Category Archives: LAFPI

An elephant’s ass….

by Robin Byrd

the elephant – and his fat ass – is sitting on my arm, squashing my chest

his feet protruding through the walls

destructive

and he smells

like centuries of hippopotamus-shit caked in his skin

imagine elephant ass/hippopotamus shit

from where I’m lying, I can only see thick gray folds of wrinkly, wrinkly skin with gobs of hippo-shit smeared across the folds

crumbling off that ass onto me

damn elephant

get off me!

NOW!

he slowly raises that ass up off me

the pressure lingering

the tightness

got me searching for aspirin, tylenol, something

found two pills in what looked like a 2006 package

gonna have to take a chance

if I can just burp

the bubble is lodged dead center of my clavicle

feels like that ass never left my chest

In the morning I burped

It came rolling out like a

Sheila E riff

pure glory!

Dig…

by Robin Byrd

Dig through the wall in their sight, and carry your belongings out through it.”  Ezekiel 12:5

this

is the unearthing unburying re-birthing of the offspring of praise

emerging from the fields covered in a red clay-like bag of waters

clenching smooth milk and honey stones – one in each hand

this

is the promise

sustenance

renewal

Life

clothed like john the baptist in knee-length hair

honed toward home, they go

from the dust

rising in strength, dry bones and all

seeking balm for hands raw from digging

unearthing

unburying

re-birthing

rank from the shifting of dung rocks out of the way

while the earth is shaking around them, its heavens opening to the hope of rain

look up,

the clouds are aching to let loose of water to wash away this dust of ages

mountains are quaking to the shifting ground,

needing more than salve, needing gilead’s balm

THERE IS A BALM IN GILEAD TO MAKE THE WOUNDED WHOLE

God speed to the offspring of praise, these children of promise, as it were,

may praise meet gilead in the valley of baca and make it a well

give Hebron, give grace and mercy, give renewal and sustenance and life

Oh, let praise inherit life…

the speed of sound…

by Robin Byrd

the dead are speaking

literally…

I ran into my mother’s voice; it came out of nowhere – attached to a file on my computer

hit me like a bolt of lightning

I gasped, I cried out, “Mommy!”

I was a ball of emotions

I played it over and over again, oh, how I’ve missed the sound of her voice

She’s been in my dreams for the last month

“what is he reading?” she asks, upset that death forbids her tend to it

the collage of her is everywhere

even my breasts are mommy’s breasts now, courting gravity like a first kiss, surprised yet not so impressed

my hands are starting to cook like hers, I bought a new pot so I can make her stew

been craving it for years, I am my mother’s daughter, her face is in my face

and I think she’s ready to tell her story

She’s coming to me like my characters do but she’s more forceful – like coming back to the middle of a semi-heated conversation we were just having to say one more thing

so familiar

“WHAT A FRIEND WE HAVE IN JESUS, ALL OUR SINS AND GRIEF TO BEAR, WHAT A PRIVILEGE TO CARRY, EVERYTHING TO GOD IN PRAYER…”

Her favorite song rises out of the silence in my head

yeah, she’s ready…

and then, last night, I was reading old blogs of mine because I couldn’t sleep nor could I remember me before–

and there, in the comments was Erica (Bennett) telling me she hopes I feel better – the words were audible, clear

“Erica?”

“I hope you feel better…”

“I miss you, Erica…”

and in the background, I could hear another friend saying, ”God loves me.”

He was walking briskly towards me so full of joy…

the dead are speaking…

it’s making me shake myself like Samson and get to swinging

’cause I got things to do…

They are reminding me to redeem the time because the space between now and eternity is as far away and as close as the speed of sound…

Riding the Air…

by Robin Byrd

Is it like riding the air?   movement…   

I seem to have forgotten – stuck here like I am in the hardly bearable heat of these walls and the “go nowhere” doors from sun up to moon down.  I tell myself that I am not going to faint or lose heart, that I am going to subdue this beast one hour at a time, one day at a time, by the Grace of God…

but I really want flight, I yearn for air… I want wings and I want wind to ride. I been looking for signs of movement, looking for a great big wind to come skip-to-my-lou all through this mess, dislodge some rivers for baptisms, root up healing herbs and toss some around for everybody to have.

