Gotta Have a Gimmick, Part Two

by Kitty Felde

Just want to followup on a comment from playwright Mallery Avidon:

Welcome to LAFPI! It’s a wonderful group of women writers battling it out in Los Angeles to draw attention to the work and increase the number of produced plays by women writers.

I think I need to more fully explain my inclusion of your play in my description of what I call “gimmick” plays.

As I noted, I don’t use the term as a derogatory genre. Shakespeare himself used cross dressing lovers to great effect in “Twelfth Night.” It’s a trend I’ve noticed as a genre showing up on legitimate stages all over the country. They can add an element of fun and excitement to a play. It’s what Hollywood might call a “hook” – something that will turn a curious audience member into one who will buy a ticket.

And as playwrights, it’s something we should take a look at as another reason a theatre might want to produce our plays.

Here, let me express my own personal opinion, not that of LAFPI:

I am not a fan of “Clybourne Park” for reasons other than the writing. I think Norris got it wrong. I grew up in Compton, lived through the white flight and thereafter. I just think his history is wrong in Act One. (I’m not the only one: Kwame Kwei-Armah, artistic director at Centerstage – like me – wrote a play IN RESPONSE to “Clybourne Park.”)

“Oh Guru Guru Guru, or why I don’t want to go to yoga class with you” has a terrific first act – funny, heartfelt, a story that felt specific and real. The fact that the writer used the “gimmick” of a lecture was icing on the cake. In my own opinion, the use of several other gimmicks in the next two acts – demonstrating the life in an ashram, audience participation, the surprise of “it’s only a movie!”, the conversation with Julia Roberts – detracted from the strong beginning. And from the play, which tackles a unique experience: growing up in an ashram and how that affects a person’s life.

Would I buy a ticket to a gimmick play? Of course! Would I write one? You bet.

About Kitty Felde

Award-winning public radio journalist, writer, and TEDx speaker Kitty Felde hosts the Book Club for Kids podcast, named by The Times of London as one of the top 10 kidcasts in the world. The Los Angeles native created the Washington bureau for Southern California Public Radio and covered Capitol Hill for nearly a decade, explaining how government works to grownups. Now she explains it to kids in a series of mystery novels and podcasts called The Fina Mendoza Mysteries. Kitty was named LA Radio Journalist of the Year three times by the LA Press Club and the Society of Professional Journalists.

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