Yep, right here. Most unsuccessful playwright ever. And I hate superlatives.
It’s my blog week here on LAFPI. So I had a whole big comic riff planned for my Monday post. I had planned to talk about how I had absolutely nothing happening in my playwriting world and how I was now aiming for a lack of success instead of success and how once I realized that I became a happier person even though to desire a lack of success instead of success is very un-American.
Then last week I got an email from Tiffany Antone. Darn you, Tiffanyyyyyy!
Tiffany is producing an evening of plays about pets, and I had sent her some monologues which I had totally forgotten about. Anyway, she’s putting my monologues in her pet play evening and would I be interested in writing another monologue?
Of course I wrote another monologue. So now, I have something theatrical happening and I can no longer be the most unsuccessful playwright ever. I’m bummed. I’m seriously bummed.
Meanwhile, on the cover of the most recent LA Weekly was a drawing of William Shakespeare with a laptop and the headline: Why Be a Playwright in LA? Inside, Steven Leigh Morris wrote a very engaging profile of four Los Angeles based playwrights. The article can be found here.
Personally, I’ve never been very good at being a playwright. I can’t figure out the secret handshake, and my wardrobe is all wrong. I just like to write plays that are crazy, sexy, cool.
But I could relate to the LA part of the headline. I’ve been looking around LA and asking myself why am I here? Sure there’s a great acting pool, but great actors can be found all over the world. Sure seventy degree February days are nice, but so is rain. Why am I in LA? I don’t have a witty answer for that one. I just know it’s April 2013, and I’m still in LA.Tweet