I want to relax, I want to float like a leaf and land picturesquely on the grass showing off the beautiful colors of my whole self.  I don’t want to apologize for nothing not for floating, landing or seeking air.  If I push myself, I bet I can land far enough away from here so I can breathe new/fresh pockets of wind…bet I can land somewhere east of here, near appalachia, up where lavender lilies bloom, where rose of sharon sings… 

I can’t breathe here no more in this heavy porous atmosphere, it’s dropped down way too low, to the little grassy piece of earth I live on and I just can’t breathe.  I thought I was imagining it but it’s real – the air is thick; thick and sticky like a glob of peanut butter caught in the throat daring you to drink water, threatening to thicken regardless…

I need air and space and

God cracking the skies…

Oh, God, blow on us, shower us with rain and the latter rain, deliver us, heal this land…

Heal the land, Father… we humble ourselves and pray

we pray

we Pray

we PRAY

We dream of riding the night winds again, of sleeping well and waking rested

send Your wind, help us fly

lift us up high enough to catch hold

let us mount up with wings as eagles — send the wind, Lord, send the Wind…

But they that wait upon the Lord shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; and they shall walk, and not faint.

Isaiah 40:31 King James Version (KJV)

A Pox on my Playwriting

By Anna Nicholas

Writers write. Right? I’m a writer but I have discovered I’m not great at writing during a plague. I’m not Shakespeare. Only Shakespeare could turn out King Lear, Macbeth and Antony and Cleopatra while massive numbers of people were dying just outside the door of his stucco and thatched roof house. It’s amazing the aerosols didn’t penetrate the walls and take him out. Then again, maybe he had amazing antibodies–not that anyone knew what they were. It does seem as though cycles of bubonic plague were actually helpful to Mr. Shakespeare. Between 1603 and 1613, during a time when his powers as a writer were at their height, when he wrote some of his most enduring plays, the Globe and other London playhouses were shut for a total of 78 months. That’s 60% of the time.*

In contrast, during the first 2 months of our plague, I have written one short post-apocalypse play in which Jared Kushner gets eaten, and am mired in two rewrites. One is a full-length stage play that some people claim they want to produce when and if things return to normal. The other is a full-length screenplay I was hoping to direct later this year. But with all the concerns the threat of Covid19 poses to making theatre and films–love scenes with masks and the like–I don’t count on either project happening any time soon. What happens with my writing is out of my hands. But my hands can still write.

Here’s what I’ve discovered about writing during our plague that’s good: I am able to have ideas for writing projects and write them down. I am able to write first drafts. I am able to free-write without judging. Not judging IS a writing skill and one I’m not always good at, even in the best of times. But now? I give myself and everyone else a bye. What I cannot do as well during this plague is rewrite. That’s because the hardest part of writing for me isn’t writing; it’s thinking–the kind of deep thinking which is arguably the most important part of writing, where one needs to figure out what must be added/ cut/changed, and in what order, to make the rewrite work. The plague has negatively affected my ability to think deeply and lucidly about almost everything except what needs to happen in the next election cycle. But I digress…

Neurologists and brain chemistry experts might say that during times like these our fight or flight mechanisms are on high alert. We’re looking for “news we can use” all the time, which means we’re operating on a more surface level– Where do I get a Covid test? What kind of homemade face covering will be most effective? How can I help essential workers in my small measly way, while I’m out of a job, no money’s coming in and I haven’t showered in a week? 

Being in this mental state takes up a lot of brain capacity. So there’s a physical reason why I, and possibly you, are not writing like Shakespeare. But bear in mind, even Shakespeare wrote first drafts. I like to think he too, was distracted by the events outside his door, just as I am. And he wrote anyway. He wasn’t distracted by memes, TikTok and the 24-hour news cycle but he was worried about where he’d get his mutton and mead. And so, I believe, that during Shakespeare’s plague, he wrote his vomit first draft of King Lear without judging it. Then, after the plague was over and the Globe had reopened, he went deep and rewrote it. He found a way to keep writing and that’s what I’m doing too.

AR (Anna) Nicholas is a playwright, filmmaker and actor. Website: AnnaNicholas.com; Twitter/Instagram: @aroyaln

If They Stop Us From Gathering, We All Become Hunters

by Rasika Mathur

And I don’t know about you but I can’t live like that. Mind you, I have enough tomboy in me for two more lifetimes and one final incarnation, but I still have a soft fragile gooey inside that gets high off of helping post-rain snails who show up on my doorstep, taking long naps, and laughing with other people in very public spaces. I’m pretty gathery.

Can I get you a shell, sweet friend?
Or just freeballing it today?

