart and soul of this year’s fringe.

The Female Science Fiction Writers of Tomorrow

by Korama Danquah

It’s not a secret to anyone that science fiction writing has, in the past, been a boys’ club. I can’t really tell you why. Perhaps it’s a carryover from the gender gap in science education or maybe it’s just that women feel it’s more productive to construct a real-world society of equality before creating elaborate fictional future worlds. Whatever the reason, there are 20 H. P. Lovecrafts for every Ursula Le Guin.

This weekend, however, marks a momentous step forward for women in science fiction writing. Five young women will have staged readings of their science fiction short stories at Sci-Fest LA’s Tomorrow Prize. These LA high school students will have their stories (1500 words or less) read by prominent sci-fi actors and all five finalists are women.

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Finalists from Left to Right: Ashley Anderson, Erica Goodwin, Janeane Kim, Ruby Park, and Athena Thomassian

The five finalists are a beacon of hope for female sci-fi fans. For decades women in science fiction have been seductive aliens and, more recently, captains and starship officers, but we have not often been the authors of these fantastical stories. These finalists and others like them are saying no to the boys’ club of the past and carving a place for themselves in the annals of sci-fi history. It is often said that “you can’t be what you can’t see,” and these young women are making themselves visible for female science fiction writers of today and of tomorrow.

The Tomorrow Prize readings take place on Saturday, May 16th at 4:00 at Acme Comedy Theatre (135 N. La Brea Ave, Hollywood). Tickets are available for $10 online and $15 at the door. All box office proceeds and any additional donations received that day go to the winner’s high school science department. 

2nd Annual SWAN Day Action Fest – A Success!

Saturday’s LA FPI SWAN Day Action Fest was packed!SwanLogo2

 

The City Garage Theatre is a lovely space.

Each reading was fantastic.  The talent in the room was magnetic -even the micro-reads which are done with minimal if any read-throughs prior to reading them in front of the audience were exciting!  Such FUN.

Thank you to everyone who made this event a success – you rock!

 

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Happy Support Women Artists Now Day!

Presented by Free Association Theatre with Los Angeles Female Playwrights Initiative, hosted by City Garage Theatre.

SWAN Day Action Fest 2015 It’s TODAY  —  SWAN Day Action Fest!

Come on out and celebrate with us!

Bring some pages and sign up for the micro-reads.

Calling all LA female playwrights
 (and screenwriters): Let’s read your work!
Bring 1 page for our Micro-Reads. 

Click Here for Guidelines.

View Action Fest Line Up Here.

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