WHO: Callie Prendiville
WHAT: Blamed: An Established Fiction
WHY: One of ten Fringe Scholarship winners (awarded to shows that expand and diversify the Fringe community) “Blamed” combines text with original music, dance, poetry, and puppetry to examine the role of women throughout history, mythology, and literature who are blamed for the ills of society. “Blamed” cleverly uses many different theatrical conventions to tell its stories and the result is a multi-cultural tapestry of short tales. “Blamed” was also awarded Best Drama at the 2015 San Diego Fringe.
Upon entering the small studio/stage space, the performers (13 women and a live folk music band) are already on stage. It reminded me of the Broadway show “Once” which also starts with the performers (who are also the musicians) already on stage, giving the audience a little pre-show entertainment. I liked how “Blamed” makes use of every possible inch of the small space. Choreographer Annie Lavin expertly blocks the performers movements because any errors in this fast-paced, movement-focused show could have caused quite an onstage traffic jam, but everything flows beautifully.
The show begins as the women tear pages out of a book, referencing the stories that are about to be told. Laughing at what they are reading, they know the truth about these “blamed” women and know what’s written in books is fiction. Seven stories are dramatized, including the story of Eve, Joan of Arc, Marie Antoinette, and Little Red Riding Hood. One performer reads or tells the origin story of a well-known woman/girl who was wrongfully accused, victimized, stigmatized, or BLAMED by society as other ensemble members act, dance, sing, or use shadow puppets to illustrate the story. Slowly the audience understands how women have been marginalized throughout history and into present day. As the tag line states: “These aren’t your mother’s fairy tales.”
Some stories are told through folk/fairy tales, shadow puppetry (my favorite part), songs and, especially, dance. There is quite a bit of dancing and unfortunately there is really not enough room to truly dance, but the company does the best it can with the limited space and all the various theatrical elements merge into a cohesive work.
Most members of the ensemble get their chance to shine including playwright Callie Prendiville who is also a member of the ensemble. In an interview she states that she “fell in love with theater after discovering it was the synthesis of things” she cared about. What she cares about in “Blamed” is debunking the myth that dominant women should be feared. “I want people to question the deeper message of our storytelling, to reconsider their assumptions.” I certainly did.
“Blamed” is one of only eleven entries in the “Dance and Physical Theater” division in this year’s Fringe. I don’t usually see these kinds of shows but was glad “Blamed” made it onto my “dance card.” Hope it makes it onto yours.