If you’ve witnessed recent road rage or more recent panic buy, you’ve probably concluded that we can’t afford to lose that balance. That would be devolving. And how much of the mess our natural world is currently in can be traced back to the hands of hunting gone awry? 

I think right now Is about being smart. But not paranoid. I was there, vascillating this week between the two.

Monday paranoid.

Tuesday can’t do it, I need to act normal.

Wednesday paranoid from WHO.

Thursday can’t do this, just wanna touch my eyes!

Friday the scene at Trader Joe’s Silverlake GEEEEEEEZ.

Who can we credit for “PANIC ROOM 2020” ???

And today, I woke up to the grey (perfect timing this rain, eh?) lockdown feelings, thinking, “I can’t write like this. I can’t be creative, I can’t be productive, I can’t be present. What can I even say? Oh, great, I’m the guest this week, holding the mighty blog pen of LAFPI. What a waste this must be for them.”

And then, I realized, “Yup. It got me.” The other virus. The one that lowers my humorous system, tugs my love vibration to come crashing down, and dents my ability to be of service.

So I am choosing to acknowledge my fear, not of the virus, but of the powers who could create such things.

How evil hearted do you have to be to think it’s okay to release a bunch of disease all over people (during rainy weather.) Vulnerable people. Fry their insides w technology. Fill us with forced vaccine/gunk? Declare us the enemy while we go on about our lives making small, sometimes big differences but not once prioritizing harm to others. Who are these people and why do we constantly give them the keys to the most important kingdoms of our minds and our loyalty? Haven’t a handful of Extremely Sadistic Hunters messed all this up badly and bigly enough?

TRIGGER WARNING WITH THIS LINK: MAY CONTAIN INFORMATION.

When NBA, NHL, Disneyland, Hollywood Productions, and other huge organizations in arts, sports & entertainment began to shut down Wednesday…I could feel the seriousness — of course, we worry about our individual ability to pay the bills, but the bigger suggestions were to “flatten the curve” of an easily-spread, often deadly nuisance, as a collective, and I was all for that. All for that. Like, wow, we can all actually get on the same page about something. We passed those ideas on to our own yoga studios, school and class communities, small events, clubs and show outings — mostly met with shock, heavy hearts and initial resistance. What’s the big deal? People are panicking… but everyday more of a tipping point to comprehend the urgency of containment. I mean, how can I not be upset about some of the most biggest, baddest, most conscious and beautiful gatherings that have touched my life having to PAUSE if not STOP ENTIRELY?

Lightning In A Bottle!
A cheaper Burning Man!

So. Now what? I’ve literally admitted I’m powerless over all of this. Where is my power? I need some of my power back. What can I do?

There’s two viruses at play here.

The physical one, which is about being cautious and clean. I can keep sensible regarding that virus. Do all the things, the no face-touching, no going-outing, constant hand-washing things.

And the second one, which is designed to attack our mental and emotional state. I can keep monitoring how I’m allowing myself to be run by fear and negativity and collective panic.

So after waking up to media media social media, and articles, and government actions and lots of different points of view, I felt the itch to just go out, get shit done, and live.

I needed to breathe and let go. How? Because sometimes our anxiety can’t just be breathed away, right? I’m sensitive. I understand. I got you.

I look around. (like the Calm app says)

I see the beautiful Tibetan bowl gifted to me last night from my friend, Jodi. (Get present to my immediate environment)

My friends get me.

I play it. (Sound healing)

I light incense. (Magical smells)

I make the bed. (Routine) (Touching soft, cozy blankets)

Put on my hat that says “hat” (Nobody ever laughs at that)

Go outside. Breathe. Pick oranges off the tree. (Vitamin D, Vitamin C)

Drive to a DIFFERENT Trader Joe’s for my Indian frozens dammit, and take the scenic route. (Calm preparation)

Play either beautiful music by Tycho that brings my cells and DNA back to the best times of my life – or grounds me back to that young, innocent person that I was growing up in Houston, TX with my sister during our school years, Erasure on loop (Remember who you are)

I overzealously wave to other drivers as I pass them. With this simple act, my sense of humanity returns. In an attempt to be sane, I look totally insane. I feel like Joaquin Phoenix’s Joker dancing on the stairs after he…well, y’know. Except what I’d brutally murdered were my thoughts of paranoia and other-ness! (Reaching out)

THE LIGHT IN ME SEES AND HONORS THE LIGHT IN YOU,
FELLOW CITIZEN!

