Playwright David Henry Hwang had a few more things to say about the craft of writing when he dropped by a revival of his play “Yellow Face” in Washington DC this weekend.
He says it’s his practice to write the first act as a comedy, which allows the audience to more fully embrace the more difficult, serious topics of act two. Ah, the old “give the kid dessert first” technique I used to employ as a babysitter.
He also poked fun at one of his own less-than-successful plays, even presenting a snippet on stage that could make your teeth hurt. Would I be brave enough to publicly expose my own writing foibles night after night? When I write a lousy play, I want it to disappear.
And for a play that debates race appropriate casting, the play itself demands the director and producer make hard decisions about which actors of which races are appropriate for playing the characters in “Yellow Face.” Can a non-Asian play the mother of Henry Hwang? What does it say to the audience if he’s not? The multi-cultural casting was fun, but it was even more fun to hear the producer Ari Roth and David Henry Hwang talk about the hard choices. It was a debate the audience also joined in on. What a wonderful idea to find a way for the audience to see the political questions of a play at work in front of them, forcing them to ponder the same questions!
Tomorrow, I fly to Denver for the Colorado New Play Summit. Stay tuned for updates from the Mile High City on a new Matthew Lopez play and more!Tweet