The FPI Files: Femmes Working It Onstage and Off at Theatre of NOTE

 by Desireé York

A production composed of bad-ass broads on and off the stage?  We are there!  LA FPI caught up with playwright Gina Femia and asked her about her play For The Love Of (or the roller derby play)receiving its  West Coast Premiere of at Theatre of NOTE in Hollywood, directed by Rhonda Kohl with an all-female cast and design team.  Come join the brawl!

LA FPI: Did you set out to write a play with an all-woman cast?

Gina Femia:  Yes, I absolutely did!  My one regret was not being able to fit in a tenth woman to make it an even number which is why it’s so thrilling that Rhonda had the brilliant idea to add Refs as characters to bring the total up to 14!  I always knew that I wanted to write a play about a female roller derby team and, as it was a sports play, knew that it should have a larger than average cast.  It was important for me to have a cast of women because representation matters and we need more plays that have large casts for women which contain fun, meaty, deep roles for them to inhabit.

LA FPI: With such a diverse cast of characters, was it your intention to give as many women from different walks of life a voice?

Playwright Gina Femia

Gina: Feminism needs to be intersectional and I wanted to include as many voices as possible.  I also wanted the team to be an accurate representation of people who live in Brooklyn, from age to race to interests and class. I think every play should be as diverse as this one so we can continue to give as many women as possible opportunities to have their voices represented in theatre.

LA FPI: Does all this bad ass roller derby action come from personal experience?

Gina: I have never played roller derby; I am actually one of the most least athletic women on the planet!  But I am a huge fan of roller derby.  Within the first second of seeing my first game, I fell in love with everything about it.  The sport is jam-packed and action-filled, but one of the most exciting things about it is seeing powerful women being powerful.

LA FPI: How did you come up with the brilliant idea to portray the roller derby sequences using dance?

Crystal Diaz, Cassandra Blair, Alina Phelan (& company) in FOR THE LOVE OF. Photo by Darrett Sanders

Gina: My intention was never for actors to be on roller skates; it’s just too dangerous and I think would be ultimately distracting from the play.  But it was always important to me for physicality to be represented in some way.  The sport is a physical sport and I needed that to be part of the play. I wanted the dance to move the action forward, just like how action moves a derby bout forward.  We don’t often get the chance to see women be physical on stage and I’m thrilled this play gives us a chance to witness that

LA FPI: What inspired this play?

Gina: Aside from roller derby, I really wanted to write a love story about a person coming into herself.  I think it’s important that we don’t define ourselves by the relationships we are in; we shouldn’t stay with a person because we’re used to them.  If they’re keeping us from growing, or if we are keeping them from doing the same, then we should let them go.

LA FPI: What would you like audiences to take away with them from this play?

Gina: Roller derby is a fun sport and there’s a lot of fun to be had during the course of this play (and Rhonda has definitely made it a FUN production!).  But I also hope audiences take away some personal inspiration; we are all always fighting for something.  Sometimes it’s hard to remember why we follow the passions we have, but if it’s something that makes you happy – I think that’s a reason we should fight for it.

Gina Femia with FOR THE LOVE OF cast and crew Opening Night at NOTE

For more information and tickets to FOR THE LOVE OF (or, the roller derby play) visit theatreofnote.com

Know a female or FPI-friendly theater, company or artist? Contact us at lafpi.updates@gmail.com & check out The FPI Files for more stories.

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Los Angeles Female Playwrights Initiative is a sponsored project of Fractured Atlas, a non‐profit arts service organization. Contributions for the charitable purposes of LA FPI must be made payable to “Fractured Atlas” only and are tax‐deductible to the extent permitted by law.

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