Choose to not text back a few people because I don’t wanna talk about IT, just wanna keep my vibe high (Shielding/Protection)

After doing all these things, this article began to write itself. My thoughts relaxed as I thought about you, receiving on the other end. I realized I could use the power of words today to comfort, relate and entertain. I started to feel like me again. And the cashier AND bagger guys at Awesome, Plentiful Trader Joe’s actually acknowledged and loved HAT!

I’m gonna leave you with the best viral links I’ve seen this week that have helped me to turn the corner on my self-care. Leave your favorite ones in the comments below. We are all aching in some way, and we need to stockpile the good vibes, and safely feel one another. You’re not alone, sweet friend.

VIDEO: Quarantined Italians Sing Together – Its like Life Is Beautiful!

For the Starseeds & Dreamers, click here
Watch Ralph Smart if you’re looking a bit shaky, baby
For my Thinkers

And finally, as a former step-mom and current nanny, tutor and favorite Auntie, to the parents who are stressing about what to do with your kids this week? You can tell me to shove it, but YOU DO have the exclusive privilege and an unprecedented opportunity of being on the frontlines of teaching this next generation how to not become self-absorbed assholes who balk everytime they don’t get their way or think something is being taken from them, lest they grow up to pursue a career in revenge against the entire human race. What a great week to gather ye little ones and teach them how to sit w themselves and meditate. With you. That way I don’t have to teach them when they’re 21 and they walk into my drug rehab because they never learned how to sit with themselves and their never-ending thoughts and desires. What a wonderful time to interrupt the nonsense and say, “hey this is important. I want you to come over here and sit with me because there’s bigger things going on right now than you not getting that toy” and “It’s okay to be scared, I’m scared too, let’s be scared together” and teach them there are people, places and things in the world we cannot always control but we can sure control how we react and respond.

My friend Nidhi Chanani reframes lockdown in a lovely way

Thanks for letting me write in this community-focused, virtual gathering space of like-minded, wonderfully artistic souls.

I’ll be over here gathering up my oranges and shiitake noodles with sprinkled bee pollen and cumin for flavor because I’m going to get reeeeallly creative with all these random foods, teaching a few healthy people yoga and deep breathing for anxiety, making myself laugh, and Trusting that I’m being taken care of.

Rasika Mathur is a writer and yogi. She is always living the dream.

Ruthless, The Musical

by Diane Grant

Theatre Palisades just finished a run of Ruthless, The Musical,  by Joel Paley (book and lyrics) and Marvin Laird (music).  It’s a dark comedy about a ruthless little girl who would do anything ANYTHING to play Pippi Longstocking in the school play.  And she does, of course. 

Spoiler.  Bodies all over the place at the end!

When I heard about the play, I was drawn to it immediately because my daughter and I watched all (I think all.  I’d hate to think we missed any) of the Pippi Longstocking movies.  For those deprived of that pleasure, I must tell you that Pippi is a little Swedish girl with amazing powers.  On fact, she is the world’s strongest girl.  She can leap from the ground and into a high tree branch just like that!  She has red hair and a gap tooth and a father who is at sea.  

Her Mother is no longer living and Pippi lives in her house with only her horse and her monkey.  She has two other best friends, too, her neighbors, Tommy and Annika, and they all have many adventures together. (Wikipedia tells me that the original Swedish language books set Pippi’s full name as Pippilotta Viktualia Rullgardina Krusmynta Efraimsdotter!)

You can see that it would be a thrill to play such a girl in the school play.  More importantly, it is the lead in the school play.  The LEAD! 

The little girl in Ruthless is nothing like Pippi.  She is much more like the girl in The Bad Seed.  (The writers couldn’t get the rights to that and just ran with the idea!)

The music seems to come from the heart of the writers and one of the songs, in which a third grade teacher sings about being a third grade teacher as “something to fall back on” sent all the show biz aspirants, in the theater, including me, into a swoon.

It started me thinking.  Wouldn’t be wonderful to invent a girl protagonist, people would fall in love with and want to follow through many adventures?  Anne of Avonlea?  Ramona Quimby? Nancy Drew? Harriet, the Spy?

Where do these characters come from?  Beverly Cleary said that she heard her neighbor calling her little girl, Ramona, and Ramona Quimby was born.  Nancy Drew was a detective in a mystery series created by publisher Edward Stratemeyer, ghostwritten by a number of authors and published under the pseudonym Carolyn Keene. She was the counterpart to the Hardy Boys series.  

In 1908, Anne of Green Gables by Lucy Maud Montgomery, was published by a company in Boston and sold just under 20,000 copies in under half a year.  Montgomery had made notes as a young girl about a couple who were mistakenly sent an orphan girl instead of the boy they had requested and the notes became the inspiration for the book.

In 1964, Louise Fitzhugh created eleven-year-old Harriet M. Welsch.  Harriet is an aspiring writer who lives in New York City.  She’s precocious, ambitious and enthusiastic about her future career. Encouraged by her nanny, Catherine “Ole Golly,” Harriet carefully observes others and writes her thoughts down in a notebook as practice for her future career, to which she dedicates her life. She follows an afternoon “spy route”, during which she observes her classmates, friends, and people who reside in her neighborhood.

In 1990, J.K.Rowling was on a train from Manchester to London when the idea for Harry Potter suddenly “fell into her head”. Rowling gives an account of the experience on her website saying:  “I had been writing almost continuously since the age of six but I had never been so excited about an idea before. I simply sat and thought, for four (delayed train) hours, and all the details bubbled up in my brain, and this scrawny, black-haired, bespectacled boy who did not know he was a wizard became more and more real to me.”

I don’t have a train to take but can invent my own spy route.  I’ll just be more observant on my daily walks, maybe even change the route a little.  Diane, the Spy.  (It could work!  No?)

Remember that writing is to put love in the world, not to use against your friends. But to yourself you must tell the truth.” –Ole Golly, Harriet the Spy, Louise Fitzhugh

The Unpredictability of Story…

by Robin Byrd

This week, I was experimenting with imagery and symbols to find character and story. I approached it like a dump cake or stew, tossing the random images into the pot and stirring. I did not expect the story that unfolded. I did not expect it to come out in poetry nor did I expect the poems to connect over the days. I simply wrote the images I heard or saw. I did not tame the words or dispel the ghosts.

On my journey to write fiercely, I hope I am making progress. This was an interesting week in writing for me.

Thoughts?

Let it Come…

by Robin Byrd

In the green and blue mist

I make my way back to earth borne tragedies, dimly lit pathways, and houses full of clutter

I would run but my knees ache and I am tired of the switchbacks

I would rest but pine needles are sparse in this part of the forest

The Wind says something’s coming

The cold is like ice on my bones, joints crackling louder than whatever that is that’s following me

I would be afraid but I have an urgent need to draw blood

The years have changed me and I can no longer hide the warrior side of me

Let it come

I will be as Simeon and Levi against Shechem

I will roar like Judah

My yell will topple the trees for I am, indeed, Judah’s daughter

A double portion I was given and I shall draw blood

Let it come, quickly in this thick solitude that blankets the night

Let it wake the birds and startle the muffled river for I am full of righteous indignation

I need to fight, I’m not running anymore

Shall the uncircumcised overtake me?  Shall they make sport of me?

Nay; it will go another way this day

If I make the clearing before the attack

I will wade into the river and draw it in after me where my hands shall drag it beneath to the water’s bed and I will break it like a stick

If I must fight in this forest

I will stand here, in the middle, like Shammah, son of Agee the Hararite when the Philistines came and he stood in the middle of the lentil field and fought victoriously, he took his stand and defended the field and struck them down

I too shall defend and strike down —

This thing that follows me, hunts me like prey, taunts my life ,

Will do so no more for I shall be a terror to it this day…

Let it come

Judah’s girl is woke and pissed the Hell off….

I Need a Shovel…

by Robin Byrd

Which way?
It’s almost midnight
And I just lost my shovel
There is zero visibility in this fog
And it’s rolling
rolling in like gangbusters with diarrhea


Shit everywhere


liquefying in this heat, sticking
like honey on skin
soaking my clothes and hair
Taking up all the air
Congested, I can’t breath anyway except through my mouth
Open to flying particles of fecal matter landing on my tongue and tonsils
I won’t be eating nothing till I can scrub the Hell out of my mouth

It’s above ground if you didn’t know; it ain’t underground no more
It ain’t an imaginary place

I need the shovel. Give me a shovel please

He said he was sorry
He should have begged me to forgive him but it wouldn’t have mattered
I still wanted him gone
Poof…splat..splam….
Gone – like dead gone


If I got to carry this body till the limbs fall off, he got to be dead
And I ain’t doing no backtracking to pick up litter either
Limbs be damned
Rapists need to lose something too


They need to get first class tickets to the fiery pit
That big unknown called Hell
And they need to go covered in hot shit mixed with gasoline


Give them all window seats

and a book of matches